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The magic lantern, also known by its Latin name lanterna magica, was an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates, one or more lenses, and a light source. Because a single lens inverts an image projected through it, slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented.
Morphing is a special effect in motion pictures and animations that changes one image or shape into another through a seamless transition. Traditionally such a depiction would be achieved through dissolving techniques on film. Since the early 1990s, this has been replaced by computer software to create more realistic transitions. A similar method is applied to audio recordings, for example, by changing voices or vocal lines.
A stereopticon is a slide projector or relatively powerful "magic lantern", which has two lenses, usually one above the other, and has mainly been used to project photographic images. These devices date back to the mid 19th century, and were a popular form of entertainment and education before the advent of moving pictures.
Pepper's ghost is an illusion technique, used in the theatre, cinema, amusement parks, museums, television, and concerts, in which an image of an object off-stage is projected so that it appears to be in front of the audience.
The phenakistiscope was the first widespread animation device that created a fluent illusion of motion. Dubbed Fantascope and Stroboscopische Scheiben by its inventors, it has been known under many other names until the French product name Phénakisticope became common. The phenakistiscope is regarded as one of the first forms of moving media entertainment that paved the way for the future motion picture and film industry. Similar to a GIF animation, it can only show a short continuous loop.
A slide show, or slideshow, is a presentation of a series of still images (slides) on a projection screen or electronic display device, typically in a prearranged sequence. The changes may be automatic and at regular intervals or they may be manually controlled by a presenter or the viewer. Slide shows originally consisted of a series of individual photographic slides projected onto a screen with a slide projector. When referring to the video or computer-based visual equivalent, in which the slides are not individual physical objects.
A raree show, peep show or peep box is an exhibition of pictures or objects, viewed through a small hole or magnifying glass. In 17th and 18th century Europe, it was a popular form of entertainment provided by wandering showmen.
Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema.
The Museum of Precinema is a museum in the Palazzo Angeli, Prato della Valle, Padua, Italy, related to the history of precinema, or precursors of film. It was created in 1998 to display the Minici Zotti Collection, in collaboration with the Comune di Padova. It also produces interactive touring exhibitions and makes valuable loans to other prestigious exhibitions such as 'Lanterne magique et film peint' at the Cinémathèque Française in Paris and the Museum of Cinema in Turin.
A projector or image projector is an optical device that projects an image onto a surface, commonly a projection screen. Most projectors create an image by shining a light through a small transparent lens, but some newer types of projectors can project the image directly, by using lasers. A virtual retinal display, or retinal projector, is a projector that projects an image directly on the retina instead of using an external projection screen.
Owen Graystone Bird (1862–1943) was a British professional photographer, active during the late nineteenth and early twentieth centuries. Some sources give his first name as William instead of Owen, however, all sources agree on the prominent use of Graystone. The cause of confusion about the correct form of Bird's full name is unclear, but it does not seem to be a case of multiple photographers using the names "Graystone" and "Bird" in combination, contemporaneously.
Elias Childe (1778–1849) was a British landscape painter. He was a prolific artist, working both in oils and watercolours.
Henry Langdon Childe (1781–1874) was an English showman, known as a developer of the magic lantern and dissolving views, a precursor of the dissolve in cinematic technique. While the priority question on the technical innovations Childe used is still debated, he established the use of double and triple lanterns for special theatrical effects, to the extent that the equipment involved became generally available through suppliers to other professionals. By the 1840s the "dissolving view", rooted in Gothic horror, had become a staple of illustrated talks with restrained animations.
James Warren Childe was an English miniature painter.
Dissolving views were a popular type of 19th century magic lantern show exhibiting the gradual transition from one projected image to another. The effect is similar to a dissolve in modern filmmaking. Typical examples had landscapes that dissolved from day to night or from summer to winter. The effect was achieved by aligning the projection of two matching images and slowly diminishing the first image while introducing the second image. The subject and the effect of magic lantern dissolving views is similar to the popular Diorama theatre paintings which originated in Paris in 1822. The terms "dissolving views", "dioramic views", or simply "diorama" were often used interchangeably in 19th century magic lantern playbills.
Chinese fireworks or paper fireworks, also known by the French terms feux pyriques or feux arabesques, is a type of optical toy box that displays pictures with twinkling light effects. The pictures are printed or painted on paper, parchment or cardboard plates, and contain perforated elements. A wheel with a spiraling pattern on coloured transparent paper is made to rotate between a light source and the picture plates, causing the light that shines through the perforations to flicker and to change colour.
The choreutoscope is the first pre-cinema device which employed a system similar to early film projectors. It was the first projection device to use an intermittent movement, which became the basis of many cine cameras and projectors. It was formed by a sheet of glass on which different drawings were made, and the sheet was mounted on a type off Maltese cross mechanism, which made the image move suddenly. The most common drawing was the 'dancing skeleton' in which six sequential images of a skeleton were animated in the viewing pane.
For the history of animation after the development of celluloid film, see history of animation.
Events in 1891 in animation.
Events in 1874 in animation.
References
- ↑ "Luikerwaal - Mechanical Slides". www.luikerwaal.com.
- ↑ "Chromatropes". www.luikerwaal.com.
- ↑ "A rare and large Henry Langdon Childe Mahogany-Mounted and Brass Hand-Painted Chromatrope, pair o". www.the-saleroom.com. 7 July 2016.
- ↑ Balzer, Richard. "Dick Balzer's Website: Homepage". www.dickbalzer.com.
- ↑ The Athenæum. 21 December 1844.
- ↑ "The Royal Polytechnic Institution ... Catalogue for 1841. New edition". 29 September 1845 – via Google Books.
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