Gaspard-Gustave de Coriolis was a French mathematician, mechanical engineer and scientist. He is best known for his work on the supplementary forces that are detected in a rotating frame of reference, leading to the Coriolis effect. He was the first to apply the term travail for the transfer of energy by a force acting through a distance, and he prefixed the factor ½ to Leibniz's concept of vis viva, thus specifying today's kinetic energy.
Persistence of vision is the optical illusion that occurs when the visual perception of an object does not cease for some time after the rays of light proceeding from it have ceased to enter the eye. The illusion has also been described as "retinal persistence", "persistence of impressions", simply "persistence" and other variations. A very commonly given example of the phenomenon is the apparent fiery trail of a glowing coal or burning stick while it is whirled around in the dark.
Peter Mark Roget was a British physician, natural theologian, lexicographer, and founding secretary of The Portico Library. He is best known for publishing, in 1852, the Thesaurus of English Words and Phrases, a classified collection of related words (thesaurus). He also read a paper to the Royal Society about a peculiar optical illusion in 1824, which is often regarded as the origin of the persistence of vision theory that was later commonly used to explain apparent motion in film and animation.
A zoetrope is one of several pre-film animation devices that produce the illusion of motion by displaying a sequence of drawings or photographs showing progressive phases of that motion. It is a cylindrical variation of the phénakisticope, suggested almost immediately after the stroboscopic discs were introduced in 1833. The definitive version, with easily replaceable picture strips, was introduced as a toy by Milton Bradley in 1866 and became very successful.
Optical rotation, also known as polarization rotation or circular birefringence, is the rotation of the orientation of the plane of polarization about the optical axis of linearly polarized light as it travels through certain materials. Circular birefringence and circular dichroism are the manifestations of optical activity. Optical activity occurs only in chiral materials, those lacking microscopic mirror symmetry. Unlike other sources of birefringence which alter a beam's state of polarization, optical activity can be observed in fluids. This can include gases or solutions of chiral molecules such as sugars, molecules with helical secondary structure such as some proteins, and also chiral liquid crystals. It can also be observed in chiral solids such as certain crystals with a rotation between adjacent crystal planes or metamaterials.
Jean-Baptiste Biot was a French physicist, astronomer, and mathematician who co-discovered the Biot–Savart law of magnetostatics with Félix Savart, established the reality of meteorites, made an early balloon flight, and studied the polarization of light.
Lambert Adolphe Jacques Quetelet FRSF or FRSE was a Belgian astronomer, mathematician, statistician and sociologist who founded and directed the Brussels Observatory and was influential in introducing statistical methods to the social sciences. His name is sometimes spelled with an accent as Quételet.
Joseph Antoine Ferdinand Plateau was a Belgian physicist and mathematician. He was one of the first people to demonstrate the illusion of a moving image. To do this, he used counterrotating disks with repeating drawn images in small increments of motion on one and regularly spaced slits in the other. He called this device of 1832 the phenakistiscope.
The year 1835 in science and technology involved some significant events, listed below.
Pierre François Verhulst was a Belgian mathematician and a doctor in number theory from the University of Ghent in 1825. He is best known for the logistic growth model.
The phenakistiscope was the first widespread animation device that created a fluent illusion of motion. Dubbed Fantascope and Stroboscopische Scheiben by its inventors, it has been known under many other names until the French product name Phénakisticope became common. The phenakistiscope is regarded as one of the first forms of moving media entertainment that paved the way for the future motion picture and film industry. Similar to a GIF animation, it can only show a short continuous loop.
A stroboscope, also known as a strobe, is an instrument used to make a cyclically moving object appear to be slow-moving, or stationary. It consists of either a rotating disk with slots or holes or a lamp such as a flashtube which produces brief repetitive flashes of light. Usually, the rate of the stroboscope is adjustable to different frequencies. When a rotating or vibrating object is observed with the stroboscope at its vibration frequency, it appears stationary. Thus stroboscopes are also used to measure frequency.
Jacques Charles François Sturm was a French mathematician, who made a significant addition to equation theory with his work, the Sturm's theorem.
Chronophotography is a photographic technique from the Victorian era which captures a number of phases of movements. The best known chronophotography works were mostly intended for the scientific study of locomotion, to discover practical information for animal handlers and/or as reference material for artists. Although many results were not intended to be exhibited as moving pictures, there is much overlap with the more or less simultaneous quest to register and exhibit photographic motion pictures.
Precursors of film are concepts and devices that have much in common with the later art and techniques of cinema.
Joseph Jean Baptiste Neuberg was a Luxembourger mathematician who worked primarily in geometry.
Simon Ritter von Stampfer, in Windisch-Mattrai, Archbishopric of Salzburg today called Matrei in Osttirol, Tyrol – 10 November 1864 in Vienna) was an Austrian mathematician, surveyor and inventor. His most famous invention is that of the stroboscopic disk which has a claim to be the first device to show moving images. Almost simultaneously, a similar device was developed in Belgium.
The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in many parts of the world. Especially the magic lantern influenced much of the projection technology, exhibition practices and cultural implementation of film. Between 1825 and 1840, the relevant technologies of stroboscopic animation, photography and stereoscopy were introduced. For much of the rest of the century, many engineers and inventors tried to combine all these new technologies and the much older technique of projection to create a complete illusion or a complete documentation of reality. Colour photography was usually included in these ambitions and the introduction of the phonograph in 1877 seemed to promise the addition of synchronized sound recordings. Between 1887 and 1894, the first successful short cinematographic presentations were established. The biggest popular breakthrough of the technology came in 1895 with the first projected movies that lasted longer than 10 seconds. During the first years after this breakthrough, most motion pictures lasted about 50 seconds, lacked synchronized sound and natural colour, and were mainly exhibited as novelty attractions. In the first decades of the 20th century, movies grew much longer and the medium quickly developed into one of the most important tools of communication and entertainment. The breakthrough of synchronized sound occurred at the end of the 1920s and that of full color motion picture film in the 1930s. By the start of the 21st century, physical film stock was being replaced with digital film technologies at both ends of the production chain by digital image sensors and projectors.
Events in the year 1871 in Belgium.
For the history of animation after the development of celluloid film, see history of animation.
