Type of site | Music webzine |
---|---|
Owner | Gino Filicetti |
Created by | Gino Filicetti and Adrian Bromley |
URL | chroniclesofchaos |
Commercial | No |
Registration | No |
Launched | August 1995 |
Current status | Inactive (since August 2015) |
Chronicles of Chaos (shortened as CoC) was an extreme metal webzine. It focused on artists that are generally outside the metal mainstream, and occasionally covers other forms of extreme music as well. [1] Online since August 1995, [2] [3] Chronicles of Chaos was one of the first webzines in the world for that genre of music. [4] [5] It has been a nonprofit publication since its inception. [6] Chronicles of Chaos stopped publishing new articles in August 2015. [7] [8]
Chronicles of Chaos was founded by Canadians Gino Filicetti and Adrian Bromley in August 1995, [3] [4] and started out in the shape of a monthly e-mail digest. According to the site's official history section, "Gino decided to start a different kind of e-zine that would strive to cut through the bullshit of the music community and provide fans with a true and unbiased opinion of current metal music." [3] The first issue, Chronicles of Chaos #1, featured an 8 album reviews (donated by a friend of the zine), a re-cycled interview with Fear Factory by Bromley, a local band interview and a concert review. [3]
Initially composed of four contributors from Canada and the USA in 1995, the staff eventually reached a stable set of nine writers in 1997, including the first European contributor. Near the year 2000, the European contingent was expanded by three new writers, with representatives from the Asian and African continents joining shortly after. This led to a core staff of twelve writers in 2002.[ citation needed ]
In this period, founder Filicetti retired from his role as contributor, while co-founder Bromley moved on to form his own print publication, Unrestrained! , with fellow CoC contributor Adam Wasylyk. [4] Meanwhile, various other writers departed or became part-time contributors due to other engagements. Some of Chronicles of Chaos' writing staff became contributors to magazines like Metal Hammer , Terrorizer , Unrestrained! and more. As a result, the e-mail issues became less regular, with as much as three month gaps.
Between October 2002 and March 2003 the publication went on an unofficial hiatus for the only time in its history. Until 2003, the Chronicles of Chaos website served only as a static repository of plain text back issues, with the latest digest available for hypertext navigation.[ citation needed ]
From 2003 onwards, the publication became a daily updated webzine. [3] [9] Also established around this time was a search engine and archive, and a monthly "E-mail Digest". [3] According to Filicetti, the "E-mail Digest" had 3,000 subscribers in 2007. [3] The e-mail digest returned to its original monthly schedule, gathering up the articles published on the website during that month. More than 100 issues of the e-mail digest were published until 2011, containing over 20 megabytes of text.[ citation needed ]
As of 2007, Chronicles of Chaos had 16 staff writers, with contributors based in the US, UK, Romania, France, Norway, South Africa and Scotland. [3] Most of its writers were native English speakers. [3]
In 2007, Chronicles of Chaos was mentioned by sociologist Keith Kahn-Harris in his book on extreme metal. [10]
On December 7, 2008, Chronicles of Chaos co-founder Adrian Bromley died due to pneumonia, in his sleep, aged 37. [4] [11] [12] His death prompted numerous tributes within the music industry. [13] [14] [15]
On August 12, 2015, marking the twentieth anniversary of the magazine, founder Gino Filicetti and co-editor Pedro Azevedo announced that Chronicles of Chaos had ceased publication of new articles. The reasons for this decision included much increased public access to streaming and downloading albums, as well as a dearth of new writers. [16] [7] [8] [17] The announcement was coupled with opinion articles from several of CoC's current and former writers.
Chronicles of Chaos remains online as an archive, containing over 7,500 reviews, interviews and opinion articles that were published during a span of twenty years. [16] [17]
Greed Killing is an EP by the British band Napalm Death.
Zaraza is a Canadian experimental/industrial funeral doom band from Montreal, Quebec, Canada.
Pierced from Within is the third album by the death metal band Suffocation, released in 1995. "Synthetically Revived" is a re-recording of the song of the same name from the Human Waste EP and "Breeding the Spawn" is a re-recording of the title track from the band's previous album.
City is the second studio album by Canadian extreme metal band Strapping Young Lad, released on February 11, 1997. Frontman Devin Townsend assembled a permanent lineup of Strapping Young Lad to record the album, including prolific drummer Gene Hoglan, and Townsend's former bandmates Jed Simon on guitar and Byron Stroud on bass. The album was critically acclaimed, with Revolver naming it one of "the greatest metal albums of all time", and it is widely considered Strapping Young Lad's best work. The album was re-released in 2007 with several bonus tracks and altered cover art.
Into the Unknown is the fifth album by Danish heavy metal band Mercyful Fate, released on 20 August 1996 through Metal Blade Records. It is the most commercially successful Mercyful Fate album to date, peaking at No. 31 in the Finnish charts and remaining for two weeks in the Top 40. It is the only album by the band to appear on the charts.
Sleep of the Angels is the fifth full-length album by Greek extreme metal band Rotting Christ. Like previous releases A Dead Poem and Triarchy of the Lost Lovers, the band refined their direction to a slower style with more emphasis on atmosphere and melodicism than brutality. Despite mixed critical consensus of the album, it would be supported during the band's first-ever tour in the United States.
A Dead Poem is the fourth full-length album by Greek extreme metal band Rotting Christ.
Discouraged Ones is the third studio album by Swedish heavy metal band Katatonia, released on 27 April 1998. This is the only Katatonia album with bassist Micke Oretoft. It is also their last release with Jonas Renkse on drums; on future releases, he was the band's lead vocalist and contributed additional guitar work. According to Renkse, Discouraged Ones had sold roughly 20,000 copies as of 2001.
Octagon is the eighth studio album by Swedish extreme metal band Bathory. It was released on 17 October 1995 through Black Mark Production. It continues the retro thrash metal style of the previous album, Requiem. It was reissued in 2003, with the first two tracks combined and "Winds of Mayhem" outro added.
Dopesick is the third studio album by American sludge metal band Eyehategod, released on April 2, 1996. It was reissued in 2006 as part of Century Media's 10th Anniversary series with three bonus tracks that were recorded during the original Dopesick recording sessions.
Inside the Torn Apart is the seventh studio album by British extreme metal band Napalm Death. It was released by Earache in June 1997 on double vinyl, regular CD, digipak CD and MC.
No Holds Barred is a live album by American band Biohazard. It is the first to feature former Helmet guitarist Rob Echeverria, who had joined the band for the Mata Leão tour.
No Sleep 'till Bedtime is a live album by Canadian extreme metal band Strapping Young Lad. It was recorded live in Melbourne Australia, on October 12, 1997; however, the live tracks presented here are the only ones recorded before the tape ran out. "Japan" and "Centipede" are new studio tracks that were added by the label as a bonus material. The title is a homage to and parody of Motörhead's No Sleep 'til Hammersmith live album.
Through Silver in Blood is the fifth album from the American post-metal band Neurosis. The album was released on April 2, 1996, and was their first record to be released through Relapse Records. The album was reissued in July 2009 on the band's own label, Neurot Recordings. Since its release, Through Silver in Blood has been recognized not only as the band's critical and popular peak, but as one of the sources of post-metal and as one of the best metal albums of all time.
Helldorado is the eighth studio album by American heavy metal band W.A.S.P., released in 1999.
Heal is the fourth studio album by American thrash metal band Sacred Reich, released February 27, 1996, via Metal Blade Records. It is the band's final full-length studio album to feature guitarist Jason Rainey, and was their last one for 23 years, until the release of Awakening in August 2019.
Vision of Disorder is the first album by American hardcore/metalcore band Vision of Disorder, released on October 22, 1996, through Roadrunner Records' Supersoul imprint.
Supernatural Birth Machine is the fourth album by British doom metal band Cathedral, released in November 12, 1996 by Earache.
Phormula is the full-length debut studio album by the Italian band Ephel Duath. Originally released through Code666 label in early 2000, the album was reissued two years later by Earache's sub-label Elitist. Bonus tracks on the reissue were three songs from the 1998 demo Opera and two remixes; this release was re-titled as Rephormula.
Schaliach was a Christian metal band formed by Peter Dalbakk and Ole Børud from Hamar, Norway. Dalbakk served as the band's vocalist, while Børud handled all the instrumentation. The band released one studio album, Sonrise, in 1996 through Petroleum Records. Three songs from that recording were then featured on the Rowe Productions compilation album Northern Lights: Norwegian Metal Compilation, which was also released in 1996. The band also contributed the song "Purple Filter" to the compilation album In the Shadow of Death: A Scandinavian Extreme Music Compilation, released in 2000 through Endtime Productions. Dalbakk was also part of the unblack metal band Vardøger, and Børud had joined the progressive death metal band Extol and also started a career as a solo artist. The two artists would years later, in 2015, team up again to found the progressive death metal project Fleshkiller. The genre performed by the band was described variously as doom metal, death metal, death-doom, gothic metal, black metal, melodic death metal, and progressive metal. Børud's guitar work was strongly influenced by classical music, with one reviewer describing it as a "metal symphony." Its lyrics were explicitly Christian, drawing heavily from the Bible and emphasizing the love of God for all humans. Schaliach has been compared to the output from Extol, Amorphis, Metallica, Solitude Aeturnus, Dream Theater, Threshold, Shadow Gallery, and Teramaze. Most critics were favorable to Sonrise — it was rated highly by HM writer Matt Morrow and by two reviewers from the Christian website The Phantom Tollbooth, and described by the webzine Chronicles of Chaos as "excellent". However, Rock Hard was less favorable and considered Schaliach boring.