Chronography of 354

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The title page and Dedication from the Barberini MS. The texts read: "Valentinus, may you flourish in God" (top), "Furius Dionysius Filocalus illustrated this work" (in triangles), "Valentinus, enjoy reading this" (main in placard), on the left "Valentinus, may you live long and flourish", on the right "Valentinus, may you live long and rejoice". 01 dedicatio354.png
The title page and Dedication from the Barberini MS. The texts read: "Valentinus, may you flourish in God" (top), "Furius Dionysius Filocalus illustrated this work" (in triangles), "Valentinus, enjoy reading this" (main in placard), on the left "Valentinus, may you live long and flourish", on the right "Valentinus, may you live long and rejoice".
Portrait of Constantius II, dispensing largesse, from part 7 of the Barberini MS 07 constantius2Chrono354.png
Portrait of Constantius II, dispensing largesse, from part 7 of the Barberini MS
Personification of June Chronography of 354 Mensis Iunius.png
Personification of June

The Chronography of 354, also known as the Calendar of 354, was a 4th-century illuminated manuscript, which was produced in 354 AD for a wealthy Roman Christian named Valentinus by the calligrapher and illuminator Furius Dionysius Filocalus. It is the earliest dated codex to have full page illustrations. None of the original has survived. The term Calendar of Filocalus is sometimes used to describe the whole collection, and sometimes just the sixth part, which is the Calendar itself. Other versions of the names ("Philocalus", "Codex-Calendar of 354") are occasionally used. The text and illustrations are available online. [1] Amongst other historically significant information, the work contains the earliest reference to the celebration of Christmas as an annual holiday or feast, on December 25, although unique historical dates had been mentioned much earlier, notably December 25, 3 or 4 BC [2] by Hippolytus of Rome during 202–211. [3]

Illuminated manuscript manuscript in which the text is supplemented by the addition of decoration

An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders (marginalia) and miniature illustrations. In the strictest definition, the term refers only to manuscripts decorated with either gold or silver; but in both common usage and modern scholarship, the term refers to any decorated or illustrated manuscript from Western traditions. Comparable Far Eastern and Mesoamerican works are described as painted. Islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works.

Furius Dionysius Filocalus type designer, historian and writer

Furius Dionysius Filocalus or Filocalus was a Roman calligrapher and stone engraver, specialized in epigraphic texts, who was active in the second half of the fourth century.

Codex book with handwritten content

A codex, plural codices, is a book constructed of a number of sheets of paper, vellum, papyrus, or similar materials. The term is now usually only used of manuscript books, with hand-written contents, but describes the format that is now near-universal for printed books in the Western world. The book is usually bound by stacking the pages and fixing one edge to a spine, which may just be thicker paper, or with stiff boards, called a hardback, or in elaborate historical examples a treasure binding.

Contents

Transmission from antiquity

The original volume has not survived, but it is thought that it still existed in Carolingian times, by the 8th–9th centuries. [4] A number of copies were made at that time, with and without illustrations, which in turn were copied at the Renaissance.

The most complete and faithful copies of the illustrations are the pen drawings in a 17th-century manuscript from the Barberini collection (Vatican Library, cod. Barberini lat. 2154). This was carefully copied, under the supervision of the great antiquary Nicholas-Claude Fabri de Peiresc, from a Carolingian copy, a Codex Luxemburgensis, which was itself lost in the 17th century. These drawings, although they are twice removed from the originals, show the variety of sources that the earliest illuminators used as models for manuscript illustration, including metalwork, frescoes, and floor mosaics. The Roman originals were probably fully painted miniatures.

Manuscript document written by hand

A manuscript was, traditionally, any document that is written by hand — or, once practical typewriters became available, typewritten — as opposed to being mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from its rendition as a printed version of the same. Before the arrival of printing, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, explanatory figures or illustrations. Manuscripts may be in book form, scrolls or in codex format. Illuminated manuscripts are enriched with pictures, border decorations, elaborately embossed initial letters or full-page illustrations.

Vatican Library library of the Holy See

The Vatican Apostolic Library, more commonly known as the Vatican Library or informally as the Vat, is the library of the Holy See, located in Vatican City. Formally established in 1475, although it is much older, it is one of the oldest libraries in the world and contains one of the most significant collections of historical texts. It has 75,000 codices from throughout history, as well as 1.1 million printed books, which include some 8,500 incunabula.

Various partial copies or adaptations survive from the Carolingian renaissance [5] and Renaissance periods. Botticelli adapted a figure of the city of Treberis (Trier) who grasps a bound barbarian by the hair for his painting, traditionally called Pallas and the Centaur . [6]

Trier Place in Rhineland-Palatinate, Germany

Trier, formerly known in English as Treves and Triers, is a city on the banks of the Moselle in Germany. It lies in a valley between low vine-covered hills of red sandstone in the west of the state of Rhineland-Palatinate, near the border with Luxembourg and within the important Moselle wine region. Karl Marx, philosopher and founder of the theory that would become known as Marxism, was born in the city in 1818.

<i>Pallas and the Centaur</i> painting by Sandro Botticelli

Pallas and the Centaur is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his Primavera, though it is a different shape. The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched in many places, and these retouchings have faded.

The Vatican Barberini manuscript, made in 1620 for Peiresc, who had the Carolingian Codex Luxemburgensis on long-term loan, is clearly the most faithful. After Peiresc's death in 1637 the manuscript disappeared. However some folios had already been lost from the Codex Luxemburgensis before Peiresc received it, and other copies have some of these. The suggestion of Carl Nordenfalk that the Codex Luxemburgensis copied by Peiresc was actually the Roman original has not been accepted. [7] Peiresc himself thought the manuscript was seven or eight hundred years old when he had it, and, though Mabillon had not yet published his De re diplomatica (1681), the first systematic work of paleography, most scholars, following Meyer Schapiro, believe Peiresc would have been able to make a correct judgement on its age. For a full list of manuscripts with copies after the originals, see the external link.

Carl Nordenfalk was a Swedish art historian, academic and director of the Swedish Nationalmuseum from 1958 to 1968.

Jean Mabillon French Benedictine monk, medievist, paleographer, diplomatics and theologian

Dom Jean Mabillon, O.S.B., was a French Benedictine monk and scholar of the Congregation of Saint Maur. He is considered the founder of the disciplines of palaeography and diplomatics.

Contents

Furius Dionysius Filocalus was the leading scribe or calligrapher of the period, and possibly also executed the original miniatures. His name is on the dedication page. He was also a Christian, living in a moment that lay on the cusp between a pagan and a Christian Roman Empire. [8]

The Chronography, like all Roman calendars, is as much an almanac as a calendar; it includes various texts and lists, including elegant allegorical depictions of the months. It also includes the important Liberian Catalogue, a list of Popes, and the Calendar of Filocalus or Philocalus, also known as the Philocalian Calendar, from which copies of eleven miniatures survive. Among other information, it contains the earliest reference to Christmas (see Part 12 below) and the dates of Roman Games, with their number of chariot-races. [9]

The contents are as follows (from the Barberini Ms. unless stated). All surviving miniatures are full-page, often combined with some text in various ways:

Colosseum Panorama.jpg
According to the Codex-Calendar of 354, the Colosseum could accommodate 87,000 people.

Notes

  1. Tertullian.org:Chronography of 354
  2. Placing the nativity Before Christ (BC) is odd only because BC was invented many centuries later – by Bede in 731, based on Anno Domini (AD) devised by Dionysius Exiguus in 525.
  3. Schmidt, Tom (November 21, 2010), Hippolytus and the Original Date of Christmas, chronicon.net, archived from the original on March 3, 2013, retrieved December 29, 2018. Schmidt is translator of Hippolytus of Rome: Commentary on Daniel and 'Chronicon'.
  4. cf. M. Salzman
  5. The Leiden Aratus, a Carolingian manuscript of Phaenomena edited by Hugo Grotius in 1600, is illustrated in part with figures drawn from the Codex-Calendar of 354 (Meyer Schapiro, "The Carolingian Copy of the Calendar of 354" The Art Bulletin22.4 (December 1940, pp. 270-272) p 270).
  6. A. L. Frothingham, who noted Botticelli's source, in "The Real Title of Botticelli's 'Pallas'" American Journal of Archaeology12.4 (October 1908), pp. 438-444, reidentified the subject as Florentia and unruly civic strife.
  7. Nordenfalk, "Der Kalendar vom Jahre 354 und die lateinische Buchmalerei des IV. Jahrhunderts" (Göteburg) 1936, noted in Schapiro 1940:270, reprinted in Schapiro, Selected Papers: volume 3, Late Antique, Early Christian and Mediaeval Art, 1980, Chatto & Windus, London, ISBN   0-7011-2514-4 On line at JSTOR
  8. Ramsay MacMullen, Christianizing the Roman Empire A.D.100-400 (Yale University Press) 1984, ch. VIII "Conversions of intellectuals".
  9. The date of the Nativity of Jesus is given as December 25th in considerably earlier sources, but this is the first reference to a holiday or feast day being celebrated. The feast of the Epiphany had been celebrated for some time at this date.
  10. University of Leiden, Ms. Vossianus Q79, noted in Salzmann 1991.

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References

Further reading