Location | Birmingham |
---|---|
Founded | 2007 |
Hosted by | Xavier Mendik |
Language | English |
Website | www |
The Cine-Excess International Film Festival and Convention is a UK film festival about cult films that features a themed conference, open discussions, and screenings. It was founded by Xavier Mendik and has been held in several English cities. As of 2013, it takes place in Birmingham. It caters to mainstream audiences, academics, and film industry professionals.
Cine-Excess was originally part of the 2007 Sci-Fi-London film festival and was spun off in 2008 due to its popularity. [1] Mendik describes it as a "mainstream festival" [2] and says was designed to break down barriers between academics and audiences. [1] In the introduction to their book The Cult Film Reader , Mendik and Ernest Mathijs said that it celebrates the mixing of academics and industry professionals, bringing together theory and practice. [3] Andrea Hubert of The Guardian described it as a "unique, eclectic festival which celebrates paracinema and transgressive film-making like no other." [4] In 2013, the festival moved to Birmingham. It was held 15–17 November. [2] Lifetime Achievement awards have been given to Roger Corman, Dario Argento, and Joe Dante. [5]
Special screenings have included The Movie Orgy [6] in 2010, Cannibal Holocaust [7] in 2011, and A Gun for Jennifer [8] and Society [9] in 2013.
Cine-Excess has partnered with Nouveaux Pictures to release high definition versions of cult films. [10] Releases so far include Amsterdamned , [11] Suspiria , [12] and Viva . [13]
A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.
Giovanni Lombardo Radice is an Italian film actor, better known to audiences as John Morghen.
Begotten is a 1989 American experimental film written, produced, edited, shot, and directed by Edmund Elias Merhige. It stars Brian Salsberg, Donna Dempsy, Stephen Charles Barry, and members of Merhige's theatre company, Theatreofmaterial. The film contains no dialogue and employs a style similar in some ways to early silent films. Its enigmatic plot, drawn from elements of various creation myths, opens with the suicide of a godlike figure and the births of Mother Earth and the Son of Earth, who set out on a journey of death and rebirth through a barren landscape. According to art historian Scott MacDonald, the film's allegorical qualities and purposeful ambiguity invite multiple interpretations.
The Rocky Horror Picture Show cult following is the cultural phenomenon surrounding the large fan base of enthusiastic participants of the movie The Rocky Horror Picture Show, generally credited as being the best-known cinematic "midnight movie".
Méliès International Festivals Federation (MIFF), formerly European Fantastic Film Festivals Federation (EFFFF), established in 1987, is a network of 22 genre film festivals from 16 countries based Brussels, Belgium, and dedicated to promoting and supporting European cinema, particularly films in the fantasy, horror and science fiction genres.
SS Girls is an Italian Nazi exploitation film by director Bruno Mattei. The film is about a brothel where traitors of the Nazi high command are eradicated. To help the brothel out, a Nazi commander, involved in intelligence work, enlists the aid of scientists who train various prostitutes to sexually satisfy the desires of the Nazi high command and root out any traitors.
La monaca di Monza is a 1962 Italian film directed by Carmine Gallone. It stars Gabriele Ferzetti, Giovanna Ralli and Mario Feliciani. The film is about a young nobleman who seduces a nun, leading to the death of the man and the internment of the woman. The film is a drama but is laced with satire.
Goal of the Dead is 2014 French horror comedy directed by Thierry Poiraud and Benjamin Rocher; written by Tristan Schulmann, Marie Garel Weiss, Quoc Dang Tran, Ismaël Sy Savané, and Laetitia Trapet; and starring Alban Lenoir, Charlie Bruneau, Tiphaine Daviot, Ahmed Sylla, and Alexandre Philip as association football players and fans who must battle zombies when the entire stadium becomes infected.
Xavier Charles Mendik is an English documentary filmmaker, author, and festival director. He is an associate professor in film and director of graduate studies in the School of Media at Birmingham City University, and formerly at the University of Brighton. He also runs the Cult Film Archive and is the director of Cine-Excess International Film Festival.
The Cult Film Reader is a 2008 book edited by Ernest Mathijs and Xavier Mendik. It collects essays by Susan Sontag, Umberto Eco, and others, each on the topic of cult followings, cult films, and related topics. Director and producer Roger Corman wrote the introduction.
100 Cult Films is a 2011 book written by Ernest Mathijs and Xavier Mendik, who selected one hundred cult films to discuss.
Ernest Mathijs is a professor at the University of British Columbia, where he teaches film. He has published several books on cult films.