Cirque Calder | |
---|---|
Artist | Alexander Calder |
Year | 1926–1931 |
Type | sculpture |
Dimensions | 137.2 cm× 239.4 cm× 239.4 cm(54.0 in× 94.3 in× 94.3 in) |
Location | Whitney Museum, New York, New York |
Owner | Whitney Museum |
Cirque Calder is an artistic rendering of a circus created by the American artist Alexander Calder. It involves wire models rigged to perform the various functions of the circus performers they represent, from contortionists to sword eaters to lion tamers. The models are composed of diverse materials, most notably wire and wood. During his time in Paris, Calder began improvising circus shows. During the performance, he would make comments in French.
The Cirque Calder is part of the permanent collection of the Whitney Museum in New York. [1]
Calder, Alexander. An Autobiography With Pictures. HarperCollins, ISBN 0-06-853268-7.
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term circus also describes the field of performance, training and community which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Newcastle-under-Lyme born Philip Astley is credited as the father of the modern circus.
Acrobatics is the performance of human feats of balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sporting events, and martial arts. Extensive use of acrobatic skills are most often performed in acro dance, circus, gymnastics, and freerunning and to a lesser extent in other athletic activities including ballet, slacklining and diving. Although acrobatics is most commonly associated with human body performance, the term is used to describe other types of performance, such as aerobatics.
Alexander Calder was an American sculptor known both for his innovative mobiles that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. Calder preferred not to analyze his work, saying, "Theories may be all very well for the artist himself, but they shouldn't be broadcast to other people."
Cirque du Soleil is a Canadian entertainment company and the largest contemporary circus producer in the world. Located in the inner-city area of Saint-Michel, it was founded in Baie-Saint-Paul on 16 June 1984 by former street performers Guy Laliberté and Gilles Ste-Croix.
Alexander Stirling Calder was an American sculptor and teacher. He was the son of sculptor Alexander Milne Calder and the father of sculptor Alexander (Sandy) Calder. His best-known works are George Washington as President on the Washington Square Arch in New York City, the Swann Memorial Fountain in Philadelphia, and the Leif Eriksson Memorial in Reykjavík, Iceland.
La Nouba was a Cirque du Soleil show that ran for 19 years in a custom-built, freestanding theater at Disney Springs' West Side at the Walt Disney World Resort in Lake Buena Vista, Florida. It was a contemporary circus performance featuring acrobats, gymnasts, and other skilled performers. The show's creation was directed by Franco Dragone, who also directed many of Cirque du Soleil's earlier shows. Its title derives from the French phrase faire la nouba, meaning "to party" or "to live it up".
Jade Kindar-Martin is an American highwire walker and circus performer.
Events from the year 1926 in art.
Mountains and Clouds is a sculpture by Alexander Calder located in the Hart Senate Office Building.
The Cirque d'Hiver, located at 110 rue Amelot, has been a prominent venue for circuses, exhibitions of dressage, musical concerts, and other events, including exhibitions of Turkish wrestling and even fashion shows. The theatre was designed by the architect Jacques Ignace Hittorff and was opened by Emperor Napoleon III on 11 December 1852 as the Cirque Napoléon. The orchestral concerts of Jules Etienne Pasdeloup were inaugurated at the Cirque Napoléon on 27 October 1861 and continued for more than twenty years. The theatre was renamed Cirque d'Hiver in 1870.
Wire sculpture is the creation of sculpture or jewelry out of wire. The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. In the 20th century, the works of Alexander Calder, Ruth Asawa, and other modern practitioners developed the medium of wire sculpture as an art form.
Flamingo, created by noted American artist Alexander Calder, is a 53-foot-tall (16 m) stabile located in the Federal Plaza in front of the Kluczynski Federal Building in Chicago, Illinois, United States. It was commissioned by the United States General Services Administration and was unveiled in 1974, although Calder's signature on the sculpture indicates it was constructed in 1973.
Miss La La at the Cirque Fernando is an oil on canvas painting by the French Impressionist artist Edgar Degas. Painted in 1879 and exhibited at the Fourth Impressionist Exhibition in Paris that same year, it is now in the collection of the National Gallery in London. It is Degas's only circus painting, and Miss La La is the only identifiable person of color in Degas's works. The special identity of Miss La La and the great skills Degas used in painting her performance in the circus made this piece of art important, widely appreciated but, at the same time, controversial.
"Jerk De Soleil" is the 12th broadcast episode of the first season of the animated television series Phineas and Ferb. In the episode, stepbrothers Phineas and Ferb and their friends host a circus in their backyard, attracting much attention from the neighborhood. The boys' sister, Candace, tries to expose the cirque to her mother while experiencing an allergic reaction to wild parsnips.
Koozå is a touring circus production by Cirque du Soleil which premiered in Montréal, Quebec, Canada, in 2007. The show was written and directed by David Shiner, who had previously worked as a clown in Cirque du Soleil's production of Nouvelle Expérience. His experience as a clown and his time with Switzerland's Circus Knie and Germany's Circus Roncalli informed his work on Koozå.
Barnum's Kaleidoscape was an American circus staged by Feld Entertainment, the owners of Ringling Bros. and Barnum & Bailey Circus, at a start-up cost of $10 million. It ran for one season, 1999–2000. Inspired by both European traditions and the contemporary circus movement, it was the first Ringling show to be held under a tent since 1956 and also its first one-ring presentation in more than a century. The tent was carpeted with wood flooring and amenities to create an intimate setting with seating for 1,800 on cushioned seats and sofas and no one further than 50 feet from the circus ring. Besides traditional circus fare like popcorn upscale items such as cappuccino and veggie wraps were offered. The show consisted of 62 performers, 54 crew members, 8 horses and 27 geese, with 50 trucks involved in moving it from site to site.
Sarah "Sasoun" Guyard-Guillot ; was a French acrobat and aerialist who fell to her death during a performance of the Cirque du Soleil show Kà at MGM Grand in Las Vegas, Nevada, on June 29, 2013.
The original Decor for Satie's "Socrate" was designed by mobile artist Alexander Calder for a touring performance of Erik Satie’s symphonic drama Socrate in 1936. It was a mobile set considered by Virgil Thomson as one of the masterpieces of twentieth-century theatre design. It consisted of three elements: a red disc, interlocking steel hoops, and a vertical rectangle, black on one side and white on the other, against a blue backdrop. Destroyed in a fire in 1936, the decor was recreated by Walter Hatke in 1976 for a performance in New York.
The Snow Flurry design was used by American artist Alexander Calder for at least seven mobiles between 1948 and 1959. A monumental design composed of white disks of varying sizes are connected on different branches and levels to reflect a snow flurry in Calder's distinct Modernist style.
Flora Miller Biddle is an American author, honorary chairman, and former president of the Whitney Museum of American Art, serving from 1977 to 1995. She is a granddaughter of Gertrude Vanderbilt Whitney, the founder of the Whitney Museum.