Claire Atherton

Last updated
Claire Atherton
Claire Atherton.jpg
Born1963 (age 6061)
NationalityFrench, American
Education Institut national des langues et civilisations orientales, Paris

Institute of Foreign Language, Beijing

École nationale supérieure Louis-Lumière, Paris
Occupation(s)Film editor, conception of video installations
AwardsVision Award Ticinomoda 2019

Claire Atherton is a film editor. In 2019, she received the Vision Award Ticinomoda on the occasion of the 72nd edition of the Locarno International Film Festival, becoming the first woman to receive the award. [1]

Contents

Biography

She was born in 1963 in San Francisco, U.S. [2] She grew up in New-York, then in Paris. She now works and lives in France. She is the sister of Sonia Wieder-Atherton.

Attracted very young by Taoist philosophy and Chinese ideograms, she spent a few months in China in 1980, at the Institute of Foreign Language in Beijing. Then she enrolled at the National Institute for Oriental Languages and Civilizations in Paris.

Atherton had her first work experience in 1982, in Centre Audiovisuel Simone de Beauvoir in Paris [3] where she worked as video technician. In 1984, she enrolled in the professional branch of the École Nationale Supérieure Louis-Lumière in Paris from which she graduated in 1986. [4] She then started to work on sound and image for some of the productions of Centre Simone de Beauvoir and various other projects. From the 1990s onwards, Atherton started to mainly focus on film editing.

She met with Chantal Akerman in 1984 on the occasion of the theater adaptation of Letters Home: Correspondence 1950-1963 by Sylvia Plath which was played by Delphine Seyrig at the Petit théâtre de Paris. Seyrig asked Akerman and Atherton to film the performance

This episode marked the beginning of a 31-year collaboration between the filmmaker and the film editor, [5] first behind the camera and then on film editing. Atherton worked with Akerman on her documentaries, fictions and installations, up until No Home Movie and NOW, an installation which was presented at the Venice Biennale in 2015. [6] [7]

Nowadays Atherton is in charge of the conception and spatialization of Akerman's installations, which are presented on the occasion of exhibitions in the entire world.

Atherton also works with many other filmmakers and artists. Among them are Luc Decaster, Emilio Pacull, Noëlle Pujol, Andreas Bolm, Emmanuelle Demoris, Elsa Quinette, Christine Seghezzi, Christophe Bisson, Olivier Dury and Éric Baudelaire and many others.

In 2013, the Cinémathèque de Grenoble, France, organized an event dedicated to Atherton's work as film editor. It's the first retrospective dedicated to the body of work of an editor.

She is often invited to give master classes with young filmmakers during workshops in France and internationally. She also teaches in cinema and art schools such as La Fémis and at the HEAD School in Geneva, Switzerland.

In 2019, she received the Vision Award Ticinomoda on the occasion of the 72nd edition of the Locarno International Film Festival, becoming the first woman to receive the award which since 2013 "both highlights and pays tribute to someone whose creative work behind the scenes, as well as in their own right, has contributed to opening up new perspectives in film". [8]

Filmography

[9]

Editing

Photography

Installations

Exhibitions

See also

Articles and Publications

Talks and Masterclasses

Bibliography

Related Research Articles

<span class="mw-page-title-main">Chantal Akerman</span> Belgian film director (1950–2015)

Chantal Anne Akerman was a Belgian film director, screenwriter, artist, and film professor at the City College of New York.

<span class="mw-page-title-main">Delphine Seyrig</span> French actress and film director (1932–1990)

Delphine Claire Beltiane Seyrig was a Lebanese-born French actress and film director. She came to prominence in Alain Resnais's 1961 film Last Year at Marienbad, and later acted in films by Chantal Akerman, Luis Buñuel, Marguerite Duras, Ulrike Ottinger, Francois Truffaut, and Fred Zinneman. She directed three films, including the documentary Sois belle et tais-toi (1981).

The Directors' Fortnight is an independent section held in parallel to the Cannes Film Festival. It was started in 1969 by the French Directors Guild after the events of May 1968 resulted in cancellation of the Cannes festival as an act of solidarity with striking workers.

<span class="mw-page-title-main">Danielle Arbid</span> French film director

Danielle Arbid is a French filmmaker of Lebanese origin who has been directing films since 1997.

<i>Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles</i> 1975 film by Chantal Akerman

Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles is a 1975 film written and directed by Belgian filmmaker Chantal Akerman. It was filmed over five weeks on location in Brussels, and financed through a $120,000 grant awarded by the Belgian government. Distinguished by its restrained pace, long takes, and static camerawork, the film is a slice-of-life depiction of a widowed housewife over three days.

<span class="mw-page-title-main">Joanna Hogg</span> British film director and screenwriter (born 1960)

Joanna Hogg is a British film director and screenwriter. She made her directorial and screenwriting feature film debut in 2007 with Unrelated followed by Archipelago (2010), Exhibition (2013), The Souvenir (2019), The Souvenir Part II (2021), and The Eternal Daughter (2022). Two of her films topped the Sight & Sound annual poll for best film in their respective years, receiving nominations at the British Independent Film Awards, the Independent Spirit Awards and at the Berlin International Film Festival.

<i>Down There</i> (film) 2006 film by Chantal Akerman

Down There is a 78-minute 2006 Belgian-French English- and French-language independent documentary art film directed by Chantal Akerman.

<i>Hallelujah the Hills</i> (film) 1963 American film

Hallelujah the Hills (1963) was written, directed and edited by Adolfas Mekas. The picture was his first feature film.

The Vision AwardTicinomoda is awarded by the Locarno Film Festival to pay tribute to someone whose creative work behind the scenes, as well as in their own right, has contributed to opening up new perspectives in film. The inaugural award was bestowed on Douglas Trumbull in 2013. The award's name has changed over the years due to its awarding sponsor.

<i>No Home Movie</i> 2015 French-Belgian documentary film by Chantal Akerman

No Home Movie is a French-Belgian 2015 documentary film directed by Chantal Akerman, focusing on conversations between the filmmaker and her mother just months before her mother's death. The film premiered at the Locarno Film Festival on 10 August 2015. It is Akerman's last film before she died by suicide.

D'Est, translated into English as From the East, is a 16-mm experimental documentary film, shot in Poland, Ukraine, Russia and the former East Germany. The film investigates the stories of people’s lives in an unstable time after the collapse of the Eastern Bloc through the idea of memory. The film has no commentary or dialogue and instead documents landscapes and residents in an observational manner. Okwui Enwezor, curator, art critic and writer, describes the characters in the film as “bewildered, anachronistic and depthless in the harsh flare of history”.

<span class="mw-page-title-main">Juliana Rojas</span> Brazilian filmmaker (born 1981)

Juliana Rojas is a Brazilian filmmaker and editor born in Campinas, São Paulo. She graduated in Cinema in School of Communication and Arts of University of São Paulo.

<span class="mw-page-title-main">Sonia Wieder-Atherton</span> Franco-American classical cellist

Sonia Wieder-Atherton is a Franco-American classical cellist.

<span class="mw-page-title-main">Sofia Bohdanowicz</span> Canadian film director

Sofia Bohdanowicz is a Canadian filmmaker. She is known for her collaborations with Deragh Campbell and made her feature film directorial debut in 2016 with Never Eat Alone. Her second feature film, Maison du Bonheur, was a finalist for the Rogers Best Canadian Film Award at the 2018 Toronto Film Critics Association Awards. That year, she won the Jay Scott Prize from the Toronto Film Critics Association. Her third feature film, MS Slavic 7, which she co-directed with Campbell, had its world premiere at the 69th Berlin International Film Festival in 2019. She has also directed several short films, such as Veslemøy's Song (2018) and Point and Line to Plane (2020).

De l’autre côté is a 2002 independent documentary art film directed by Chantal Akerman.

Sud is a 71-minute 1999 Belgian-Finnish-French English-language independent documentary art film directed by Chantal Akerman.

Portrait of a Young Girl at the End of the 60s in Brussels is a 1994 television film by Belgian feminist and avant-garde filmmaker Chantal Akerman. It is a semi-autobiographical coming-of-age story with feminist and LGBT themes.

Silke Olthoff is a German film editor of feature films and documentaries.

<i>The Fever</i> (2019 film) 2019 Brazilian film

The Fever is a 2019 thriller drama film co-written and directed by Maya Da-Rin, starring Regis Myrupu and Rosa Peixoto. Featuring dialogue in Portuguese and the indigenous languages Tukano and Tikuna, it features a main cast of indigenous Brazilian from the Upper Rio Negro, belonging to the Desanos, Tucanos and Tarianas people, many of them whom had their first experience in cinema.

<span class="mw-page-title-main">Laura Huertas Millán</span> French-Colombian artist and filmmaker


Laura Huertas Millán is a French artist and filmmaker. Her works have been presented in various cinema festivals, including the IFFR, FIDMarseille, Cinéma du Réel, Berlinale, and Locarno Film Festival. Widely shown in the contemporary art world, her artworks are part of public and private collections in Europe and the Americas.

References

  1. "Vision Award Ticinomoda". www.locarnofestival.ch. Archived from the original on 2019-08-20. Retrieved 2019-12-09.
  2. "Claire Atherton - Participants - Witte de With". www.wdw.nl. Retrieved 2019-12-09.
  3. ""Not Knowing Where You're Going": How Claire Atherton Edits Movies". Hyperallergic. 2019-11-18. Retrieved 2019-12-09.
  4. "Living Matter by Claire Atherton - BOMB Magazine". bombmagazine.org. 17 September 2019. Retrieved 2019-12-29.
  5. "Listening to Images: A Conversation with Editor Claire Atherton". MUBI. 3 September 2019. Retrieved 2020-02-25.
  6. "Interview: Claire Atherton". Film Comment. 2016-11-02. Retrieved 2019-12-09.
  7. Crittenden, Roger (2018-05-20). Fine Cuts: Interviews on the Practice of European Film Editing. Taylor & Francis. ISBN   978-1-315-47511-0.
  8. "Vision Award Ticinomoda". www.locarnofestival.ch. Archived from the original on 2019-08-20. Retrieved 2020-02-25.
  9. "Claire Atherton". www.unifrance.org (in French). Retrieved 2019-12-09.
  10. Gallery, Frith Street. "Chantal Akerman: Selfportrait / Autobiography: A Work In Progress - Exhibitions". Frith Street Gallery. Retrieved 2019-12-09.
  11. "Chantal Akerman "Now" at Ambika P3, London •". Mousse Magazine (in Italian). 2015-12-03. Retrieved 2019-12-09.
  12. "P3 exhibitions / Past / 2015". www.p3exhibitions.com. Retrieved 2020-02-14.
  13. "IMAGINE EUROPE". BOZAR (in French). Retrieved 2020-02-14.
  14. "Chantal Akerman. Maniac Shadows exposition". lafermedubuisson.com. Archived from the original on 2021-04-14. Retrieved 2020-02-14.
  15. "Chantal Akerman | NOW". Marian Goodman. Retrieved 2020-02-14.
  16. "The Jewish Museum". thejewishmuseum.org. Retrieved 2020-02-14.
  17. "Pedro Costa: Company | Sabzian". www.sabzian.be (in Dutch). Retrieved 2020-02-14.
  18. "Chantal Akerman | Oi Futuro". Marian Goodman. Retrieved 2020-02-14.
  19. "Chantal Akerman - Programs - 2019". Museum of Contemporary Art Toronto Canada. Retrieved 2020-02-14.
  20. "Defiant Muses | Museo Nacional Centro de Arte Reina Sofía". www.museoreinasofia.es. Retrieved 2020-02-14.
  21. Atherton, Claire (2015-12-08). "Tribute to Chantal Akerman by Claire Atherton". Senses of Cinema. Retrieved 2020-02-14.
  22. "Volume 34 Issue 1 (100) | Camera Obscura: Feminism, Culture, and Media Studies | Duke University Press". read.dukeupress.edu. Retrieved 2020-02-14.
  23. "Interview: Claire Atherton". Film Comment. 2016-11-02. Retrieved 2020-02-25.
  24. "Volume 34 Issue 1 (100) | Camera Obscura: Feminism, Culture, and Media Studies | Duke University Press". read.dukeupress.edu. Retrieved 2020-02-14.
  25. "Living Matter by Claire Atherton - BOMB Magazine". bombmagazine.org. 17 September 2019. Retrieved 2020-02-14.
  26. "News from Home: The Films of Chantal Akerman". TIFF. Retrieved 2020-02-14.
  27. Beletrina, Production. "About D'Est | Versopolis". www.versopolis.com. Retrieved 2020-02-14.
  28. Lee, Yaniya. "The Art of Living". Canadian Art. Retrieved 2020-02-14.
  29. "Masterclass: Claire Atherton | DOK.REVUE". www.dokrevue.cz. Retrieved 2020-02-25.
  30. "Masterclass: Claire Atherton". YouTube . Archived from the original on 2020-03-11.
  31. "The Art of Editing". YouTube .
  32. "Claire Atherton. Filme schneiden mit Chantal Akerman – Chantal Akerman – Lecture & Film" (in German). Retrieved 2020-02-25.
  33. "Filme schneiden mit Chantal Akerman". www.normativeorders.net. Retrieved 2020-02-25.
  34. SPAZIO CINEMA: Vision Award Ticinomoda to Claire Atherton , retrieved 2020-02-25
  35. "Claire Atherton: El mecanismo de lo orgánico, en 16mm – FICUNAM" (in Mexican Spanish). Retrieved 2020-11-16.
  36. "YouTube". www.youtube.com. Retrieved 2020-11-16.
  37. "Spatializing Cinema". 2020.
  38. "CLAIRE ATHERTON - YouTube". www.youtube.com. Retrieved 2020-11-16.
  39. "Un film dramatique". filmexplorer.ch. Retrieved 2020-02-25.
  40. "Listening to Images: A Conversation with Editor Claire Atherton". MUBI. 3 September 2019. Retrieved 2020-02-25.
  41. ""Not Knowing Where You're Going": How Claire Atherton Edits Movies". Hyperallergic. 2019-11-18. Retrieved 2020-02-25.
  42. "Life needs editing". www.locarnofestival.ch. Retrieved 2020-02-25.