Clarinet Quintet (Mozart)

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Clarinet Quintet
by Wolfgang Amadeus Mozart
Mozart Quintett mit Stadler-BC.jpg
Score with historical basset clarinet
Key A major
Catalogue K. 581
Dedication Anton Stadler
Duration35 minutes
Movements
  • Allegro
  • Larghetto
  • Menuetto – Trio I – Trio II
  • Allegretto con variazioni
Scoring
  • (Basset) clarinet in A
  • violin I
  • violin II
  • viola
  • cello
Premiere
DateDecember 22, 1789
Location Tonkünstler-Societät in Vienna
Performers
  • Anton Stadler (clarinet)
  • Joseph Zistler (violin)
  • Mozart (viola)
  • others unknown

Wolfgang Amadeus Mozart's Clarinet Quintet, K. 581, was written in 1789 for the clarinetist Anton Stadler. A clarinet quintet is a work for one clarinet and a string quartet. Although originally written for basset clarinet, [1] in contemporary performances it is usually played on a clarinet in A. It was Mozart's only completed clarinet quintet, and is one of the earliest and best-known works written especially for the instrument. It remains to this day one of the most admired of the composer's works. The quintet is sometimes referred to as the Stadler Quintet; Mozart so described it in a letter of April 1790. [2] Mozart also wrote a trio for clarinet, viola and piano for Stadler, the so-called Kegelstatt Trio , in 1786.

Contents

Composition and premiere

The composer indicated that the work was finished on 29 September 1789. [3] It received its premiere on 22 December of the same year, in one of the four annual Vienna performances of the Tonkünstler-Societät, an organization that existed to fund pensions for widows and orphans of musicians. The main item on the program was a cantata, Il natale d'Apollo, by Vincenzo Righini; Mozart's work was performed between the two halves of this work. The solo clarinet part was taken by Stadler, the first violin part by Joseph Zistler (1744–1794). [4]

Structure

The work consists of the following four movements [3] and, with the intended repetitions, has a duration of between 31 and 38 minutes, usually around 35 minutes.

  1. Allegro, [5] A major, time = 4
    4    , 197 bars, where bars 1 to 79 and bars 80 to 197 are repeated. [3] This movement shows the typical sonata form [6] with exposition, development and recapitulation.
  2. Larghetto, D major, time = 3
    4    , 85 bars [3]
  3. Menuetto with Trio I in A minor and Trio II in A major, time = 3
    4    , 31 + 41 + 51 bars. Here, too, the individual sections are repeated. [3]
  4. Allegretto con variazioni, A major (Variation III in A minor), time = 2
    2    . The presentation of the theme with 16 bars is followed by four variations with three times 16 and one time 20 bars. This is followed by two basically independent small movements: an Adagio with 21 bars and an Allegro with 36 bars. Here, too, repetition of the individual sections. [3]

First movement

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1. Allegro
Vlad Weverbergh on a replica of the basset clarinet by Anton Stadler with the Terra Nova Collective (recorded in2017)
Problems playing this file? See media help.

The first movement sets the mood for the entire piece. It has beautiful moving lines in all of the parts and in the second half there is a virtuoso run that is passed throughout the strings, based on material from the second section of the exposition.

Clarinet Quintet (Mozart)
Main theme

Second movement

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2. Larghetto

The second movement opens with a six-bar transition in place of a central development section, which opposes a first section consisting mostly of a clarinet melody over muted strings against a second group of themes in which – as in the first movement – several upward runs of scales are given to the first violin, alternating with brief phrases of clarinet melody. These scales are given to the clarinet in the recapitulation (bar 51). In the last few bars of the movement, more chromatic than the rest, the scales turn into triplet arpeggios traded between the strings under the closing clarinet phrases.

Third movement

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3. Menuetto

The third movement consists of a minuet and, unusually, two trios. The first trio is for the strings alone, with a theme that has a signature acciaccatura every few notes. The second trio is a clarinet solo over the strings, whereas in the minuet the roles are distributed more evenly.

Fourth movement

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4. Allegretto con variazioni

The finale is in variation form, unexpectedly substituting for the more conventional rondo. [7] There are five variations. [6] The theme is in two repeated halves, with the clarinet joining in but only for a few of its bars. As often with Mozart, phrase structure is generally the same throughout the variations even if other qualities change – the theme consists of four four-bar phrases (Mozart is often more irregular in his phrasing than this), the first going harmonically from A to E, the second back from E to A, etc. and likewise with the variations.

The first of its variations gives the clarinet a new theme, in counterpoint with the theme of the variations divided amongst the quartet. The second alternates phrases for quartet only with phrases for full quintet, the latter answering the former. The third, in A minor, also begins without clarinet, with a viola melody – also with signature acciaccatura – but the clarinet joins in to finish. The major mode returns for the fourth variation, as does the main theme to the accompaniment of semiquaver virtuosity – given to the clarinet only in the first repeated half, first violin and clarinet in the second. There are four bars of dramatic interruption leading to a pause; the next variation is a lyrical Adagio. A transition brings us to an Allegro coda, containing much of a variation itself.

Clarinet Quintet (Mozart)
Theme

Analysis

There are a number of similarities between this quintet and Mozart's Clarinet Concerto. Both are in the key of A major and were written for the same soloist, Anton Stadler. Both pieces are written for the basset clarinet, which has an extended lower range. Also, the first theme of the first movement of each piece begins with a falling minor third. Both the second movements are in the same key (D major) and have similar characters and many similar phrases, although they have different tempo markings. There is a direct quotation of two bars in the second movement of the Quintet of the clarinet line in the Concerto's second movement.

Alfred Einstein [2] notes that while the clarinet "predominates as primus inter pares " (first amongst equals) this is nonetheless "chamber music work of the finest kind" and the roles are distributed more equally than they would be in a more concertante quintet for wind and strings.

Fragment second Clarinet Quintet

A score fragment exists for a second (though possibly written first) clarinet quintet in B-flat major, of which a complete exposition survives. [8] It is possible that Mozart completed the movement, as the score continues into the development section on the last surviving page. [8] This fragment is unlikely to be a sketch, as it bears no marks of correction. (However, Mozart re-used many of the thematic ideas in the fragment, in the same order, in the first movement of his String Quartet K. 589. [9] ) Nevertheless, the quintet K. 581 in A major is Mozart's sole surviving complete work for clarinet quintet.

Fragment of a Rondo in A major

The fragment in A, Anhang 88, for basset clarinet in A and string quartet may have originally been intended as the fourth movement of KV 581. The sparsely notated fragment of 111 bars shares the opening theme of Ferrando's aria, no. 24, from Così fan tutte. Several musicians have made completions including Otto Bach (1870), Robert Levin and Craig Hill (2022).

In "Goodbye, Farewell and Amen", the final episode of the American television series M*A*S*H , Charles Winchester learns that five Chinese soldiers who surrendered to him are musicians, one of whom plays a theme from the Clarinet Quintet, and Winchester proceeds to teach them the entire piece. [10]

Related Research Articles

Anton Paul Stadler was an Austrian clarinet and basset horn player for whom Wolfgang Amadeus Mozart wrote, amongst others, both his Clarinet Quintet and Clarinet Concerto. Stadler's name is inextricably linked to Mozart's compositions for these two instruments.

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<i>Kegelstatt Trio</i> Piano trio by Wolfgang Amadeus Mozart

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The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. It consists of seven movements.

The Quintet in E♭ major for Piano and Winds, K. 452, was composed by Wolfgang Amadeus Mozart on March 30, 1784 and premiered two days later at the Imperial and Royal National Court Theater in Vienna. Shortly after the premiere, Mozart wrote to his father that "I myself consider it to be the best thing I have written in my life." It is scored for piano, oboe, clarinet, horn and bassoon.

The String Quintet No. 5 in D major, K. 593 was written by Wolfgang Amadeus Mozart in 1790. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola.

The String Quintet No. 2 in C minor, K. 406/516b, was written by Wolfgang Amadeus Mozart in 1787. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola. Unlike his other string quintets, however, the work was not originally written for strings. Having completed the two string quintets K. 515 and K. 516, Mozart created a third by arranging his Serenade No. 12 for Winds in C minor K. 388/384a, written in 1782 or 1783 as a string quintet. Although by then Mozart was entering each new work into his catalogue of compositions, he did not enter this quintet, perhaps because it was an arrangement rather than a new work.

Johannes Brahms's Clarinet Quintet in B minor, Op. 115, was written in 1891 for the clarinettist Richard Mühlfeld. It is scored for a clarinet in A with a string quartet. It has a duration of approximately thirty-five minutes.

String Quintet No. 2 in G major, Op. 111, is a work by Johannes Brahms composed in 1890 and published in 1891. It is known as the Prater Quintet. Brahms intended it to be his last piece of music, though he later produced a number of piano pieces and the two sonatas for clarinet or viola and piano. The first performance of the Quintet in Vienna on November 11, 1890 was a sensation.

Wolfgang Amadeus Mozart composed his String Quartet No. 22 in B-flat major, K. 589 after a visit to the court of King Friedrich Wilhelm II, King of Prussia. Mozart traveled with his friend and piano student Prince Carl Lichnowsky, and during these travels they had the opportunity to stop in Potsdam and hold an audience for Mozart at the King's court. Mozart was under financial stress and hoped to hold a position at the court of King Wilhelm II. Wilhelm was an amateur cellist, which is why the set of "Prussian Quartets," of which the String Quartet No. 22 is a part, features an unusually prominent role for the cello. Despite such compositional efforts by Mozart to gain employment from the king, these quartets were sold without any dedication and published by Artaria.

The divertimenti in F major, B-flat major, E-flat major, F major, and B-flat major are five companion compositions for pairs of oboes, horns and bassoons by Wolfgang Amadeus Mozart.

References

Notes

  1. ↑ Oxford Music Online, "Basset clarinet", Nicholas Shackleton
  2. 1 2 Einstein (1945), p. 194
  3. 1 2 3 4 5 6 Quintett in A KV 581: Score, Neue Mozart-Ausgabe
  4. ↑ Deutsch, Otto Erich (1965). Mozart: A Documentary Biography . Stanford: Stanford University Press. p.  359.
  5. ↑ The C. F. Peters Leipzig edition of the score marks the movement as Allegretto
  6. 1 2 Hoffer, Charles (2008). Cengage Advantage Books: Music Listening Today. Cengage Learning. pp. 135–137. ISBN   978-0-495-56576-5 . Retrieved 29 January 2019.
  7. ↑ Warrack, p. 3
  8. 1 2 "Quintettsatz B-Dur, KV Anh. 91 (516c)". Kammermusikführer (in German). Mainz: Villa Musica Rheinland-Pfalz. Retrieved 29 January 2019.
  9. ↑ "Quintet Fragment KV 516c". 11 November 2020.
  10. ↑ Stephen M. Klugewicz (March 15, 2014). "Doctor Winchester, Mozart, and the Devil". The Imaginative Conservative.

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