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Clarion West is a non-profit organization best known for their intensive six-week workshop for writers preparing for professional careers in speculative fiction. The Six-Week Workshop is a space for writing short stories and learning how to workshop them under the guidance of staff and luminaries of the speculative fiction field. The workshop runs annually from late June through the end of July. Each of the six weeks is instructed by a different professional writer or editor. The roster of guest instructors changes yearly. Founded in Seattle, Washington in 1971, the workshop has been held continuously since 1984. [1]
Clarion West, has added through the years a variety of online classes, events, and two to four day workshops, as well as a library of on-demand classes accessible to members anytime. 2025 will see the first nine-month online workshop geared toward writers interested in working on their novels.
The Clarion West board of directors as of 2024 [update] includes Shweta Adhyam, Izzy Wasserstein, M. Huw Evans, Kris Millering, M. L. Krishnan, Jon Lasser, Alexandra Manglis, Tod McCoy, Dominica Phetteplace, Nisi Shawl, and Yang-Yang Wang.[ citation needed ]
The 1971 Clarion West Writers Workshop was founded by Vonda N. McIntyre, a Clarion Workshop graduate and Nebula and Hugo Award-winning author, with the support of original Clarion founder Robin Scott Wilson. It was modeled after the original Clarion Workshop founded in 1968 at Clarion University of Pennsylvania (itself inspired by the Milford Writer's Workshop). The original Clarion Workshop was slated to close after holding final classes in 1970, and the effort was made to establish and continue Clarion workshops in other locations. The 1971 successor workshops that sprang from this effort were Clarion West Workshop founded in Seattle, and Clarion Workshop revived in New Orleans (later moved to Michigan in 1972, and San Diego in 2007). Clarion West operated until 1973, before a hiatus. [2]
In 1984, Clarion West graduate J. T. Stewart and Seattle writer, Marilyn J. Holt, reconvened the workshop with the support of founder Vonda N. McIntyre. Clarion West incorporated as a nonprofit organization with a board of directors in 1986 with the help of many dedicated Clarion West alumni. Currently the workshop is administered by Jae Steinbacher. Although the workshop is located in close proximity to the University of Washington, it is not associated with the university. It has operated continuously to the present day. [3]
The workshop is combination of instruction and mutual student critique using the Clarion Method. The emphasis of learning is primarily geared toward hours spent reading, writing and critiquing. Normally, students are expected to write one complete draft of a story per week, to be critiqued the following week. Ideas for these stories are up to the student, but the emphasis is that the writing takes place on premises where fresh lessons and insight can be immediately applied to new story ideas. Work on 'trunk' stories, written before the workshop, is discouraged.
The class lecture and critique runs weekdays from morning to early afternoon. The remainder of the day is typically divided between writing for the next week's story deadline, reading, and preparing critiques. The workload is intense, but breaks and socializing are typical at all hours. Weekends are free time to socialize, explore the local sights, and catch up on unfinished writing and reading.
Each student typically gets a weekly private conference with each instructor to ask questions and gain insight from that professional writer or editor.
Although the focus of the workshop is on speculative fiction, such as science fiction and fantasy, other genres, including horror, comedy, mystery, and literary writing (and mixtures thereof) regularly grace the workshop stories. The workshop focuses on writing and critiquing short stories, but many aspects of novel writing are also discussed in workshop. [4]
The speculative fiction community around the Seattle area has built support for the workshop over the years, and many special events have become part of the Clarion West tradition. [5]
There are a number of class traditions passed down from one class to the next in the manner of a secret society. Traditions that are publicly known include the yearly Clarion West class shirt (designed by the class and limited only to the classmates and instructors of that year), [6] and the practice of presenting unusual gifts to each of the instructors. Classes often come up with new traditions and items to pass on to the next year's class.
Space in the workshop is awarded to the top 18 applicants of all submissions received. The average number of applications is not disclosed and varies year to year.
The application window typically opens December 1 and runs through March 1 for the year attending. Students are usually selected and informed of acceptance by the end of March. [7]
Although Clarion West and Clarion are run independently, they follow the same workshop method and are considered sister schools. Since both workshops run concurrently, students are often encouraged to apply to both workshops to increase their chances of attending that year. Students accepted to both programs must choose their preferred workshop. Each of the schools has similar but distinct guidelines.
Students that graduate one of the Clarion workshops are considered alumni of all the Clarion programs, and may not re-apply for any other Clarion Workshop.
Other Clarion workshops that use the same workshop format, but are independently run include:
The Clarion Workshop is an American six-week workshop for aspiring science fiction and fantasy writers. Originally an outgrowth of Damon Knight's and Kate Wilhelm's Milford Writer's Conference, held at their home in Milford, Pennsylvania, it was founded in 1968 by Robin Scott Wilson at Clarion State College in Pennsylvania. Knight and Wilhelm were among the first teachers at the workshop.
Octavia Estelle Butler was an American science fiction writer who won several awards for her works, including Hugo, Locus, and Nebula awards. In 1995, Butler became the first science-fiction writer to receive a MacArthur Fellowship.
The Carl Brandon Society is an organization originating within the science fiction community. Their mission "is to increase racial and ethnic diversity in the production of and audience for speculative fiction." Their vision is "a world in which speculative fiction, about complex and diverse cultures from writers of all backgrounds, is used to understand the present and model possible futures; and where people of color are full citizens in the community of imagination and progress."
Kate Wilhelm was an American author. She wrote novels and stories in the science fiction, mystery, and suspense genres, including the Hugo Award–winning Where Late the Sweet Birds Sang. Wilhelm established the Clarion Workshop along with her husband Damon Knight and writer Robin Scott Wilson.
Vonda Neel McIntyre was an American science fiction writer and biologist.
The Milford Writer's Workshop, or more properly Milford Writers' Conference, is an annual science fiction writer's event founded by Damon Knight, among others, in the mid-1950s, in Milford, Pennsylvania. It was so named because Knight, Judith Merril, and James Blish lived in Milford when it was founded. It moved to the United Kingdom in 1972 and has run successfully ever since on an annual basis.
Andy Duncan is an American science fiction and fantasy writer whose work frequently deals with Southern U.S. themes.
Leslie What is a Nebula Award-winning writer of speculative, literary fiction and nonfiction with three books and nearly 100 short stories and essays to her credit. An attendee of Clarion Workshop, she lives in Oregon. She won the Nebula in 1999 for the short story, The Cost of Doing Business, and in 2005, she was a finalist for the Nebula, along with Eileen Gunn, for their co-written novelette, Nirvana High.
Nisi Shawl is an African American writer, editor, and journalist. They are best known as an author of science fiction and fantasy short stories who writes and teaches about how fantastic fiction might reflect real-world diversity of gender, sexual orientation, race, physical ability, age, and other sociocultural factors.
Black science fiction or black speculative fiction is an umbrella term that covers a variety of activities within the science fiction, fantasy, and horror genres where people of the African descent take part or are depicted. Some of its defining characteristics include a critique of the social structures leading to black oppression paired with an investment in social change. Black science fiction is "fed by technology but not led by it." This means that black science fiction often explores with human engagement with technology instead of technology as an innate good.
Bloodchild and Other Stories is the only collection of science fiction stories and essays written by American writer Octavia E. Butler. Each story and essay features an afterword by Butler. "Bloodchild", the title story, won the Hugo Award and Nebula Award. It was first published in 1995. The 2005 expanded edition contains the additional stories "Amnesty" and "The Book of Martha".
Caren Sumption Gussoff is an American author. She writes both literary fiction and speculative fiction novels and short stories. She currently lives outside Seattle, Washington. In 2020, Gussoff began using her married surname, Sumption, on her work, so publications appear under both Caren Gussoff and Caren Gussoff Sumption.
David J. Williams is a British-born American science fiction writer and video game writer. His debut novel, The Mirrored Heavens, was described as "Tom Clancy interfacing Bruce Sterling" by Stephen Baxter, and is part of the Autumn Rain Trilogy, with a sequel entitled The Burning Skies released in June 2009.
Viable Paradise is an annual one-week residential writing workshop held each autumn on the island of Martha's Vineyard in Massachusetts and is focused on speculative fiction.