| Clash | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1997 | |||
| Genre | Ambient techno, experimental | |||
| Length | 144:22 | |||
| Label | Sideburn Recordings | |||
| Holger Czukay chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Clash is a collaborative album between Holger Czukay and Dr. Walker, released in 1997 through Sideburn Recordings.
| No. | Title | Length |
|---|---|---|
| 1. | "Silent Planes" | 19:35 |
| 2. | "Liquid Skies" | 13:34 |
| 3. | "The Wonderful World of Screeches, Racing Cars and Crybats" | 12:39 |
| 4. | "Chicago, Pt. 1" | 13:42 |
| 5. | "Backup Dream" | 7:48 |
| No. | Title | Length |
|---|---|---|
| 1. | "Chicago, Pt. 2" | 11:01 |
| 2. | "Anything But the Jungle" | 20:27 |
| 3. | "Dawn Across the Street" | 20:53 |
| 4. | "Full Circle" | 9:20 |
| 5. | "Monks, Whales and Moonbeams" | 11:40 |
Clash or The Clash may refer to:
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.
Holger Schüring, known professionally as Holger Czukay, was a German musician best known as a co-founder of the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde", Czukay was also notable for having created early important examples of ambient music, for having explored "world music" well before the term was coined, and for having been a pioneer of sampling.
"Never Gonna Cry Again" is the debut single by the British new wave duo Eurythmics, released in 1981. It was taken from their debut album In the Garden.
Plight & Premonition is the first of two collaborative albums by English musician David Sylvian and German musician Holger Czukay. It was released in March 1988.
Flux + Mutability is the second collaboration between David Sylvian and Holger Czukay. It was released in September 1989. The music consists of two instrumental tracks improvised by the participants.
Delay 1968, or just Delay, is an archival compilation album by German experimental rock band Can during its work with singer Malcolm Mooney comprising previously unissued early recordings of the band's rejected debut album, Prepared to Meet Thy PNOOM. The song "Thief" had previously been released officially on the United Artists compilation album Electric Rock in 1970; it was later covered live by Radiohead.
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
Can, also known as Inner Space, is the tenth studio album by experimental rock band Can, released in 1979. Former bassist Holger Czukay's involvement with this album was limited to tape editing. It was Can's last album before the reunion album Rite Time, ten years later, and was released after the band's break-up.
The Ensoniq ASR-10 was a sampling keyboard produced by Ensoniq between 1992 and 1998. The ASR-10 was a follow-up product to the very popular Ensoniq EPS and Ensoniq EPS-16+ performance samplers, and was also available with a piano style weighted keyboard (ASR-88) and a rackmount version (ASR-10R). At the time, the machine was one of the most powerful samplers available.
Canaxis 5 is the only studio album by the Technical Space Composer's Crew, released in 1969 by Music Factory. On later issues, the artist credit was changed to Holger Czukay and Rolf Dammers. The album was remixed for Spoon Records releases and again for the Revisited Rec. release.
The Lost Tapes is a compilation album of studio outtakes and live recordings by the German experimental rock band Can, which was originally released as an LP in 2012 by Spoon Records in conjunction with Mute Records. The compilation was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore.
Movies is the second album by Holger Czukay, released in 1979 through Electrola.
Rome Remains Rome is the fifth album by Holger Czukay, released in 1987 through Virgin Records. One single was released, Blessed Easter, which samples Pope John Paul II's Easter message.
Radio Wave Surfer is the sixth album by Holger Czukay, released in 1991 through Virgin Records.
Moving Pictures is the seventh album by Holger Czukay, released in 1993 through Mute Records.
Good Morning Story is the seventh album by Holger Czukay, released in 1999 through Tone Casualties.
La Luna is an album by Holger Czukay, released on June 13, 2000. The album originally consisted of one extended work, "La Luna", recorded four years earlier and described as "an electronic night ceremony". According to Czukay,
It seems to me that certain types of albums almost create themselves. In such cases the composer is merely the conduit for a pre-existing energy waiting to be transformed into sound. My experience with La Luna was very much like that. The album […] is in many ways a product of something similar to the automatic writing techniques of the Surrealists. I had purchased a new sampler and began experimenting with the machine without reference to the instruction manual and filled the brain of the machine to its full capacity with 'sonic memories'. In the late hours of the evening the machine came to life and spoke! The recording you hear is the transcript of this transcendental conversation between man and machine.
Ingmar Koch is a German musician, producer and label owner in the field of Electronic Music. He was a member of more than 50 different techno music projects, such as Air Liquide, Khan & Walker, Global Electronic Network, Pierrot Premier, Lovecore and Rei$$dorf Force.
"Blessed Easter" is a 1987 musical single by Holger Czukay, from his album Rome Remains Rome (1987). The song is notable for sampling the voice of Pope John Paul II.