Good Morning Story | ||||
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Studio album by | ||||
Released | 1999 | |||
Genre | Krautrock | |||
Length | 46:31 | |||
Label | Tone Casualties | |||
Producer | Holger Czukay | |||
Holger Czukay chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Good Morning Story is the eighth album by Holger Czukay, released in 1999 through Tone Casualties.
All tracks are written by Holger Czukay
No. | Title | Length |
---|---|---|
1. | "Invisible Man" | 4:55 |
2. | "Good Morning Story" | 3:52 |
3. | "Dancing in Wild Circles" | 5:27 |
4. | "World of the Universe" | 3:23 |
5. | "Atlantis" | 6:19 |
6. | "Mirage" | 22:35 |
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Holger Schüring, known professionally as Holger Czukay, was a German musician best known as a co-founder of the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde", Czukay was also notable for having created early important examples of ambient music, for having explored "world music" well before the term was coined, and for having been a pioneer of sampling.
Monster Movie is the debut studio album by German rock band Can, released in August 1969 by Music Factory and Liberty Records.
Soundtracks is a 1970 compilation album by the German krautrock group Can, containing music written for various films. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, and his replacement by Damo Suzuki. "Don't Turn the Light On, Leave Me Alone" features Suzuki's first recorded performance with the band. Stylistically, the record also documents the group's transition to the more meditative and experimental mode of the studio albums that followed.
"Belinda" is a 1981 music recording by the British new wave duo Eurythmics. It was the band's second single, and the second of two singles to be taken from their debut album In the Garden. The song was co-produced by Conny Plank and featured Robert Görl of D.A.F. and members of Can.
Plight & Premonition is the first of two collaborative albums by English musician David Sylvian and German musician Holger Czukay. It was released in March 1988.
Flux + Mutability is the second collaboration between David Sylvian and Holger Czukay. It was released in September 1989. The music consists of two instrumental tracks improvised by the participants.
Saw Delight is an album by the German rock band Can. It features two new band members who were ex-members of the band Traffic, Rosko Gee and Rebop Kwaku Baah, with Can's bassist Holger Czukay giving up the bass in favour of experimental effects.
Rite Time is the eleventh and final studio album by the German krautrock band Can, released in later Summer 1989 by Mercury Records. The album features the vocals of the band's original singer, Malcolm Mooney, who had left the group in 1970 after their debut album Monster Movie. Upon the album's initial release, "In the Distance Lies the Future" only appeared on the CD version, but it was included on the 2014 vinyl reissue.
Delay 1968 is a compilation album by the German experimental rock band Can released in 1981. It comprises previously unreleased work recorded for Can's rejected debut album, Prepared to Meet Thy Pnoom, recorded with the singer Malcolm Mooney.
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
Can, also known as Inner Space, is the tenth studio album by experimental rock band Can, released in 1979. Former bassist Holger Czukay's involvement with this album was limited to tape editing. It was Can's last album before the reunion album Rite Time, ten years later, and was released after the band's break-up.
Unlimited Edition is a compilation album by the band Can. Released in 1976 as a double album, it was an expanded version of the 1974 LP Limited Edition on United Artists Records which, as the name suggests, was a limited release of 15,000 copies. The album collects unreleased music across the band's history, from 1968 to 1975, and both of the band's major singers are featured. The cover photos were taken among the Elgin Marbles in the Duveen Gallery of the British Museum.
Movies is the second album by Holger Czukay, released in 1979 through Electrola.
On the Way to the Peak of Normal is the third album by Holger Czukay, released in 1981 through Electrola.
Full Circle is a collaborative album between musicians Holger Czukay, Jah Wobble and Jaki Liebezeit, released in 1982 through Virgin Records.
Der Osten ist Rot is the fourth album by Holger Czukay, released in 1984 through Virgin Records.
Rome Remains Rome is the fifth album by Holger Czukay, released in 1987 through Virgin Records. One single was released, Blessed Easter, which samples Pope John Paul II's Easter message.
Radio Wave Surfer is the sixth album by Holger Czukay, released in 1991 through Virgin Records.
Moving Pictures is the seventh album by Holger Czukay, released in 1993 through Mute Records.