Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence, political conflict, religion, nature, philosophy, true crime and science fiction.
Heavy metal is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.
Progressive metal is a broad fusion music genre melding heavy metal and progressive rock, combining the loud "aggression" and amplified guitar-driven sound of the former with the more experimental, cerebral or "pseudo-classical" compositions of the latter.
Thrash metal is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo. The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment, opposition to armed conflicts, and at times shares a disdain for the Christian religion with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk.
Power metal is a subgenre of heavy metal combining characteristics of traditional heavy metal with speed metal, often within a symphonic context. Generally, power metal is characterized by a faster, lighter, and more uplifting sound, in contrast with the heaviness and dissonance prevalent in, for example, extreme metal. Power metal bands usually have anthem-like songs with fantasy-based subject matter and strong choruses, thus creating a theatrical, dramatic and emotionally "powerful" sound.
Alternative metal is a genre of heavy metal music that combines heavy metal with influences from alternative rock and other genres not normally associated with metal. Alternative metal bands are often characterized by heavily downtuned, mid-paced guitar riffs, a mixture of accessible melodic vocals and harsh vocals and sometimes unconventional sounds within other heavy metal styles. The term has been in use since the 1980s, although it came into prominence in the 1990s.
Possessed is an American death metal band, originally formed in 1983. Noted for their fast style of playing and Jeff Becerra's growled vocals, they are often called the first band in the death metal genre, and paved the way for the 1980s Bay Area thrash metal scene, along with Metallica, Exodus, Testament and Death Angel. The band is also notable for featuring future Primus member Larry LaLonde, who was the guitarist for Possessed from 1984 to 1987.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression".
Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However the death growl is also a popular technique within the genre.
Mortification is an Australian Christian death metal band which was formed in 1987 as a heavy metal group, Lightforce, by mainstay Steve Rowe on bass guitar and vocals. By 1990, in the Melbourne suburb of Moorabbin, they were renamed as Mortification with the line-up of Rowe, Michael Carlisle on guitar and Jayson Sherlock on drums. Mortification has released fourteen studio albums, three compilation albums, three extended plays, six live discs, one demo album, one box set, and several videos on major record labels such as Nuclear Blast. As one of the earliest internationally successful Christian death metal bands from Australia, they served as an inspiration for later similar groups.
Discharge are an English hardcore punk band formed in 1977 in Stoke-on-Trent, England. The band is known for influencing several sub-genres of extreme music and their songs have been covered by some of the biggest names in heavy metal and other genres. The musical sub-genre of D-beat is named after Discharge and the band's distinctive drumbeat.
Alice in Hell is the debut studio album by Canadian thrash metal band Annihilator, released on April 17, 1989 through Roadrunner Records. This was the only Annihilator album for ten years to feature Randy Rampage on vocals, until he returned for their seventh studio album Criteria for a Black Widow (1999).
Temple of Blood is an American Christian metal band based out of Huntsville, Alabama. Musically, they are influenced by the thrash metal music of bands like Annihilator and Megadeth and the traditional heavy metal music by bands such as Iron Maiden and Judas Priest. The band's name is derived from 1 Corinthians 6:19 and according to the band's vocalist: "the idea of our bodies being temples of flesh and blood to God".
Screaming is an extended vocal technique that is popular in "aggressive" music genres such as heavy metal, punk rock, and noise music and others. It is common in the more extreme subgenres of heavy metal, such as death and black metal as well as many other subgenres.
Hammers of Misfortune is an American heavy metal band from San Francisco, California. The band's style has varied from album to album, at times incorporating different elements of folk metal, doom metal, NWOBHM, black metal, 1970s rock, and thrash metal. It is the brainchild of guitarist John Cobbett, who serves as the band's producer and primary songwriter.
Fantom Warior is an American thrash metal band that was founded in 1984 in Union, New Jersey. consisting of John Chernack, Keith Pires, James Jensen (drums) and Steve Schley (guitar). The band's major influences were Slayer, Metallica and Anthrax. Fantom Warior had a self-distributed demo and album as well as appearing on a compilation album. Fantom Warior's musical style was said to be hardcore thrash similar to Slayer and Kreator with changes throughout their songs that mix speedcore and very heavy thrash. Their music contained a blend of speed and technical development unknown to some of the other bands of their time.
Infest the Rats' Nest is the fifteenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 16 August 2019 by the band's record label, Flightless, and ATO Records. The album sees the band using a heavy metal and thrash metal style, which they had only briefly touched upon on previous albums. Its lyrics address environmental themes such as climate change and ecological disaster through a cli-fi narrative involving space colonisation.
Uniform is an American industrial metal and noise rock band, formed in 2013 in New York City by vocalist Michael Berdan and guitarist Ben Greenberg. The current lineup of the band also features Mike Sharp on drums.
Shame is the fourth studio album by American industrial rock band Uniform. It was released on September 11, 2020 by Sacred Bones Records. Produced by the band's guitarist, Ben Greenberg, the record features Mike Sharp on drums. It was mixed by Randall Dunn.
