Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies or MC. The entertainment, as performed by an ensemble of actors and according to its European origins, is often oriented towards adult audiences and of a clearly underground nature. In the United States, striptease, burlesque, drag shows, or a solo vocalist with a pianist, as well as the venues which offer this entertainment, are often advertised as cabarets.
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Pub rock is a subgenre of rock music that emerged in the early to mid-1970s in the United Kingdom. A back-to-basics movement, which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes at the time. Although short-lived, pub rock was played live in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub bands sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label.
Quicksilver Messenger Service is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite a lack of success with their singles. Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most of the style, attitude and sound of that era."
The music of the Philippines includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of indigenous styles, and various Asian styles, as well as Spanish/Latin American and (US) American influences through foreign rule from those countries.
Alternative comedy is a term coined in the 1980s for a style of comedy that makes a conscious break with the mainstream comedic style of an era. The phrase has had different connotations in different contexts: in the UK, it was used to describe content that was an "alternative" to the mainstream stand-up of the day which took place in working men's clubs, and was characterised by unoriginal gags often containing elements of sexism and racism. In other contexts, it is the nature of the form that is "alternative", avoiding reliance on a standardised structure of a sequence of jokes with punch lines. Patton Oswalt has defined it as "comedy where the audience has no pre-set expectations about the crowd, and vice versa. In comedy clubs, there tends to be a certain vibe—alternative comedy explores different types of material."
Australian indie rock is part of the overall flow of Australian rock history but has a distinct history somewhat separate from mainstream rock in Australia, largely from the end of the punk rock era onwards.
The London Astoria was a music venue at 157 Charing Cross Road, in London, England, that operated from 1976 to 2009.
Gilles Jérôme Moehrle MBE, better known as Gilles Peterson, is a French broadcaster, DJ, and record label owner. He founded the influential labels Acid Jazz and Talkin' Loud, and started his current label Brownswood Recordings in 2006. He was awarded an honorary MBE in 2004, the AIM Award for Indie Champion and the Mixmag Award for Outstanding Contribution To Dance Music in 2013, the PRS for Music Award for Outstanding Contribution to Music Radio in 2014, and The A&R Award from the Music Producers Guild in 2019.
Romantic Modernism, more commonly known as Romo, was a musical and nightclubbing movement, of glam/style pop lineage, in the UK circa 1995–1997, centred on the twin homes of Camden-based clubnight Club Skinny and its West End clone Arcadia, as well as concerts by the chief associated bands.
Commodore Ballroom is a music venue, dance floor and nightclub located on 800 block of Granville Street in Vancouver, British Columbia. It is regarded as Canada's most influential nightclub, and one of North America's best live music venues. The building was built in the Art Deco style of the late 1920s by George Conrad Reifel and designed by architect H.H. Gillingham. Best known for showcasing special performances, the venue is also known for its sprung dance floor, whose horsehair lining absorbs, rather than reflecting back, some of the impact of dancers' feet. At the time it was installed, only a few venues in the world had similar floors.
Those Darn Accordions, commonly abbreviated as TDA, are an American accordion band from San Francisco, California, originally formed in 1989 by Linda "Big Lou" Seekins.
Dingwalls Dancehall is a live music and comedy venue adjacent to Camden Lock, Camden, London, England. The building itself is one of many industrial Victorian buildings that were put to new use in the 20th century. The original owner of the building, T.E. Dingwall, had his name painted on to the outside wall of the building, which was a common practice by businesses in Camden Town during the late Victorian era. The paint is still visible to this day, hence the venue's name.
The music of Cardiff has been dominated mainly by rock music since the early 1990s with later trends developing towards more extreme styles of the genre such as heavy metal and metalcore music. It, along with the nearby music scene in Newport, has brought a number of musicians to perform or begin their careers in South Wales.
The Sinceros were a new wave and power pop band from London, England, who recorded two albums for Epic Records, The Sound of Sunbathing (1979) and Pet Rock (1981). Both albums were released worldwide and achieved moderate commercial success.
Blow Up is a club night that was founded in the early 1990s by promoter and DJ Paul Tunkin at a North London pub called "The Laurel Tree". The night quickly became the centre of the emerging Britpop scene in Camden attracting long queues of people eager to gain entry to the tiny venue. Early regulars included members of Blur, Pulp, Elastica, Suede, The Buzzcocks, Huggy Bear and The Jesus and Mary Chain, leading to the club being referred to as the place where "Britpop was born".
DIY is a United Kingdom-based music publication, in print and online. Its free print edition is released monthly with a physical circulation of 40,000 in UK venues, clubs and shops.
The Dublin Castle is a pub and live music venue in Camden Town, London. It gained prominence as a venue in the late 1970s after the band Madness established a live reputation there. Subsequently, it was an important venue in the early stages of several bands' careers and contributed to the Britpop musical genre. Amy Winehouse was a regular visitor to the pub.
Camden Crawl was a music festival in Camden, London, which first appeared in 1995 and then was held annually from 2005 to 2014.
The Collectable Few are a former British Indie/Alternative band from West London, active between 2007–2012. They released five singles and two full-length albums. The band consisted of Tarek Al-Shammaa on lead vocals and synths, Tom Christensen on bass guitar and backing vocals, Nat Cantor on guitars, piano and synths, and Alex Hammond on drums, percussion and backing vocals.
