This article needs additional citations for verification .(August 2020) |
Coconut Hotel | ||||
---|---|---|---|---|
Studio album by | ||||
Released | March 25, 1995 | |||
Recorded | 1967 | |||
Studio | Andrus Studio, Houston | |||
Genre | Avant-garde | |||
Length | 33:22 | |||
Label | Drag City [1] | |||
Producer | Red Krayola | |||
The Red Krayola chronology | ||||
|
Coconut Hotel is an album originally recorded in 1967 by the American avant rock band Red Krayola. The intent was for it to be the band's second album after the release of The Parable of Arable Land , but it was rejected and shelved indefinitely by International Artists. [2] [3] Coconut Hotel would not hit stores till 1995 when it was finally issued by Drag City. [4] [5]
In an interview with Ritchie Unterberger, Mayo Thompson said:
"The first record did business. IA called me and said, let's have a second album, we need another album. We recorded a second album, Coconut Hotel, which the label didn't like at all, which was this abstract music, the most extreme version of the logic that we could conceive of at that time, and also answered to our needs. I mean, if people are going to claim that they're making innovations, we felt anybody who makes these claims had better make them in light of what's going on in jazz, and what's going on in R&B, and places where music is--there's certain kinds of things where experimentation within forms, within closures, are going on." [6]
For Coconut Hotel, Mayo Thompson, Steve Cunningham and Frederick Barthelme returned to Andrus studio in Houston. [7]
Mayo Thompson commented on the recording process: "It was done in a slightly more leisurely way, but we recorded all live in stereo, a pair of matched condenser microphones... There's no plan... The development of it is not in the usual musical way—there's not a melodic development, there's not a rhythmic development, there's not an intensifying of the dynamic strategy or anything." [7]
The album contains 36 one second pieces, the second track "Water Pour" consists of a two-minute piece that is played twice, Mayo Thompson said this was in reference to a performance habit of Mozart. [7]
Steve Cunningham elaborated on how Coconut Hotel was a natural progression from The Parable of Arable Land in the 2nd issue of Mother: Houston's Rock Magazine (1968):- "It is definitely a natural progression. We feel that we are now doing the right thing, having in the past done likewise." [8]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
The Encyclopedia of Popular Music | [10] |
Richie Unterberger of AllMusic, wrote: "This has so little commercial potential that it makes Zappa's Lumpy Gravy sound like AM radio fodder" also adding, "It's totally uncompromising, and rather wearisome, to be honest. It's like nothing else that nominally 'rock' groups were doing in 1967." [9]
All tracks are written by Steve Cunningham and Mayo Thompson.
No. | Title | Length |
---|---|---|
1. | "Boards" | 6:28 |
2. | "Water Pour" | 4:40 |
3. | "One-Second Piece" | 0:04 |
4. | "One-Second Piece" | 0:06 |
5. | "One-Second Piece" | 0:04 |
6. | "One-Second Piece" | 0:04 |
7. | "One-Second Piece" | 0:04 |
8. | "One-Second Piece" | 0:07 |
9. | "One-Second Piece" | 0:08 |
10. | "One-Second Piece" | 0:05 |
11. | "One-Second Piece" | 0:05 |
12. | "One-Second Piece" | 0:05 |
13. | "One-Second Piece" | 0:07 |
14. | "One-Second Piece" | 0:04 |
15. | "One-Second Piece" | 0:11 |
16. | "One-Second Piece" | 0:04 |
17. | "One-Second Piece" | 0:04 |
18. | "One-Second Piece" | 0:11 |
19. | "One-Second Piece" | 0:04 |
20. | "One-Second Piece" | 0:04 |
21. | "One-Second Piece" | 0:06 |
22. | "One-Second Piece" | 0:04 |
23. | "One-Second Piece" | 0:05 |
24. | "One-Second Piece" | 0:04 |
25. | "One-Second Piece" | 0:04 |
26. | "One-Second Piece" | 0:04 |
27. | "One-Second Piece" | 0:04 |
28. | "One-Second Piece" | 0:04 |
29. | "One-Second Piece" | 0:07 |
30. | "One-Second Piece" | 0:05 |
31. | "One-Second Piece" | 0:04 |
32. | "One-Second Piece" | 0:04 |
33. | "One-Second Piece" | 0:06 |
34. | "One-Second Piece" | 0:04 |
35. | "One-Second Piece" | 0:04 |
36. | "One-Second Piece" | 0:04 |
37. | "One-Second Piece" | 0:04 |
38. | "One-Second Piece" | 0:10 |
39. | "Organ Buildup" | 1:05 |
40. | "Vocal" | 6:29 |
41. | "Free Guitar" | 6:27 |
42. | "One-Minute Imposition" | 1:09 |
43. | "Piano" | 2:11 |
44. | "Guitar" | 1:29 |
|
|
Red Krayola is an American avant rock band from Houston, Texas formed in 1966 by the trio of singer/guitarist Mayo Thompson, drummer Frederick Barthelme, and bassist Steve Cunningham.
Mayo Thompson is an American musician and visual artist best known as the leader of the experimental rock band Red Krayola.
The Parable of Arable Land is the first studio album by the Red Crayola. The album's title was coined by bassist Steve Cunningham. The album was considered psychedelic music when it was introduced, but later assessments describe it as a forerunner to avant/noise rock. With this album as introduction, Ritchie Unterberger assessed the band as a precursor to industrial rock. The album features free improvised pieces involving industrial power tools and a revving motorcycle dubbed "Free Form Freak-Out" played by a group of over 50 people known as "the Familiar Ugly" as well as notable instrumental cameos by label mate and 13th Floor Elevators frontman Roky Erickson.
Corky's Debt to His Father is the only solo LP by Red Krayola leader Mayo Thompson. Recorded in 1970, it was released on the small independent label Texas Revolution but barely distributed at the time; some copies were made available in the 1970s via mail order.
Soldier-Talk is the third studio album by the American experimental rock band Red Crayola. It was released in 1979 by the record label Radar.
God Bless the Red Krayola and All Who Sail With It is the second commercially released studio album by the American avant-rock band the Red Krayola. It was released in May 1968 by the independent record label known as International Artists.
Corrected Slogans is a studio album collaboration between the experimental rock band Red Krayola and the conceptual art group Art & Language. It was released in 1976 by the publisher Music-Language. The album was adopted by Drag City and was re-issued on CD in 1997.
Kangaroo? is the second collaboration between the experimental rock band The Red Crayola and the conceptual art group Art & Language, released in 1981 by Rough Trade Records. The album was adopted by Drag City and re-issued on CD in 1995.
Black Snakes is a collaboration between the experimental rock band Red Krayola and the conceptual art group Art & Language. It was released in 1983 by RecRec Music. The album was adopted by Drag City and re-issued on CD in 1997.
Three Songs on a Trip to the United States is the fourth album by the experimental rock band Red Krayola, released in 1983 by Pure Freude. The album was adopted by Drag City and re-issued on CD in 1997.The album cover photos were provided by previous member Frederick Barthelme.
The Red Krayola is an album by the experimental rock band Red Krayola, released in 1994 by Drag City.
Amor and Language is an EP by the experimental rock band Red Krayola, released in 1995 by Drag City.
Hazel is an album by the experimental rock band Red Krayola, released in 1996 by Drag City.
Live 1967 is a live performance album by the experimental rock band Red Krayola. It was released in 1998 by Drag City. The two-disc set comprises the band's performance at the Angry Arts Festival in Los Angeles as well as their sets from various shows at the Berkeley Folk Festival during summer 1967. Like all the music played at the festivals, it is dedicated to the troops positioned in Vietnam.
Fingerpainting is an album by the experimental rock band Red Krayola, released in 1999 by Drag City. The album contains songs that were originally worked on by the 1960s line-up of the band.
Singles is a compilation album by the experimental rock band Red Krayola. It was released in 2004 by Drag City.
Introduction is an album by the experimental rock band Red Krayola, released in 2006 via Drag City.
Red Gold is an EP by the experimental rock band Red Krayola, released in 2006 by Drag City.
Sighs Trapped by Liars is the fourth collaboration between the experimental rock band Red Krayola and the conceptual art group Art & Language, released on September 17, 2007, by Drag City.
Fingerpointing is a remix album by the experimental rock band Red Krayola, released on July 22, 2008, by Drag City. It is a remix of the album Fingerpainting, with Jim O'Rourke responsible for the new mix.