The Vatican Apostolic Library, more commonly known as the Vatican Library or informally as the Vat, is the library of the Holy See, located in Vatican City, and is the city-state's national library. It was formally established in 1475, although it is much older—it is one of the oldest libraries in the world and contains one of the most significant collections of historical texts. It has 75,000 codices from throughout history, as well as 1.1 million printed books, which include some 8,500 incunabula.
The Vergilius Vaticanus, also known as Vatican Virgil, is a Late Antique illuminated manuscript containing fragments of Virgil's Aeneid and Georgics. It was made in Rome in around 400 CE, and is one of the oldest surviving sources for the text of the Aeneid. It is the oldest and one of only three ancient illustrated manuscripts of classical literature.
The Vergilius Romanus, also known as the Roman Vergil, is a 5th-century illustrated manuscript of the works of Virgil. It contains the Aeneid, the Georgics, and some of the Eclogues. It is one of the oldest and most important Vergilian manuscripts. It is 332 by 323 mm with 309 vellum folios. It was written in rustic capitals with 18 lines per page.
The Vergilius Augusteus is a manuscript from late antiquity, containing the works of the Roman author Virgil, written probably around the 4th century. There are two other collections of Virgil manuscripts, the Vergilius Vaticanus and the Vergilius Romanus. They are early examples of illuminated manuscripts; the Augusteus is not illuminated but has decorated initial letters at the top of each page. These letters do not mark divisions of the text, but rather are used at the beginning of whatever line happened to fall at the top of the page. These decorated initials are the earliest surviving such initials.
Lorsch Abbey, otherwise the Imperial Abbey of Lorsch, is a former Imperial abbey in Lorsch, Germany, about 10 km (6.2 mi) east of Worms. It was one of the most important monasteries of the Carolingian Empire. Even in its ruined state, its remains are among the most important pre-Romanesque–Carolingian style buildings in Germany.
The Stockholm Codex Aureus is a Gospel book written in the mid-eighth century in Southumbria, probably in Canterbury, whose decoration combines Insular and Italian elements. Southumbria produced a number of important illuminated manuscripts during the eighth and early ninth centuries, including the Vespasian Psalter, the Stockholm Codex Aureus, three Mercian prayer books, the Tiberius Bede and the British Library's Royal Bible.
The National Library of Romania is the national library of Romania, located at 22 Unirii Boulevard in central Bucharest. It is intended to be the repository of all that is published in Romania. The construction cost was €110 million.
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres.
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and Northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance. However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own. In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, and important monasteries, as well as the court circles of the emperor and his leading vassals.
The Rossi Codex is a music manuscript collection of the 14th century. The manuscript is presently divided into two sections, one in the Vatican Library and another, smaller section in the Northern Italian town of Ostiglia. The codex contains 37 secular works including madrigals, cacce and, uniquely among trecento sources, monophonic ballatas. The codex is of great interest for trecento musicologists because for many years it was considered the earliest source of fourteenth-century Italian music. Although other pre-1380 sources of secular, polyphonic, Italian music have now been identified, none are nearly so extensive as the Rossi Codex.
Codex Ríos is an Italian translation and augmentation of a Spanish colonial-era manuscript, Codex Telleriano-Remensis, that is partially attributed to Pedro de los Ríos, a Dominican friar working in Oaxaca and Puebla between 1547 and 1562. The codex itself was likely written and drawn in Italy after 1566.
The Bibliotheca Palatina of Heidelberg was the most important library of the German Renaissance, numbering approximately 5,000 printed books and 3,524 manuscripts. The Bibliotheca was a prominent prize captured during the Thirty Years' War, taken as booty by Maximilian of Bavaria, and given to the Pope in a symbolic and political gesture. While some of the books and manuscripts are now held by the University of Heidelberg, the bulk of the original collection is now an integral part of the Bibliotheca Apostolica Vaticana at the Vatican.
Codex Assemanius is a rounded Glagolitic Old Church Slavonic canon evangeliary consisting of 158 illuminated parchment folios, dated to early 11th century. The manuscript is created in the Ohrid Literary School of the First Bulgarian Empire.
The Annales laureshamenses, also called Annals of Lorsch (AL), are a set of Reichsannalen that cover the years from 703 to 803, with a brief prologue. The annals begin where the "Chronica minora" of the Anglo-Saxon historian Bede leaves off—in the fifth year of the Emperor Tiberios III—and may have originally been composed as a continuation of Bede. The annals for the years up to 785 were written at the Abbey of Lorsch, but are dependent on earlier sources. Those for the years from 785 onward form an independent source and provide especially important coverage of the imperial coronation of Charlemagne in 800. The Annales laureshamenses have been translated into English.
The Lorsch Bee Blessing is a bee-keeping prayer intended to bring home honey bees in good health to their hives. It is believed to have been written in the 9th century, and was discovered in a manuscript from the monastery in Lorsch, Germany, famous for the Lorsch Codex. Despite being a Christian prayer written in Old High German, it has remarkable similarities to the Anglo-Saxon and apparently pagan "For a Swarm of Bees" magic charm. It may reflect a common pre-Christian Germanic cultural heritage.
The Aachen Gospels are a Carolingian illuminated manuscript which was created at the beginning of the ninth century by a member of the Ada School. The Evangeliary belongs to a manuscript group which is referred to as the Ada Group or Group of the Vienna Coronation Gospels. It is part of the church treasury of Charlemagne's Palatine Chapel, now Aachen Cathedral, and is today kept in the Aachen Cathedral Treasury. The Treasury Gospels and the more recent Ottonian Liuthar Gospels are the two most significant medieval manuscripts on display there.
