Author | Philip Larkin |
---|---|
Country | United Kingdom |
Language | English |
Genre | Poetry |
Publisher | Faber and Faber |
Publication date | 1988, 2003 |
Pages | 330 / 240 |
ISBN | 978-0-571-21654-3 |
OCLC | 51804524 |
Collected Poems is the title of a posthumous collection of Philip Larkin's poetry edited by Anthony Thwaite and published by Faber and Faber. He released two notably different editions in 1988 and 2003, the first of which also includes previously unpublished work. Both editions include the contents of Larkin's collections The North Ship , The Less Deceived , The Whitsun Weddings and High Windows , plus other material.
For the 1988 edition, editor Anthony Thwaite included all of Philip Larkin's published poetry as well as unpublished and incomplete work. Thwaite divided the book into two sections: what he considered the mature (post war) poetry, 1946 - 1983, and juvenilia, 1938 - 1945. Larkin's three most popular and celebrated collections (The Less Deceived, The Witsun Weddings, and The High Window) fall in the first part of the book, but account for just 85 poems, with 87 poems uncollected (or appearing only in the privately printed XX Poems) of which 61 were previously unpublished, a handful of which were clearly unfinished. This section also included Larkin's own unpublished second collection In the Grip of Light).
Controversially Larkin's first collection 'The North Ship' (32 poems) fell in the latter section along with other poems the author wrote at University, or indeed school, a total of 38 uncollected, pieces 22 unpublished from 1938 to 1945, the published material here appearing in both public publications (The Listener, Poetry from Oxford in Wartime) and privately circulated college and university magazines. The collected poems then doubled the stock of Larkin poems in print, publishing a third for the very first time.
Thwaite then organized the poems in chronological order, as is often the case in a 'complete poems' collection. Meaning that poems from Larkin's four collections, his uncollected poems, and his unpublished work are interspersed throughout according to their date of composition. The site of original publication or collection was noted at the foot of each poem, and an appendix listed the contents and order of Larkin's intended original collections, published, unpublished and private, but the perceived loss of identity of these beloved collections and their running orders was criticised by Larkin fans, with some critics considered the arrangement eccentric and overly academic. [1] [2] [3] The book was published in Hardback in the UK by Faber and the Marvell Press and in US by Farrar, Straus and Giroux, paperback editions, with some corrections and revisions were published in 1990. All running to several printings. [4]
In 2003, Thwaite prepared a new edition with a different arrangement. He also corrected typos and added back published poem titles which Larkin had later reconsidered. It does not contain the vast volume of unpublished and incomplete work included in the 1988 edition, and orders the published poems in Larkin's preferred arrangement according to his four published collections, omitting entirely his unpublished 1947 collection. Additionally, it includes two appendices containing most of the other poems Larkin published but did not include in his four main collections. [1] [3]
The 2003 edition includes Larkin's uncollected poems in two appendices. The first appendix contains poems published in magazines and journals before 1972, but not subsequently collected by Larkin. The contents of the privately printed XX Poems (1951) are deemed to be in this category.
Appendix I: Uncollected Poems 1940–1972
Appendix II: Uncollected Poems 1974–1984
The second appendix contains those poems published after High Windows , Larkin's final volume.
Philip Arthur Larkin was an English poet, novelist, and librarian. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947). He came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, with his articles gathered in All What Jazz: A Record Diary 1961–71 (1985), and edited The Oxford Book of Twentieth Century English Verse (1973). His many honours include the Queen's Gold Medal for Poetry. He was offered, but declined, the position of Poet Laureate in 1984, following the death of Sir John Betjeman.
Elizabeth Bishop was an American poet and short-story writer. She was Consultant in Poetry to the Library of Congress from 1949 to 1950, the Pulitzer Prize winner for Poetry in 1956, the National Book Award winner in 1970, and the recipient of the Neustadt International Prize for Literature in 1976. Dwight Garner argued that she was perhaps "the most purely gifted poet of the 20th century".
Paul Muldoon is an Irish poet. He has published more than thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. At Princeton University he is currently both the Howard G. B. Clark '21 University Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He held the post of Oxford Professor of Poetry from 1999 to 2004 and has also served as president of the Poetry Society (UK) and Poetry Editor at The New Yorker.
Robert Traill Spence Lowell IV was an American poet. He was born into a Boston Brahmin family that could trace its origins back to the Mayflower. His family, past and present, were important subjects in his poetry. Growing up in Boston also informed his poems, which were frequently set in Boston and the New England region. The literary scholar Paula Hayes believes that Lowell mythologized New England, particularly in his early work.
Frederick Seidel is an American poet.
Anthony Simon Thwaite was an English poet and critic, widely known as the editor of his friend Philip Larkin's collected poems and letters.
James Marcus Schuyler was an American poet. His awards include the Pulitzer Prize for Poetry for his 1980 collection The Morning of the Poem. He was a central figure in the New York School and is often associated with fellow New York School poets John Ashbery, Frank O'Hara, Kenneth Koch, and Barbara Guest.
John Allyn McAlpin Berryman was an American poet and scholar. He was a major figure in American poetry in the second half of the 20th century and is considered a key figure in the "confessional" school of poetry. His best-known work is The Dream Songs.
"Mr Bleaney" is a poem by British poet Philip Larkin, written in May 1955. It was first published in The Listener on 8 September 1955 and later included in Larkin's 1964 anthology The Whitsun Weddings.
The Less Deceived, first published in 1955, was Philip Larkin's first mature collection of poetry, having been preceded by the derivative North Ship (1945) from The Fortune Press and a privately printed collection, a small pamphlet titled XX Poems, which Larkin mailed to literary critics and authors. Larkin was unaware that postal rates had gone up, and most recipients, when asked to pay the difference for delivery of a pamphlet by a little-known writer, turned them away; only around 100 copies were printed.
Nationality words link to articles with information on the nation's poetry or literature.
Station Island is the sixth collection of original poetry written by Irish poet Seamus Heaney, who was awarded the Nobel Prize in Literature in 1995. It is dedicated to the Northern Irish playwright Brian Friel. The collection was first published in the United Kingdom and Ireland in 1984 by Faber & Faber and was then published in America by Farrar, Straus and Giroux in 1985. Seamus Heaney was recorded reading this collection on the Seamus Heaney Collected Poems album.
"The Whitsun Weddings" is one of the best known poems by British poet Philip Larkin. It was written and rewritten and finally published in the 1964 collection of poems, also called The Whitsun Weddings. It is one of three poems that Larkin wrote about train journeys.
"An Arundel Tomb" is a poem by Philip Larkin, written and published in 1956, and subsequently included in his 1964 collection The Whitsun Weddings. It describes the poet's response to seeing a pair of recumbent medieval tomb effigies with their hands joined in Chichester Cathedral. It is described by James Booth as "one of [Larkin's] greatest poems". It comprises 7 verses of 6 lines each, each with rhyme scheme ABBCAC.
The North Ship is the debut collection of poems by Philip Larkin (1922–1985), published in 1945 by Reginald A. Caton's Fortune Press. Caton did not pay his writers and expected them to buy a certain number of copies themselves. A similar arrangement had been used in 1934 by Dylan Thomas for his first collection.
Larkin at Sixty (1982) is a collection of original essays and poems published to celebrate the sixtieth birthday of the English poet Philip Larkin. It was edited and introduced by Anthony Thwaite and published by Larkin's publishers, Faber and Faber. A poetic dramatisation of the launch of the book was written by Russell Davies.
The Definitive Edition of the verse of Rudyard Kipling (1865–1936) was published in 1940 in London by Hodder and Stoughton, Ltd and in Edinburgh by R. R. Clark. It is a one-volume collection and was printed on India paper.
Throughout the life of the poet Philip Larkin, multiple women had important roles which were significant influences on his poetry. Since Larkin's death in 1985, biographers have highlighted the importance of female relationships on Larkin: when Andrew Motion's biography was serialised in The Independent in 1993, the second installment of extracts was dedicated to the topic. In 1999, Ben Brown's play Larkin with Women dramatised Larkin's relationships with three of his lovers, and more recently writers such as Martin Amis, continued to comment on this subject.
The Mower is a poem by British poet Philip Larkin, written on 12 June 1979. It was first published in Humberside, the Hull Literary Club magazine, in Autumn 1979.