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Nationality words link to articles with information on the nation's poetry or literature.
The Less Deceived, first published in 1955, was Philip Larkin's first mature collection of poetry, having been preceded by the derivative North Ship (1945) from The Fortune Press and a privately printed collection, a small pamphlet titled XX Poems, which Larkin mailed to literary critics and authors. Larkin was unaware that postal rates had gone up, and most recipients, when asked to pay the difference for delivery of a pamphlet by a little-known writer, turned them away; only around 100 copies were printed.
David John Murray Wright was an author and "an acclaimed South African-born poet".
"MCMXIV" (1914) is a poem written by English poet Philip Larkin. It was first published in the book The Whitsun Weddings in 1964. The poem, a single sentence spread over four stanzas, begins by describing what is seemingly a photograph of volunteers lining up to enlist, and goes on to reflect on the momentous changes in England that would result from the First World War, ending, 'Never such innocence again'.
"An Arundel Tomb" is a poem by Philip Larkin, written and published in 1956, and subsequently included in his 1964 collection The Whitsun Weddings. It describes the poet's response to seeing a pair of recumbent medieval tomb effigies with their hands joined in Chichester Cathedral. It is described by James Booth as "one of [Larkin's] greatest poems". It comprises 7 verses of 6 lines each, each with rhyme scheme ABBCAC.
Collected Poems is the title of a posthumous collection of Philip Larkin's poetry edited by Anthony Thwaite and published by Faber and Faber. He released two notably different editions in 1988 and 2003, the first of which also includes previously unpublished work. Both editions include the contents of Larkin's collections The North Ship, The Less Deceived, The Whitsun Weddings and High Windows, plus other material.
The North Ship is the debut collection of poems by Philip Larkin (1922–1985), published in 1945 by Reginald A. Caton's Fortune Press. Caton did not pay his writers and expected them to buy a certain number of copies themselves. A similar arrangement had been used in 1934 by Dylan Thomas for his first collection.
Throughout the life of the poet Philip Larkin, multiple women had important roles which were significant influences on his poetry. Since Larkin's death in 1985, biographers have highlighted the importance of female relationships on Larkin: when Andrew Motion's biography was serialised in The Independent in 1993, the second installment of extracts was dedicated to the topic. In 1999, Ben Brown's play Larkin with Women dramatised Larkin's relationships with three of his lovers, and more recently writers such as Martin Amis, continued to comment on this subject.
After A. E. Housman’s death in 1936, his brother Laurence was made his literary executor and over the next two years published further selections of poems from his manuscripts: in 1936 More Poems and, between 1937-9, Additional Poems, although the latter were never printed as a separate edition. As much more of Housman's earlier writing was brought to light, its autobiographical nature clarified his suppressed homosexuality. There are also recognisable Classical influences.
John Clive Hall was an English poet and editor.
References
- ↑ "The 50 greatest postwar writers" The Times, 5 January 2008.
- ↑ "Larkin is nation's top poet" BBC News 15 October 2003
- ↑ "The Complete Poems by Philip Larkin, edited by Archie Burnett". 20 January 2012.
- ↑ McHenry, Eric (10 February 2003). "High Standards". Slate. 10 February 2003.