The Golden Treasury of English Songs and Lyrics is a popular anthology of English poetry, originally selected for publication by Francis Turner Palgrave in 1861. It was considerably revised, with input from Tennyson, about three decades later. Palgrave excluded all poems by poets then still alive.
The Faber Book of Modern Verse was a poetry anthology, edited in its first edition by Michael Roberts, and published in 1936 by Faber and Faber. There was a second edition (1951) edited by Anne Ridler, and a third edition (1965) edited by Donald Hall. The selection was of poems in English printed after 1910, which meant that work by Gerard Manley Hopkins could be included. A later edition was edited by Peter Porter.
The New Oxford Book of English Verse 1250–1950 is a poetry anthology edited by Helen Gardner, and published in New York and London in 1972 by Clarendon Press. It was intended as a replacement for the older Quiller-Couch Oxford Book of English Verse. Selections were largely restricted to British and Irish poets.
The Faber Book of Twentieth Century Verse: An Anthology of Verse in Britain 1900-1950 was a poetry anthology edited by John Heath-Stubbs and David Wright, and first published in 1953 by Faber and Faber. A selection in self-conscious contrast to the Faber Book of Modern Verse, it did not attempt to cover American poetry. It has been through numerous further editions. It was last issued as a hardback in St. Clair Shores, Michigan by Somerset Publishers Inc. in 1988 with ISBN 0-403-07212-3.
British Poetry since 1945 is a poetry anthology edited by Edward Lucie-Smith, first published in 1970 by Penguin Books. The anthology is a careful attempt to take account of the whole span of post-war British poetry including poets from The Group, a London-centred workshop for whom Lucie-Smith himself had once been chairman.
George Sutherland Fraser was a Scottish poet, literary critic and academic.
The Penguin poetry anthologies, published by Penguin Books, have at times played the role of a "third force" in British poetry, less literary than those from Faber and Faber, and less academic than those from Oxford University Press..
The Oxford University Press published a long series of poetry anthologies, dealing in particular with British poetry but not restricted to it, after the success of the Oxford Book of English Verse (1900). The Oxford poetry anthologies are traditionally seen as 'establishment' in attitude, and routinely therefore are subjects of discussion and contention. They have been edited both by well-known poets and by distinguished academics. In the limited perspective of canon-formation, they have mostly been retrospective and well-researched, rather than breaking fresh ground.
Poems of Today was a series of anthologies of poetry, almost all Anglo-Irish, produced by the English Association.
The Broadview Anthology of Poetry (ISBN 978-1551110066) is a 1993 poetry anthology compiled by Canadian academics Herbert Rosengarten and Amanda Goldrick-Jones.
These are Oxford poetry anthologies of English poetry, which select from a given period. See also The Oxford Book of Twentieth Century English Verse and Eighteenth century women poets: an Oxford anthology.
Up The Line To Death: The War Poets 1914–1918 is a poetry anthology edited by Brian Gardner, and first published in 1964. It was a thematic collection of the poetry of World War I.
The Oxford Book of Irish Verse; XVIIth century - XXth century was a poetry anthology edited by Donagh MacDonagh and Lennox Robinson. It was published "at the Clarendon Press, Oxford" in 1958.
Literary Taste: How to Form it is a long essay by Arnold Bennett, first published in 1909, with a revised edition by his friend Frank Swinnerton appearing in 1937. It includes a long list of recommended books, every item individually costed.
A Little Treasury of Modern Poetry: English and American is an anthology of poetry, edited by Oscar Williams, which was published by Scribner's, New York, in 1946, and Routledge and Kegan Paul, London, in 1947. Another edition, enlarged and rearranged, was published in 1952.
Horizon: A Review of Literature and Art was a literary magazine published in London, UK, between December 1939 and January 1950. Published every four weeks, it was edited by Cyril Connolly, who made it into a platform for a wide range of distinguished and emerging writers. It had a print run of 120 issues or 20 volumes.
