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Michael and Mary is a 1931 British drama film directed by Victor Saville and starring Elizabeth Allan, Edna Best, Frank Lawton, and Herbert Marshall. This was the first of the Edna Best and Herbert Marshall co-starring talkies. It was based on a play of the same name by A.A. Milne. Milne's story was adapted by Lajos Bíró,Robert Stevenson and Angus MacPhail. Produced by Gainsborough Pictures, it was shot at the company's Islington Studios in London. The film's sets were designed by the art director Alex Vetchinsky.
Dance Pretty Lady is a 1931 British drama film directed by Anthony Asquith and starring Ann Casson, Carl Harbord, Michael Hogan, Moore Marriott and Flora Robson. It was based on the 1912 novel Carnival by Compton Mackenzie. The novel was subsequently remade as a 1946 film Carnival.
Jealousy is a 1931 British drama film directed by G.B. Samuelson and starring Lilian Oldland, Malcolm Keen, Harold French and Frank Pettingell. It was shot at Isleworth Studios as a quota quickie for distribution by Warner Brothers.
The Four Just Men, also known as The Secret Four, is a 1939 British thriller film directed by Walter Forde and starring Hugh Sinclair, Griffith Jones, Edward Chapman and Frank Lawton. It is based on the 1905 novel The Four Just Men by Edgar Wallace. There was a previous silent film version in 1921. This version was produced by Ealing Studios, with sets designed by Wilfred Shingleton.
Trouble is a 1933 British comedy film directed by Maclean Rogers and starring Sydney Howard, George Curzon and Dorothy Robinson. It was made at British and Dominion Elstree Studios.
Nine till Six is a 1932 British drama film directed by Basil Dean and starring Louise Hampton, Elizabeth Allan and Florence Desmond. Produced by Basil Dean's Associated Talking Pictures, it was the first film made at Ealing Studios after the facility had been converted to sound.
The Chance of a Night Time is a 1931 British comedy film directed by Herbert Wilcox and starring Ralph Lynn, Winifred Shotter and Kenneth Kove. The screenplay was written by Ben Travers based on his play The Dippers, and the cast included cast members from Travers's Aldwych Farces. It was shot at Elstree Studios outside London with sets designed by the art director Lawrence P. Williams.
As Good As New is 1933 British drama film directed by Graham Cutts and starring Winna Winifried, John Batten and Sunday Wilshin. It was based on a play by Thompson Buchanan. It was made at Teddington Studios. It was a quota quickie made by the British branch of Warner Brothers.
Brown Sugar is a 1922 British silent romance film directed by Fred Paul and starring Owen Nares, Lillian Hall-Davis and Eric Lewis. It was based on a play by Lady Arthur Lever.
Hutch Stirs 'em Up is a 1923 British silent comedy action film directed by Frank Hall Crane and starring Charles Hutchison, Joan Barry and Malcolm Tod. It was based on the novel The Hawk of Rede by Harry Harding.
The Love Contract is a 1932 British musical film directed by Herbert Selpin and starring Winifred Shotter, Owen Nares and Sunday Wilshin. The screenplay concerns a young woman who becomes the driver of a wealthy stockbroker who lost her family's savings. It was based on a play by Jean de Letraz, Suzette Desty and Roger Blum. It was produced by Herbert Wilcox's company British & Dominions Film Corporation. Alternate language versions were made in French and in German, both of which were also directed by Selpin.
Sunday Wilshin was a British actress and radio producer; the successor to George Orwell on his resignation in 1943. She was born in London as Mary Aline Wilshin and educated at the Italia Conti Stage School. Wilshin was a member of the 'Bright young things' of the 1920s, and a close friend of the actress Cyllene Moxon and of author Noel Streatfeild. In connection with the 'bright young things', Wilshin commonly appears in accounts of a gathering whereat she was assaulted by the silent film actress Brenda Dean Paul.
Miriam Rozella is a 1924 British silent drama film directed by Sidney Morgan and starring Moyna Macgill, Owen Nares and Gertrude McCoy.
Murder by Rope is a 1936 British mystery film directed by George Pearson and starring Constance Godridge, D. A. Clarke-Smith and Sunday Wilshin.
An Obvious Situation is a 1930 British crime film directed by Giuseppe Guarino and starring Sunday Wilshin, Walter Sondes and Carl Harbord. It was made as a quota quickie at Teddington Studios for release by Warner Brothers.
Marry Me is a 1932 British musical comedy film directed by Wilhelm Thiele and starring Renate Müller, Harry Green and George Robey. It was made by Gainsborough Pictures at Islington Studios. The film's sets were designed by the art director Alex Vetchinsky.
To Brighton with Gladys is a 1933 British comedy film directed by George King and starring Harry Milton, Constance Shotter and Kate Cutler. It was made at Ealing Studios as a quota quickie.
First Night is a 1937 British drama film directed by Donovan Pedelty and starring Jack Livesey, Rani Waller and Sunday Wilshin. It was made at Wembley Studios as a quota quickie.
Borrowed Clothes is a 1934 British drama film directed by Arthur Maude and starring Anne Grey, Lester Matthews and Sunday Wilshin.
The Green Caravan is a 1922 British silent drama film directed by Edwin J. Collins and starring Catherine Calvert, Gregory Scott and Valia.
References
- ↑ Low p.304
