Tunes
In the United States, the hymn is usually set to an American folk tune known as "Nettleton", which first appears in Wyeth's Repository of Sacred Music, Part Second (1813), possibly collected by Elkanah Kelsey Dare, who was the musical editor (John Wyeth himself was a printer). [4] The tune appears on page 112 in F major for two voices (tenor and bass), with a revival chorus (Hallelujah, Hallelujah, we are on our journey home); the facing page has another musical setting ("Concert") in A minor without any chorus. Asahel Nettleton also published music, so some attribute his namesake tune directly to him. [5] In the United Kingdom, the hymn is also often set to the tune "Normandy" by C Bost. [6] The "Nettleton" tune is used extensively in partial or full quotation by the American composer Charles Ives, in such works as the First String Quartet and the piano quintet and song "The Innate". The "Nettleton" tune is also quoted at the end of "My Trundle Bed" by Tullius C. O'Kane.
In the shape note tradition, most tunebooks have one or more tunes other than "Nettleton" that use Robinson's lyrics, in part, or in whole, often adding a camp meeting-style revival chorus between each verse. Because most singers have the lyrics memorized, it can be sung at remarkably fast tempos without stumbling over the words. For example, the tune "Warrenton," which first appeared in the 1838 edition of William Walker's Southern Harmony, is sung in 4/4 time or 2/2 cut time; to fit the text to this melody, the second half of each verse is omitted and replaced with a chorus of "I am bound for the kingdom, will you come to glory with me? / Hallelujah, praise the Lord!" [7]
Text
The lyrics, which dwell on the theme of divine grace, are based on 1 Samuel 7:12, in which the prophet Samuel raises a stone as a monument, saying, "Hitherto hath the Lord helped us" (KJV). The English transliteration of the name Samuel gives to the stone is Ebenezer , meaning Stone of Help. The unusual word Ebenezer commonly appears in hymnal presentations of the lyrics (verse 2).
Various revised versions appear in hymnals, often changing phrases or replacing the reference to Ebenezer. [8] [9] The version in Nazarene hymnals and those of the Holiness movement replaces "wandering" with "yielded," and "prone to wander" with "let me know Thee in Thy fullness". Many choirs, including the Tabernacle Choir at Temple Square, sing it in an arrangement by Mack Wilberg. It splits verse 2 into two parts and the last half of verse 3 is appended to each part to form two verses. A version titled "O Thou Fount of Every Blessing" and attributed to Robert Robinson is found in several shape-note hymnals of the American South. The melody is attributed to A. Nettleton, while several phrases are changed.
A doxology is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns. The tradition derives from a similar practice in the Jewish synagogue, where some version of the Kaddish serves to terminate each section of the service.
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook. They are used in congregational singing. A hymnal may contain only hymn texts ; written melodies are extra, and more recently harmony parts have also been provided.
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b. The poetry of "When I survey…" may be seen as English literary baroque.
"Love Divine, All Loves Excelling" is a Christian hymn by Charles Wesley on Christian perfection. Judging by general repute, it is among Wesley's finest. Judging by its distribution, it is also among his most successful.
"Joy to the World" is an English Christmas carol. It was written in 1719 by the English minister and hymnwriter Isaac Watts, and its lyrics are a Christian reinterpretation of Psalm 98 and Genesis 3. The carol is usually sung to an 1848 arrangement by the American composer Lowell Mason.
"Be Thou My Vision" is a traditional Christian hymn of Irish origin. The words are based on a Middle Irish poem that has traditionally been attributed to Dallán Forgaill.
"Abide with Me" is a Christian hymn by Scottish Anglican cleric Henry Francis Lyte. A prayer for God to stay with the speaker throughout life and in death, it was written by Lyte in 1847 as he was dying from tuberculosis. It is most often sung to the tune "Eventide" by the English organist William Henry Monk.
"How Can I Keep From Singing?" is an American folksong originating as a Christian hymn. The author of the lyrics was known only as 'Pauline T', and the original tune was composed by American Baptist minister Robert Lowry. The song is frequently, though erroneously, cited as a traditional Quaker or Shaker hymn. The original composition has now entered into the public domain, and appears in several hymnals and song collections, both in its original form and with a revised text that omits most of the explicitly Christian content and adds a verse about solidarity in the face of oppression. Though it was not originally a Quaker hymn, Quakers adopted it as their own in the twentieth century and use it widely today.
Cwm Rhondda is a popular hymn tune written by John Hughes (1873–1932) in 1907. The name is taken from the Welsh name for the Rhondda Valley.
"Just as I Am" is a Christian hymn, written by Charlotte Elliott in 1835, first appearing in the Christian Remembrancer, of which Elliott became the editor in 1836. The final verse is taken from Elliott's Hours of Sorrow Cheered and Comforted (1836).
A Christian child's prayer is Christian prayer recited primarily by children that is typically short, rhyming, or has a memorable tune. It is usually said before bedtime, to give thanks for a meal, or as a nursery rhyme. Many of these prayers are either quotes from the Bible, or set traditional texts.
"We Gather Together" is a Christian hymn of Dutch origin written in 1597 by Adrianus Valerius as "Wilt heden nu treden" to celebrate the Dutch victory over Spanish forces in the Battle of Turnhout. It was originally set to a Dutch folk tune. In the United States, it is popularly associated with Thanksgiving Day and is often sung at family meals and at religious services on that day.
Hymns are an important part of the history and worship of the Church of Jesus Christ of Latter-day Saints.
"How Great Thou Art" is a Christian hymn based on an original Swedish hymn entitled "O Store Gud" written in 1885 by Carl Boberg (1859–1940). The English version of the hymn and its title are a loose translation by the English missionary Stuart K. Hine from 1949. The hymn was popularised by George Beverly Shea and Cliff Barrows during Billy Graham's crusades. It was voted the British public's favourite hymn by BBC's Songs of Praise. "How Great Thou Art" was ranked second on a list of the favourite hymns of all time in a survey by Christianity Today magazine in 2001 and in a nationwide poll by Songs Of Praise in 2019.
"Gwahoddiad" is a Welsh hymn of American origin.
"The Hymn of Joy" is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
Psalm 138 is the 138th psalm of the Book of Psalms, beginning in English in the King James Version: "I will praise thee with my whole heart". In Latin, it is known as "Confitebor tibi Domine in toto corde meo". The psalm is a hymn psalm.
"Come, Thou Long Expected Jesus" is a 1744 Advent and Christmas carol common in Protestant hymnals. The text was written by Charles Wesley. It is performed to one of several tunes, including "Stuttgart", "Hyfrydol", and "Cross of Jesus". The hymn is considered an enduring classic in Christian hymnody.
"Wrestling Jacob", also known by its incipit, "Come, O thou Traveller unknown", is a Christian hymn written by Methodist hymn writer Charles Wesley. It is based on the biblical account of Jacob wrestling with an angel, from Genesis 32:24-32, with Wesley interpreting this as an analogy for Christian conversion. First published in 1742, it has been included in every Methodist hymnbook since 1780. In its original form, it had fourteen stanzas, but it is rarely sung in its entirety. The hymn is commonly described as one of Charles Wesley's greatest compositions, with the hymn writer Isaac Watts quoted as saying that "that single poem, Wrestling Jacob, was worth all the verses he himself had written".
