Crown jewels are the objects of metalwork and jewellery in the regalia of a current or former monarchy. They are often used for the coronation of a monarch and a few other ceremonial occasions. A monarch may often be shown wearing them in portraits, as they symbolize the power and continuity of the monarchy. Additions to them may be made, but since medieval times the existing items are typically passed down unchanged as they symbolize the continuity of the monarchy.
Palace of Fontainebleau or Château de Fontainebleau, located 55 kilometers southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance.
The Irish House of Commons was the lower house of the Parliament of Ireland that existed from 1297 until 1800. The upper house was the House of Lords. The membership of the House of Commons was directly elected, but on a highly restrictive franchise, similar to the unreformed House of Commons in contemporary England and Great Britain. Catholics were disqualified from sitting in the Irish parliament from 1691, even though they comprised the vast majority of the Irish population.
The gold penny was a medieval English coin with a value of twenty pence.
The guinea was a coin, minted in Great Britain between 1663 and 1814, that contained approximately one-quarter of an ounce of gold. The name came from the Guinea region in West Africa, from where much of the gold used to make the coins was sourced. It was the first English machine-struck gold coin, originally representing a value of 20 shillings in sterling specie, equal to one pound, but rises in the price of gold relative to silver caused the value of the guinea to increase, at times to as high as thirty shillings. From 1717 to 1816, its value was officially fixed at twenty-one shillings.
The French Crown Jewels comprise the crowns, orb, sceptres, diadems and jewels that were symbols of Royal power between 752 and 1825. These were worn by many Kings and Queens of France as well as Emperor Napoleon. The set was finally broken up, with most of it sold off in 1885 by the Third Republic. The surviving French Crown Jewels, principally a set of historic crowns, diadems and parures, are mainly on display in the Galerie d'Apollon of the Louvre, France's premier museum and former royal palace, together with the Regent Diamond, the Sancy Diamond and the 105-carat (21.0 g) Côte-de-Bretagne red spinel, carved into the form of a dragon. In addition, some gemstones and jewels are on display in the Treasury vault of the Mineralogy gallery in the National Museum of Natural History.
The 4th House of Orléans, sometimes called the House of Bourbon-Orléans to distinguish it, is the fourth holder of a surname previously used by several branches of the Royal House of France, all descended in the legitimate male line from the dynasty's founder, Hugh Capet. The house was founded by Philippe I, Duke of Orléans, younger son of Louis XIII and younger brother of Louis XIV, the "Sun King".
The Crown of Charlemagne was a name given to the ancient coronation crown of Kings of the Franks, and later Kings of France after 1237.
Golden hats are a very specific and rare type of archaeological artifact from Bronze Age Europe. So far, four such objects are known. The objects are made of thin sheet gold and were attached externally to long conical and brimmed headdresses which were probably made of some organic material and served to stabilise the external gold leaf. The following conical golden hats are known as of 2012:
Hor Awibre was an Egyptian pharaoh of the 13th Dynasty reigning from c. 1777 BC until 1775 BC or for a few months, c. 1760 BC or c. 1732 BC, during the Second Intermediate Period. Hor is known primarily thanks to his nearly intact tomb discovered in 1894 and the rare life-size wooden statue of the king's Ka it housed.
The prehistory of Ireland has been pieced together from archaeological evidence, which has grown at an increasing rate over the last decades. It begins with the first evidence of permanent human residence in Ireland around 10,500 BC and finishes with the start of the historical record around 400 AD. Both the beginning and end dates of the period are later than for much of Europe and all of the Near East. The prehistoric period covers the Palaeolithic, Mesolithic, Neolithic, Bronze Age and Iron Age societies of Ireland. For much of Europe, the historical record begins when the Romans invaded; as Ireland was not invaded by the Romans its historical record starts later, with the coming of Christianity.
The Victorious Youth, Getty Bronze, also known as Atleta di Fano, or Lisippo di Fano is a Greek bronze sculpture, made between 300 and 100 BC, in the collections of the J. Paul Getty Museum, Pacific Palisades, California. Many underwater bronzes have been discovered along the Aegean and Mediterrean coast; in 1900 sponge divers found the Antikythera Youth and the portrait head of a Stoic, at Antikythera, the standing Poseidon of Cape Artemision in 1926, the Croatian Apoxyomenos in 1996 and various bronzes until 1999. The Victorious Youth was found in the summer of 1964 in the sea off Fano on the Adriatic coast of Italy, snagged in the nets of an Italian fishing trawler. In the summer of 1977, The J. Paul Getty Museum purchased the bronze statue and it remains in the Getty Villa in Malibu, California. Bernard Ashmole, an archaeologist and art historian, was asked to inspect the sculpture by a Munich art dealer Heinz Herzer; he and other scholars attributed it to Lysippos, a prolific sculptor of Classical Greek art. The research and conservation of the Victorious Youth dates from the 1980s to the 1990s, and is based on studies in classical bronzes, and ancient Mediterranean specialists collaboration with the Getty Museum. The entire sculpture was cast in one piece; this casting technique is called the “lost wax” method; the sculpture was first created in clay with support to allow hot air to melt the wax creating a mold for molten bronze to be poured into, making a large bronze Victorious Youth. More recently, scholars have been more concerned with the original social context, such as where the sculpture was made, for what context and who he might be. Multiple interpretations of where the Youth was made and who the Youth is, are expressed in scholarly books by Jiri Frel, Paul Getty Museum curator, from 1973 to 1986, and Carol Mattusch, Professor of Art History at George Mason University specializing in Greek and Roman art with a focus in classical bronzes.
Alexander Gordon was a Scottish antiquary and singer. His survey of Roman sites, the Itinerarium Septentrionale, was considered an essential reference by all Roman antiquaries of his time.
Mooghaun is a late Bronze Age hill fort located in County Clare, Ireland. It is a well preserved, recently excavated site, occupying an entire hill with wide views of the surrounding lands. Believed to be the largest hill fort in Ireland, it is one of the region's main tourist attractions.
Gold working in the Bronze Age British Isles refers to the use of gold to produce ornaments and other prestige items in the British Isles during the Bronze Age, between circa 2500 and c.800 BCE in Britain, and up to about 550 BCE in Ireland. In this period, communities in Britain and Ireland first learned how to work metal, leading to the widespread creation of not only gold but also copper and bronze items as well. Gold artefacts in particular were prestige items used to designate the high status of those individuals who wore, or were buried with them.
Gerald Comerford (c.1558–1604), was an Irish barrister, judge and statesman of the late sixteenth and early seventeenth centuries. He sat in the House of Commons in the Irish Parliament of 1585–6, and briefly held office as Chief Justice of Munster and as a Baron of the Court of Exchequer. He profited from his close family association with the Earl of Ormond. Comerford rose rapidly in the public service to become a trusted servant of the English Crown, and would probably have become one of the dominant political figures in the southeast of Ireland had it not been for his early death.
The Mooghaun North Hoard or Great Clare Find is the name of an important Bronze Age hoard found at Mooghaun North, near Newmarket-on-Fergus in County Clare, Ireland. Considered one of the greatest Bronze Age hoards of gold ever found north of the Alps, unfortunately most of the treasure was melted down soon after its discovery. What remains of the hoard is currently split between the National Museum of Ireland in Dublin and the British Museum in London. It is no. 11 in A History of Ireland in 100 Objects.
The Golden Bog of Cullen is an archaeological site located in County Tipperary, Ireland. Discovered in the 18th century, it has been described as "one of the most important and prolific sites" in Ireland; unfortunately, it was discovered before modern methods of preservation and collection, and almost all of the finds were melted down.
The Capitoline Museums in Rome hold parts of a bronze colossus of Constantine. The colossal statue of a Roman emperor was probably made in the 4th century but only fragments survive. It is usually interpreted as depicting Constantine the Great.
The Shrine of St. Patrick's Bell is a bell shrine reliquary completed c. 1094–1105 in County Armagh, Ireland, to contain a c. 500 iron hand-bell traditionally associated with the Irish patron saint Saint Patrick. Inscriptions on the back of the shrine record that it was commissioned after 1091 by the Uí Néill High King Domnall Ua Lochlainn and completed c. 1105 by the metalworker Cú Dúilig, about whom nothing is known. Both objects are historically significant, with the bell being one of the few Irish very-early medieval artifacts with a continuous provenance lasting from around the 8th century to the present, and the shrine being a highpoint of Irish metalwork from the late Insular and early Romanesque periods.
