The book's layout resembles that of a dictionary, with 2000 pages of comics depicting the work of 324 authors from 29 different countries, plus an introduction—in ten different languages—and a bibliography for each contributor.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Alternative comics or independent comics cover a range of American comics that have appeared since the 1980s, following the underground comix movement of the late 1960s and early 1970s. Alternative comics present an alternative to mainstream superhero comics which in the past have dominated the American comic book industry. Alternative comic books span a wide range of genres, artistic styles, and subjects.
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published in the United States by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Roberta Gregory is an American comic book writer and artist best known for the character Bitchy Bitch from her Fantagraphics Books series Naughty Bits. She is a prolific contributor to many feminist and underground anthologies, such as Wimmen's Comix and Gay Comix.
Wimmen's Comix, later retitled (respelled) as Wimmin's Comix, is an influential all-female underground comics anthology published from 1972 to 1992. Though it covered a wide range of genres and subject matters, Wimmen's Comix focused more than other anthologies of the time on feminist concerns, homosexuality, sex and politics in general, and autobiographical comics. Wimmen's Comix was a launching pad for many cartoonists' careers, and it inspired other small-press and self-published titles like Twisted Sisters, Dyke Shorts, and Dynamite Damsels.
Trina Robbins is an American cartoonist. She was an early participant in the underground comix movement, and one of the first female artists in that movement. She is a member of the Will Eisner Hall of Fame.
Renegade Press was an American comic book company, founded by Canadian Deni Loubert, that operated from 1984 to 1988. Notable titles published by Renegade included Flaming Carrot, Ms. Tree, and normalman.
Rip Off Comix was an underground comix anthology published between 1977 and 1991 by Rip Off Press. As time passed, the sensibility of the anthology changed from underground to alternative comics.
Diane Robin Noomin was an American comics artist associated with the underground comics movement. She is best known for her character DiDi Glitz, who addresses transgressive social issues such as feminism, female masturbation, body image, and miscarriages.
Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.
Jean-Christophe Menu is a French underground cartoonist, graphic designer, comics scholar and publisher, son of the Egyptologist Bernadette Menu. He is best known for being one of the founders of L'Association, an influential comic book and art book publishing company from France often regarded as one of the key figures in the independent comic movement around the world.
Joyce Farmer is an American underground comix cartoonist. She was a participant in the underground comix movement. With Lyn Chevli, she created the feminist anthology comic book series Tits & Clits Comix in 1972.
Comix Book is an underground comic book series published from 1974 to 1976, originally by Marvel Comics. It was the first comic of this type to be published by a mainstream publisher. Edited by Denis Kitchen, Comix Book featured work by such underground luminaries as Justin Green, Kim Deitch, Trina Robbins, Art Spiegelman, and S. Clay Wilson. While it did not depict the explicit content that was often featured in underground comix, it was more socially relevant than anything Marvel had previously published.
Tits & Clits Comix is an all-female underground comics anthology put together by Joyce Farmer and Lyn Chevli, published from 1972 to 1987. In addition to Farmer and Chevli, contributors to Tits & Clits included Roberta Gregory, Lee Marrs, and Trina Robbins.
Suzy Varty is a noted British comics artist, writer, and editor. In the late 1970s, she compiled, contributed to and edited Heröine, the first anthology of comics by women to be published in the U.K. Throughout the 70s, she was part of the Birmingham Arts Lab, and she has participated in the Underground Comix and Wimmen's Comix movements in the U.S. Varty remains active in the British Comics scene, frequently appearing at such conventions as Thought Bubble Comic Arts Festival in Leeds and the Canny Comic Con in Newcastle.
Twisted Sisters is an all-female underground comics anthology put together by Aline Kominsky and Diane Noomin, and published in various iterations. In addition to Kominsky and Noomin, contributors to Twisted Sisters included M. K. Brown, Dame Darcy, Julie Doucet, Debbie Drechsler, Mary Fleener, Phoebe Gloeckner, Krystine Kryttre, Carol Lay, Dori Seda, and Carol Tyler.
Young Lust was an underground comix anthology published sporadically from 1970 to 1993. The title, which parodied 1950s romance comics such as Young Love, was noted for its explicit depictions of sex. Unlike many other sex-fueled underground comix, Young Lust was generally not perceived as misogynistic. Founding editors Bill Griffith and Jay Kinney gradually morphed the title into a satire of societal mores. According to Kinney, Young Lust "became one of the top three best-selling underground comix, along with Zap Comix and The Fabulous Furry Freak Brothers".
Company & Sons was an early underground comix publisher based in San Francisco, ran by John Bagley. The company operated from 1970 to 1973, publishing a total of 15 titles, all but one of them consisting of a single issue.
Zavier Leslie Cabarga, popularly known as Leslie Cabarga, is an American author, illustrator, cartoonist, animator, font designer, and publication designer. A participant in the underground comix movement in the early 1970s, he has since gone on to write and/or edit over 40 books. His art style evokes images from the 1920s and 1930s, and over the years Cabarga has created many products associated with Betty Boop. His book The Fleischer Story in the Golden Age of Animation, originally published in 1976, has become the authoritative history of the Fleischer Studios.
Michele Wrightson, also known as Michele Brand, was an American artist who worked in the comic book industry. The former wife of underground cartoonist Roger Brand, she started out as an underground comix cartoonist. Later, when she was married to comics artist Bernie Wrightson, she made her name as a colorist. She was a key contributor to the first all-female underground comic, It Ain't Me, Babe, as well as its follow-up series, Wimmen's Comix.
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