Krystine Kryttre | |
---|---|
Born | 1958 (age 64–65) |
Nationality | American |
Occupation(s) | Alternative comics artist, Painter, Animator, Writer, Sculptor, Performer |
Website | kryttre |
Krystine Kryttre (born 1958) is an American alternative comics artist, painter, animator, writer, and performer from San Francisco. currently based in Los Angeles. Her work is dark, often explicit, and visually distinctive." [1] Her work has been exhibited in galleries since the late 1980s, including a number of solo shows in Los Angeles.
Krystine first published her comics in punk zines published out of San Francisco. She moved to Los Angeles in 1991.
She has been published in Weirdo , Raw , Wimmen's Comix , Tits & Clits Comix , The Narrative Corpse , Comix 2000 , Snake Eyes, Art Forum , Buzzard, and Twisted Sisters . [2] [3] Her relationship with Dori Seda is chronicled in the story "'Bimbos From Hell," originally published in Weirdo #22 (Last Gasp, Spring 1988). [4] In 1990, Cat-Head Comics released Death Warmed Over, a collection of her comics. [1] Cat-Head Comics described Death Warmed Over as "a beyond-beautiful collection of dark wonderment" [5] and wrote "Kryttre's inventive 'scratchboard gothic' style has made this collection very popular." [6]
Another collection, The #@@! Coloring Book, was released by Last Gasp in 2001. [7]
After making comics from 1985–1992, she shifted focus to painting from 1994–2003, and taxidermy from 1994–2002. Her most recent work has returned to painting and drawing. [8] She has also produced a series of satirical toys called "Abu & 'Mo", inspired by the atrocities of Abu Ghraib and the Guantanamo Bay detention camp.
Krystine is credited as a writer and creative producer for the segment "Anemia & Iodine" in the American sketch comedy series KaBlam! (1996) [9] She was also an animator for Freaked (1993). [9]
From 2002 to 2008 she was a member of the L.A.-based Corpus Delicti Butoh Performance Lab, which performed stage pieces and guerilla street theater in public spaces.
The cartoonist and critic Scott McCloud, in Understanding Comics (1993), wrote that "in Krystine Kryttre's art, the curves of childhood and the mad lines of a [Edvard] Munch create a crazy toddler look." [10]
Writer Terri Sutton, in Artforum, wrote that Krystine's work aimed to criticize the double standards of women and show feminist visions of healthy womanhood. [3] She wrote Kryttre, along with artists Mary Fleener and Julie Doucet, "play with aggression and victimization not to express rage but better to understand where those urges take them and how to incorporate such feelings amongst all the prescriptions attached to femininity." [3]
Krystine was a panel member at the San Diego Comic-Con's panel "The Book of Weirdo: A History of the Greatest Magazine Ever Published" in 2019. [11]
Robert Dennis Crumb is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Melinda Gebbie is an American comics artist and writer, known for her participation in the underground comix movement. She is also known for creating the controversial work Fresca Zizis and her contributions to Wimmen's Comix, as well as her work with her husband Alan Moore on the three-volume graphic novel Lost Girls and the Tomorrow Stories anthology series.
Dorothea Antoinette "Dori" Seda was an artist best known for her underground comix work in the 1980s. She occasionally used the pen name "Sylvia Silicosis." Her comics combined exaggerated fantasy and ribald humor with documentation of her life in the Mission District of San Francisco, California.
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published in the United States by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Aline Kominsky-Crumb was an American underground comics artist. Kominsky-Crumb's work, which is almost exclusively autobiographical, is known for its unvarnished, confessional nature. In 2016, ComicsAlliance listed Kominsky-Crumb as one of twelve women cartoonists deserving of lifetime achievement recognition. She was married to cartoonist Robert Crumb, with whom she frequently collaborated. Their daughter, Sophie Crumb, is also a cartoonist.
Last Gasp is a San Francisco-based book publisher with a lowbrow art and counterculture focus. Owned and operated by Ron Turner, for most of its existence Last Gasp was a publisher, distributor, and wholesaler of underground comix and books of all types.
Weirdo was a magazine-sized comics anthology created by Robert Crumb and published by Last Gasp from 1981 to 1993. Featuring cartoonists both new and old, Weirdo served as a "low art" counterpoint to its contemporary highbrow Raw, co-edited by Art Spiegelman.
William Henry Jackson Griffith is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip Zippy. The catchphrase "Are we having fun yet?" is credited to Griffith.
Wimmen's Comix, later titled Wimmin's Comix, is an influential all-female underground comics anthology published from 1972 to 1992. Though it covered a wide range of genres and subject matters, Wimmen's Comix focused more than other anthologies of the time on feminist concerns, homosexuality, sex and politics in general, and autobiographical comics. Wimmen's Comix was a launching pad for many cartoonists' careers, and it inspired other small-press and self-published titles like Twisted Sisters, Dyke Shorts, and Dynamite Damsels.
Trina Robbins is an American cartoonist. She was an early participant in the underground comix movement, and one of the first female artists in that movement. She is a member of the Will Eisner Hall of Fame.
Debbie Drechsler is an American illustrator and comic book creator. Her semi-autobiographical graphic novel about incest, Daddy's Girl (1996), was nominated for an Ignatz Award.
M. K. Brown is an American cartoonist and painter whose work has appeared in many publications, including National Lampoon (1972–1981), Mother Jones, Wimmen's Comix, The New Yorker, Playboy, among others. She has written several books, created animations for The Tracey Ullman Show, and was a contributing artist to the "comic jam" graphic novel The Narrative Corpse. She is also an accomplished painter with work in galleries and many private collections.
Diane Robin Noomin was an American comics artist associated with the underground comics movement. She is best known for her character DiDi Glitz, who addresses transgressive social issues such as feminism, female masturbation, body image, and miscarriages.
Joyce Farmer is an American underground comix cartoonist. She was a participant in the underground comix movement. With Lyn Chevli, she created the feminist anthology comic book series Tits & Clits Comix in 1972.
Tits & Clits Comix is an all-female underground comics anthology put together by Joyce Farmer and Lyn Chevli, published from 1972 to 1987. In addition to Farmer and Chevli, contributors to Tits & Clits included Roberta Gregory, Lee Marrs, and Trina Robbins.
Twisted Sisters is an all-female underground comics anthology put together by Aline Kominsky and Diane Noomin, and published in various iterations. In addition to Kominsky and Noomin, contributors to Twisted Sisters included M. K. Brown, Dame Darcy, Julie Doucet, Debbie Drechsler, Mary Fleener, Phoebe Gloeckner, Krystine Kryttre, Carol Lay, Dori Seda, and Carol Tyler.
Young Lust was an underground comix anthology published sporadically from 1970 to 1993. The title, which parodied 1950s romance comics such as Young Love, was noted for its explicit depictions of sex. Unlike many other sex-fueled underground comix, Young Lust was generally not perceived as misogynistic. Founding editors Bill Griffith and Jay Kinney gradually morphed the title into a satire of societal mores. According to Kinney, Young Lust "became one of the top three best-selling underground comix, along with Zap Comix and The Fabulous Furry Freak Brothers".
William "Willy" Murphy was an American underground cartoonist and editor. Murphy's humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, "a mid-30s beanpole with wry observations about his own life and the community around him." Murphy's solo title was called Flamed-Out Funnies; in addition, he contributed to such seminal underground anthologies as Arcade, Bijou Funnies, and San Francisco Comic Book, as well as the National Lampoon.
Michele Wrightson, also known as Michele Brand, was an American artist who worked in the comic book industry. The former wife of underground cartoonist Roger Brand, she started out as an underground comix cartoonist. Later, when she was married to comics artist Bernie Wrightson, she made her name as a colorist. She was a key contributor to the first all-female underground comic, It Ain't Me, Babe, as well as its follow-up series, Wimmen's Comix.