Melinda Gebbie | |
---|---|
Born | San Francisco, California |
Nationality | American |
Area(s) | Writer, Penciller, Inker |
Notable works | Lost Girls Cobweb |
Melinda Gebbie (born 1947) [1] is an American comics artist and writer, known for her participation in the underground comix movement. She is also known for creating the controversial work Fresca Zizis and her contributions to Wimmen's Comix, as well as her work with her husband Alan Moore on the three-volume graphic novel Lost Girls and the Tomorrow Stories anthology series.
Melinda Gebbie was born in San Francisco. She became interested in comics in 1973, when she met writer/artist Lee Marrs at a publishers' fair. [1] In 1984 Gebbie married Adam Cornford, a poet from California; their marriage was short-lived. Their marriage is believed to have been an inspiration for his poetry collection Animations.[ citation needed ] She married Alan Moore in 2007.
Melinda Gebbie contributed her first comic strip to Wimmen's Comix #3, the inceptive all-women anthology published by Last Gasp. She wrote and drew short stories for Wimmen's Comix and many other anthologies, including Tits & Clits Comix , Wet Satin, and Anarchy Comics . In 1977 she completed her own solo comic book, Fresca Zizis, which was later banned in Britain in 1985 for obscenity, and still is to this day. [2]
In 1984, she moved to England to work on the animated film adaptation of Raymond Briggs' When the Wind Blows . Following this, she worked in a variety of illustration and office jobs and continued making short stories for anthologies such as Strip AIDS and Heartbreak Hotel. In the early 1990s, Alan Moore and Gebbie began collaborating on Lost Girls , a story in which the female protagonists of Peter and Wendy , Alice's Adventures in Wonderland , and The Wonderful Wizard of Oz meet and share sexual stories and experiences. Moore wrote the story, and Gebbie illustrated it. The story was finished in 2006. Meanwhile, she and Moore created Cobweb, a mysterious heroine who appeared in twelve issues of the Moore-written anthology Tomorrow Stories between 1999 and 2002.
Hilary Chute claims that the underground comix movement was parallel to second-wave feminism because it gave women comic artists the ability to establish work that was political and freely explore and publish their artistic expression. [3] Autobiographical comics were popular among the underground comix industry due to groups of people being underrepresented in the mainstream comics industry. Although they were not completely autobiographical, comics like Tits & Clits, Wimmen's Comix, and Twisted Sisters contained many stores that touched on the comic artists' personal experiences. Their stories discussed topics that were not represented in the male-dominated mainstream and underground comix, because it addressed women's point of view on sex, masturbation, abuse, coming out, and menstruation. [3] Many of the male anthologies created in the underground kept women from collaborating with them, which prompted the creation of all-girl collaborated comics like It Ain't Me Babe and Wimmen's Comix. [3] Although the series of publication was not consistent, Wimmen's Comix published 17 issues from 1972 to 1992.
In 1977, Melinda Gebbie produced her first solo work, Fresca Zizis. The title means "fresh cocks" in southern Italy dialect. During the 1980s, her comic book was banned in Britain for obscenity due to its pornographic illustrations. [4] Fresca Zizis is semi-autobiographical and includes Gebbie's past experiences with childhood abuse and sex, as well as portraits and stories of fellow cartoonist friends such as Trina Robbins and Lee Marrs. [5] Gebbie describes that it "deals with the cruelty of lovers, the excesses of youth, and the states of depression and dreams - a warning and a comfort to those who venture out too deep." [6] When Gebbie was put on trial to defend the 'obscenity' in her work, she explained that the illustrations from the comic book come from her own experiences and argued that the people who put her through those experiences should be seen as obscene rather than her work, which is portrayed in her comic called 'Public Enemy' in Anarchy Comics issue #4. [5]
The graphic novel Lost Girls was illustrated by Gebbie and written by her husband Alan Moore. It took Gebbie 16 years to illustrate the comic due to the layering techniques used to create the shimmering, children's book-like effect, which was done by her use of water colors and 12-14 layers of colored pencils. [5] Lost Girls follows the story of three young girls that come from popular fiction; Alice from Through the Looking Glass , Dorothy from The Wizard of Oz, and Wendy from Peter and Wendy. The three female protagonists meet at an Austrian hotel and share with each other their past sexual fantasies and experiences in flashbacks, while also meeting others who are staying at the hotel and having sex with them. The stories of each female protagonist's sexual experience is integrated within their original narratives from popular fiction. Due to the Coroners and Justice Act, many comic artists thought the book would be banned in the UK because of its depictions of child pornography, however, it is still sold in the UK. [7]
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Aline Kominsky-Crumb was an American underground comics artist. Kominsky-Crumb's work, which is almost exclusively autobiographical, is known for its unvarnished, confessional nature. In 2016, ComicsAlliance listed Kominsky-Crumb as one of twelve women cartoonists deserving of lifetime achievement recognition. She was married to cartoonist Robert Crumb, with whom she frequently collaborated. Their daughter, Sophie Crumb, is also a cartoonist.
Mary Fleener is an American alternative comics artist, writer and musician from Los Angeles. Fleener's drawing style, which she calls cubismo, derives from the cubist aesthetic and other artistic traditions. Her first publication was a work about Zora Neale Hurston, called Hoodoo (1988), followed by the semi-autobiographical comics series Slutburger, and the anthology Life of the Party (1996). She is a member of the rock band called The Wigbillies.
Last Gasp is a San Francisco–based book publisher with a lowbrow art and counterculture focus. Owned and operated by Ron Turner, for most of its existence Last Gasp was a publisher, distributor, and wholesaler of underground comix and books of all types.
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Wimmen's Comix, later titled Wimmin's Comix, is an influential all-female underground comics anthology published from 1972 to 1992. Though it covered a wide range of genres and subject matters, Wimmen's Comix focused more than other anthologies of the time on feminist concerns, homosexuality, sex and politics in general, and autobiographical comics. Wimmen's Comix was a launching pad for many cartoonists' careers, and it inspired other small-press and self-published titles like Twisted Sisters, Dyke Shorts, and Dynamite Damsels.
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Trina Robbins is an American cartoonist. She was an early participant in the underground comix movement, and one of the first female artists in that movement. She is a member of the Will Eisner Hall of Fame.
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Joyce Farmer is an American underground comix cartoonist. She was a participant in the underground comix movement. With Lyn Chevli, she created the feminist anthology comic book series Tits & Clits Comix in 1972.
Tits & Clits Comix is an all-female underground comics anthology put together by Joyce Farmer and Lyn Chevli, published from 1972 to 1987. In addition to Farmer and Chevli, contributors to Tits & Clits included Roberta Gregory, Lee Marrs, and Trina Robbins.
Lyn Chevli, also credited as Lyn Chevely and Chin Lyvely, was an American cartoonist who participated in the underground comix movement. With Joyce Farmer, she created the feminist comic-book anthology series Tits & Clits Comix (1972–1987) and Abortion Eve (1973), an educational comic book about women's newly-guaranteed reproductive rights.
Although, traditionally, female comics creators have long been a minority in the industry, they have made a notable impact since the very beginning, and more and more female artists are getting recognition along with the maturing of the medium. Women creators have worked in every genre, from superheroes to romance, westerns to war, crime to horror.
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Angela Bocage is a bisexual comics creator who published mainly in the 1980s and 1990s. Bocage was active in the queer comics community during these decades, publishing in collections like Gay Comix,Strip AIDS USA, and Wimmen's Comix. Bocage also created, edited, and contributed comics to Real Girl, a comics anthology published by Fantagraphics.
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