Paul Mavrides | |
---|---|
Born | 1952 (age 71–72) |
Nationality | American |
Area(s) | Posters, Comics |
Notable works | The Fabulous Furry Freak Brothers |
Collaborators | Jay Kinney, Gilbert Shelton, Harvey Pekar |
Paul Mavrides (born 1952) is an American artist, best known for his critique-laden comics, cartoons, paintings, graphics, performances and writings that encompass a disturbing yet humorous catalog of the social ills and shortcomings of human civilization. Mavrides worked with underground comix pioneer Gilbert Shelton on The Fabulous Furry Freak Brothers from 1978 to 1992. Mavrides has been noted for "adding new dimensions to the political comic" in the underground comix press of the 1970s and '80s. [1]
Mavrides is a founding member of the Church of the SubGenius, having been a member of the organization since its earliest days. He is a co-author of Revelation X: The "Bob" Apocryphon: Hidden Teachings and Deuterocanonical Texts of J.R. "Bob" Dobbs (Fireside Books, 1994).
Mavrides came to the San Francisco Bay Area in 1975, and was soon working with San Francisco-based comics creator Jay Kinney on "Cover-Up Lowdown", originally a weekly panel cartoon which was collected and published by Rip Off Press in November 1977. This strip satirized political cover-ups of the day, as well as those of recent history, such as the assassination of John F. Kennedy. Kinney and Mavrides then collaborated on the political anthology Anarchy Comics , which was published sporadically by Last Gasp between 1978 and 1987. Mavrides contributed comics to all four issues of Anarchy Comics as well as editing the final issue.
Mavrides illustrated several stories for Harvey Pekar in American Splendor . He also had work in such alternative comics titles as Young Lust (Last Gasp), Real War Stories (Eclipse Comics), and the Brought to Light trade paperback (Eclipse).
Mavrides was credited as art director for Grass , a 1999 documentary on marijuana. He designed the record jacket for The Nuclear Beauty Parlor. Mavrides is also a collagist, photographer and painter. [2]
In 1978, Mavrides joined Gilbert Shelton and Dave Sheridan to co-produce Fabulous Furry Freak Brothers comics stories. Together, with Shelton and Mavrides writing, and Mavrides, Sheridan, and Shelton producing the artwork, the three of them produced the comix that were later collected into Freak Brothers issues #6 & 7.
Following Sheridan's death from complications of cancer in 1982, [3] Mavrides became Shelton's steady partner in all further Freak Brothers material. The two of them embarked on an ambitious project (begun in 1982 and serialized in issues #11 and 12 of the Rip Off Comix series, but not published in the comics series The Fabulous Furry Freak Brothers until 1984): a full color, three-volume story arc entitled "The Fabulous Furry Freak Brothers in The Idiots Abroad". In 1984, [4] Shelton, who had spent parts of 1980 and 1981 in Europe, moved back to Europe for good and the Freak Brothers collaboration became a trans-Atlantic affair. The last full issue of new Freak Brothers material came out in 1992.
In 1991, Mavrides protested against a resolution by the State of California to levy a sales tax on comic strips and comic books. He challenged the law in court, with assistance from the Comic Book Legal Defense Fund, arguing that the comic strip is a communications medium that should be classed with books, magazines, and newspapers (which are not subject to sales taxes due to First Amendment provisions). [5] In 1997, a ruling in Mavrides' favor was handed down by the California State Board of Equalization.
Science fiction author and mathematician Rudy Rucker created the character Corey Rhizome based on Mavrides. [6] Rhizome features in the novel Freeware as a creator of semi-sentient toys, many of which have deviant or anti-social personality traits based on Rhizome's personality. Rhizome, whom Rucker described as "Mavrides as evil toymaker", is a profligate user of moon grown hybrid marijuana that he smokes via complex vaping hardware.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
The Fabulous Furry Freak Brothers is an underground comic about a fictional trio of stoner characters, created by the American artist Gilbert Shelton. The Freak Brothers first appeared in The Rag, an underground newspaper published in Austin, Texas, beginning in May 1968, and were regularly reprinted in underground papers around the United States and in other parts of the world. Later their adventures were published in a series of comic books.
Gilbert Shelton is an American cartoonist and a key member of the underground comix movement. He is the creator of the iconic underground characters The Fabulous Furry Freak Brothers, Fat Freddy's Cat, and Wonder Wart-Hog.
Fat Freddy's Cat is a fictional orange Tabby cat, nominally belonging to Fat Freddy Freekowtski, one of The Fabulous Furry Freak Brothers, a trio featured in Gilbert Shelton's underground comix.
Frank Huntington Stack is an American underground cartoonist and fine artist. Working under the name Foolbert Sturgeon to avoid persecution for his work while living in the Bible Belt, Stack published what is considered by many to be the first underground comic, The Adventures of Jesus, in 1964.
Knockabout Comics is a UK publisher and distributor of underground and alternative books and comics. They have a long-standing relationship with underground comix pioneer Gilbert Shelton.
Wonder Wart-Hog is an underground comic book character, a porcine parody of Superman, created by American cartoonist Gilbert Shelton and first published in 1962. Over the years, Shelton has worked on the strip in collaboration with various writers and artists, including fellow UT Austin alums Tony Bell, Bill Killeen, and Joe E. Brown Jr.
Rip Off Press Inc. is a comic book mail order retailer and distributor, better known as the former publisher of adult-themed series like The Fabulous Furry Freak Brothers and Rip Off Comix, as well as many other seminal publications from the underground comix era. Founded in 1969 in San Francisco by four friends from Austin, Texas — cartoonists Gilbert Shelton and Jack Jackson, and Fred Todd and Dave Moriaty — Rip Off Press is now run in Auburn, California, by Todd.
Jay Kinney is an American author, editor, and former underground cartoonist. Kinney has been noted for "adding new dimensions to the political comic" in the underground comix press of the 1970s and '80s.
Rip Off Comix was an underground comix anthology published between 1977 and 1991 by Rip Off Press. As time passed, the sensibility of the anthology changed from underground to alternative comics.
Grass Roots is a proposed British-American adult clay film based on the Fabulous Furry Freak Brothers underground comic strip created by Gilbert Shelton.
Anarchy Comics is a series of underground comic books published by Last Gasp between 1978 and 1987, as part of the underground comix subculture of the era. Edited by Jay Kinney (#1-3) and Paul Mavrides (#4), regular contributors to Anarchy Comics included Melinda Gebbie, Clifford Harper, and Spain Rodriguez, as well as Kinney and Mavrides.
Randolph Holton Holmes was a Canadian artist and illustrator probably best known for his work in underground comix. His work was of a higher level of quality than was seen elsewhere in the field, and is considered comparable to such creations as Gilbert Shelton's The Fabulous Furry Freak Brothers and Robert Crumb's Mr. Natural.
Dave Sheridan was an American cartoonist and underground comix artist. He was the creator of Dealer McDope and collaborated with Gilbert Shelton and Paul Mavrides on The Fabulous Furry Freak Brothers. As creative partner with fellow underground creator Fred Schrier, using the name "Overland Vegetable Stagecoach," they worked on Mother's Oats Funnies, published by Rip Off Press from 1970 to 1976.
Fred Schrier is an artist, writer, and animator, best known as partner to the underground comic book artist Dave Sheridan. Together, using the name "Overland Vegetable Stagecoach," they worked on Mother's Oats Comix, published by Rip Off Press from 1970 to 1976.
Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.
Larry S. Todd is an American illustrator and cartoonist, best known for Dr. Atomic and his other work in underground comix, often with a science fiction bent.
Theodore Richards was an American web designer and cartoonist, best known for his underground comix.
Feds 'N' Heads is an underground comic book, created and self-published by Gilbert Shelton, which introduced the world to the Shelton characters Wonder Wart-Hog and The Fabulous Furry Freak Brothers. In the spring of 1968, cartoonist Gilbert Shelton, already somewhat known in college humor and underground comix circles for his Superman parody Wonder Wart-Hog, self-published a 28-page one-shot, Feds 'N' Heads Comics, much of the material of which had previously appeared in the Austin, Texas, underground paper The Rag. Feds 'N' Heads was later reprinted an additional 13 times by the Bay Area underground publisher the Print Mint, selling over 200,000 total copies by 1980.
Young Lust is an underground comix anthology that was published sporadically from 1970 to 1993. The title, which parodied 1950s romance comics such as Young Love, was noted for its explicit depictions of sex. Unlike many other sex-fueled underground comix, Young Lust was generally not perceived as misogynistic. Founding editors Bill Griffith and Jay Kinney gradually morphed the title into a satire of societal mores. According to Kinney, Young Lust "became one of the top three best-selling underground comix, along with Zap Comix and The Fabulous Furry Freak Brothers".