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Bruce Walthers | |
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Born | Bruce Walthers von Alten 1944 (age 77–78) |
Nationality | American |
Area(s) | Cartoonist |
Pseudonym(s) | Bruce von Alten |
Notable works | O.K. Comix |
Bruce Walthers von Alten (born 1944) [1] is an American underground cartoonist. Also known as Bruce von Alten, Walthers was part of the late-1960s/early-1970s Milwaukee underground comix scene and a member of the Krupp Comics/Kitchen Sink group, which also included Denis Kitchen, Jim Mitchell, Don Glassford, and Wendel Pugh.
In the early 1970s, he regularly created weekly strips for the Wisconsin underground newspaper The Bugle-American , which were subsequently syndicated to about fifty other underground and college newspapers via the Krupp Syndicate. [2] These strips, titled O. K. Comics, frequently featured his trademark character, Oscar Kabibbler, a spherical eyeless nebish who drifted into bizarre and cryptic settings. Walthers was also known for inexplicable blimps emblazoned with mysterious messages. In 1972, he drew two issues of O.K. Comix for Kitchen Sink Press and also contributed to the company's anthology Snarf. [3]
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Kitchen Sink Press was a comic book publishing company founded by Denis Kitchen in 1970. Kitchen Sink Press was a pioneering publisher of underground comics, and was also responsible for numerous republications of classic comic strips in hardcover and softcover volumes. One of their best-known products was the first full reprint of Will Eisner's The Spirit—first in magazine format, then in standard comic book format. The company closed in 1999.
Trina Robbins is an American cartoonist. She was an early and influential participant in the underground comix movement, and one of the first few female artists in that movement. Both as a cartoonist and historian, Robbins has long been involved in creating outlets for and promoting female comics artists. In the 1980s, Robbins became the first woman to draw Wonder Woman comics. She is a member of the Will Eisner Hall of Fame.
Robert "Bobby" London is an American underground comix and mainstream comics artist. His style evokes the work of early American cartoonists like George Herriman and Elzie Crisler Segar.
Denis Kitchen is an American underground cartoonist, publisher, author, agent, and the founder of the Comic Book Legal Defense Fund.
Jay Patrick Lynch was an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. He is best known for his comic strip Nard n' Pat and the running gag Um tut sut. His work is sometimes signed Jayzey Lynch. Lynch was the main writer for Bazooka Joe comics from 1967 to 1990; he contributed to Mad, and in the 2000s expanded into the children's book field.
Jim Mitchell is an American underground cartoonist from Milwaukee. Mitchell was part of the late-1960s/early-1970s Milwaukee underground comix scene and a co-founder of the Krupp Comics/Kitchen Sink group.
Gary Hallgren is an American illustrator and underground cartoonist. Illustrations by Hallgren have been "commissioned by publications such as The New York Times, Men's Health, The Wall Street Journal, Mad, and Entertainment Weekly, among others."
Randolph Holton Holmes was a Canadian artist and illustrator probably best known for his work in underground comix. His work was of a higher level of quality than was seen elsewhere in the field, and is considered comparable to such creations as Gilbert Shelton's The Fabulous Furry Freak Brothers and Robert Crumb's Mr. Natural.
The Bugle or Bugle-American was an underground newspaper based in Milwaukee, Wisconsin. Distributed throughout the state from September 1970 to 1978, it was published weekly for most of that time for a total of 316 issues. The Bugle, an early example of the alternative newsweekly genre, was less radical than the city's other underground newspaper, Kaleidoscope, although it was not viewed that way by the local media such as the Milwaukee Journal and Milwaukee Sentinel.
Gay Comix is an underground comics series published from 1980–1998 featuring cartoons by and for gay men and lesbians. The comic books had the tagline “Lesbians and Gay Men Put It On Paper!”
Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.
Snappy Sammy Smoot is an American underground comix character created by Skip Williamson in 1968. A counterculture Candide who never loses his innocence, Snappy Sammy Smoot appeared in his own strips in a number of comix titles, most notably Bijou Funnies, Comix Book, and Blab!. Cultural critic David Manning White wrote about the strip, "But what is. .. interesting about 'Snappy Sammy Smoot' is that it manages to be politically radical at the same time it is satirical and funny," and that it is "one of more highly stylized in the field".
Comix Book is an underground comic book series published from 1974 to 1976, originally by Marvel Comics. It was the first comic of this type to be published by a mainstream publisher. Edited by Denis Kitchen, Comix Book featured work by such underground luminaries as Justin Green, Kim Deitch, Trina Robbins, Art Spiegelman, and S. Clay Wilson. While it did not depict the explicit content that was often featured in underground comix, it was more socially relevant than anything Marvel had previously published.
Death Rattle was an American black-and-white horror anthology comic book series published in three volumes by Kitchen Sink Press in the 1970s, 1980s, and 1990s. Death Rattle is not related to the Australian one-shot comic Death Rattle, published by Gredown in c. 1983.
Cartoonists Co-op Press was an underground comix publishing cooperative based in San Francisco that operated from 1973 to 1974. It was a self-publishing venture by cartoonists Kim Deitch, Bill Griffith, Jerry Lane, Jay Lynch, Willy Murphy, Diane Noomin, and Art Spiegelman. Cartoonist Justin Green's brother Keith acted as salesman/distributor, and the operation was run out of Griffith's apartment.
Zavier Leslie Cabarga, popularly known as Leslie Cabarga, is an American author, illustrator, cartoonist, animator, font designer, and publication designer. A participant in the underground comix movement in the early 1970s, he has since gone on to write and/or edit over 40 books. His art style evokes images from the 1920s and 1930s, and over the years Cabarga has created many products associated with Betty Boop. His book The Fleischer Story in the Golden Age of Animation, originally published in 1976, has become the authoritative history of the Fleischer Studios.
The Snoid, occasionally referred to as Mr. Snoid, is an American underground comix character created by Robert Crumb in the mid-1960s. A diminutive sex fiend and irritating presence, the Snoid often appears with other Crumb characters, particularly Angelfood McSpade, Mr. Natural, and Crumb's own self-caricature.
ProJunior, sometimes styled as Pro Junior, is an American comics character created by Don Dohler in 1958. He debuted in a fanzine in 1961, and in underground comix in 1970. Known as "Baltimore's blasphemous bad boy," the character is unusual in the underground genre for being "shared" by a number of different creators, appearing in stories by Jay Lynch, Art Spiegelman, Skip Williamson, and Robert Crumb. His main period of popularity was from 1970 to 1972.
Gail Burwen (1945–2017) was an illustrator best known for her work in underground comix and the science fiction genre of the 1970s. She illustrated the original cover of the controversial plant perception book The Secret Life of Plants published in 1973.