| Ace Backwords | |
|---|---|
| Born | September 12, 1956 New Jersey |
| Nationality | American |
| Area(s) | Cartoonist, Writer, Penciller |
Official website  | |
Peter Labriola (born September 12, 1956), better known by the pen name Ace Backwords is an American author and a former underground cartoonist based in Berkeley, California. He sleeps rough on the streets of Berkeley, but is not indigent. [1] [2]
Backwords, born Peter Labriola, published Twisted Image, a punk rock tabloid, from 1982 to 1984 featuring interviews with Johnny Rotten, Jello Biafra, Henry Rollins, Charles Bukowski, R. Crumb, and Charles Schulz. The name was also used for a comic strip he created and distributed to independent publications. From 1989 to 2004, Backwords and B. N. Duncan produced the Telegraph Avenue Calendar, which featured selected people in Berkeley that were homeless. [3] A collection of his comics, also entitled Twisted Image, was published by Loompanics in 1991. In 1993, he drew original comic strips for John Hoffman's book The Art and Science of Dumpster Diving , also published by Loompanics. In 2001, Loompanics published a non-fiction book by Backwords, a sort of how-to guide for street people titled Surviving on the Streets: How To Go Down Without Going Out.
In 2009, Backwords published his next book, Acid Heroes, about 1960s icons John Lennon, Ram Dass, Alan Watts, Hunter S. Thompson, R. Crumb, and Jerry Garcia.
Robert Dennis Crumb is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Zap Comix is an underground comix series which was originally part of the counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years.
Manuel Rodriguez, better known as Spain or Spain Rodriguez, was an American underground cartoonist who created the character Trashman.
Harvey Kurtzman was an American cartoonist and editor. His best-known work includes writing and editing the parodic comic book Mad from 1952 until 1956, and writing the Little Annie Fanny strips in Playboy from 1962 until 1988. His work is noted for its satire and parody of popular culture, social critique, and attention to detail. Kurtzman's working method has been likened to that of an auteur, and he expected those who illustrated his stories to follow his layouts strictly.
An American comic book is a thin periodical originating in the United States, on average 32 pages, containing comics. While the form originated in 1933, American comic books first gained popularity after the 1938 publication of Action Comics, which included the debut of the superhero Superman. This was followed by a superhero boom that lasted until the end of World War II. After the war, while superheroes were marginalized, the comic book industry rapidly expanded and genres such as horror, crime, science fiction and romance became popular. The 1950s saw a gradual decline, due to a shift away from print media in the wake of television and the impact of the Comics Code Authority. The late 1950s and the 1960s saw a superhero revival and superheroes remained the dominant character archetype throughout the late 20th century into the 21st century.
The Print Mint, Inc. was a major publisher and distributor of underground comix based in the San Francisco Bay Area during the genre's late 1960s-early 1970s heyday. Starting as a retailer of psychedelic posters, the Print Mint soon evolved into a publisher, printer, and distributor. It was "ground zero" for the psychedelic poster. The Print Mint was originally owned by poet Don Schenker and his wife Alice, who later partnered in the business with Bob and Peggy Rita.
Weirdo was a magazine-sized comics anthology created by Robert Crumb and published by Last Gasp from 1981 to 1993. Featuring cartoonists both new and old, Weirdo served as a "low art" counterpoint to its contemporary highbrow Raw, co-edited by Art Spiegelman.
Drawn & Quarterly (D+Q) is a publishing company based in Montreal, Quebec, Canada, specializing in comics. It publishes primarily comic books, graphic novels and comic strip collections. The books it publishes are noted for their artistic content, as well as the quality of printing and design. The name of the company is a pun on "drawing", "quarterly", and the practice of hanging, drawing and quartering. Initially it specialized in underground and alternative comics, but has since expanded into classic reprints and translations of foreign works. Drawn & Quarterly was the company's flagship quarterly anthology during the 1990s.
Mort Todd is an American writer and media entrepreneur, best known as an editor-in-chief of Cracked magazine, and later, Marvel Music. He is owner of Comicfix, a media company that has developed licensed properties.
Wimmen's Comix, later retitled (respelled) as Wimmin's Comix, is an influential all-female underground comics anthology published from 1972 to 1992. Though it covered a wide range of genres and subject matters, Wimmen's Comix focused more than other anthologies of the time on feminist concerns, homosexuality, sex and politics in general, and autobiographical comics. Wimmen's Comix was a launching pad for many cartoonists' careers, and it inspired other small-press and self-published titles like Twisted Sisters, Dyke Shorts, and Dynamite Damsels.
Diane Robin Noomin was an American comics artist associated with the underground comics movement. She is best known for her character DiDi Glitz, who addresses transgressive social issues such as feminism, female masturbation, body image, and miscarriages.
Black people have been portrayed in comics since the medium's beginning, with their portrayals often the subject of controversy. Mainstream comic publishing companies have had a historical trend of being predominantly white and male, reflecting the lack of representation and inaccurate depictions of Black people in comics. The integration of black characters in mainstream and superhero comics has endured various obstacles and challenges. Critics have noted that black men and women have historically often been portrayed as jungle or ghetto stereotypes, and as sidekicks as opposed to primary characters. Occiasionally, comic book creators would lampshade stereotypes, lack of representation and emphasize social injustices. In recent years, with the integration of more Black people in mainstream comic writing rooms as well as the creation of comics on digital platforms has changed the representation and portrayals of Black people in comics and has started to reflect the complexities of Black people across the diaspora.
Dennis P. Eichhorn was an American writer, best known for his adult-oriented autobiographical comic book series Real Stuff. His stories, often involving, sex, drugs, and alcohol, have been compared to those of Jack Kerouac, Ken Kesey, and Charles Bukowski.
Donald Richard Donahue was a comic book publisher, operating under the name Apex Novelties, one of the instigators of the underground comix movement in the 1960s.
Comics journalism is a form of journalism that covers news or nonfiction events using the framework of comics, a combination of words and drawn images. Typically, sources are actual people featured in each story, and word balloons are actual quotes. The term "comics journalism" was coined by one of its most notable practitioners, Joe Sacco. Other terms for the practice include "graphic journalism," "comic strip journalism", "cartoon journalism", "cartoon reporting", "comics reportage", "journalistic comics", "sequential reportage," and "sketchbook reports".
Gary Edson Arlington was an American retailer, artist, editor, and publisher, who became a key figure in the underground comix movement of the 1960s and 1970s. As owner of one of America's first comic book stores, the San Francisco Comic Book Company, located in San Francisco's Mission District, Arlington's establishment became a focal point for the Bay Area's underground artists. He published comics under the name San Francisco Comic Book Company, as well as publishing and distributing comics under the name Eric Fromm. Cartoonist Robert Crumb has noted, "Gary made a cultural contribution in San Francisco in the late 1960s, through the '70s, '80s & '90s that was more significant than he realizes."
Comics has developed specialized terminology. Several attempts have been made to formalize and define the terminology of comics by authors such as Will Eisner, Scott McCloud, R. C. Harvey and Dylan Horrocks. Much of the terminology in English is under dispute, so this page will list and describe the most common terms used in comics.
The history of American comics began in the 19th century in mass print media, in the era of sensationalist journalism, where newspaper comics served as further entertainment for mass readership. In the 20th century, comics became an autonomous art medium and an integral part of American culture.
Glenn Head is an American cartoonist and comic book editor living in Brooklyn, New York. His cartooning has a strong surrealist bent and is heavily influenced by 1960s underground comix.
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