Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Kim Deitch is an American cartoonist who was an important figure in the underground comix movement of the 1960s, remaining active in the decades that followed with a variety of books and comics, sometimes using the pseudonym Fowlton Means.
Zap Comix is an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years.
Manuel Rodriguez, better known as Spain or Spain Rodriguez, was an American underground cartoonist who created the character Trashman. His experiences on the road with the motorcycle club, the Road Vultures M.C., provided inspiration for his work, as did his left-wing politics. Strongly influenced by 1950s EC Comics illustrator Wally Wood, Spain pushed Wood's sharp, crisp black shadows and hard-edged black outlines into a more simplified, stylized direction. His work also extended the eroticism of Wood's female characters.
The Print Mint, Inc. was a major publisher and distributor of underground comix based in the San Francisco Bay Area during the genre's late 1960s-early 1970s heyday. Starting as a retailer of psychedelic posters, the Print Mint soon evolved into a publisher, printer, and distributor. It was "ground zero" for the psychedelic poster. The Print Mint was originally owned by poet Don Schenker and his wife Alice, who later partnered in the business with Bob and Peggy Rita.
Gothic Blimp Works, an all-comics tabloid published in 1969 by Peter Leggieri and the East Village Other, was billed as "the first Sunday underground comic paper". During its eight-issue run, the publication displayed comics in both color and black-and-white. The first issue was titled Gothic Blimp Works Presents: Jive Comics.
The Underground Press Syndicate (UPS), later known as the Alternative Press Syndicate (APS), was a network of countercultural newspapers and magazines that operated from 1966 into the late 1970s. As it evolved, the Underground Press Syndicate created an Underground Press Service, and later its own magazine.
William Henry Jackson Griffith is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip Zippy. The catchphrase "Are we having fun yet?" is credited to Griffith.
Jay Patrick Lynch was an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. He is best known for his comic strip Nard n' Pat and the running gag Um tut sut. His work is sometimes signed Jayzey Lynch. Lynch was the main writer for Bazooka Joe comics from 1967 to 1990; he contributed to Mad, and in the 2000s expanded into the children's book field.
Randolph Holton Holmes was a Canadian artist and illustrator probably best known for his work in underground comix. His work was of a higher level of quality than was seen elsewhere in the field, and is considered comparable to such creations as Gilbert Shelton's The Fabulous Furry Freak Brothers and Robert Crumb's Mr. Natural.
Arcade: The Comics Revue is a magazine-sized comics anthology created and edited by cartoonists Art Spiegelman and Bill Griffith to showcase underground comix. Published quarterly by the Print Mint, it ran for seven issues between 1975 and 1976. Arriving late in the underground era, Arcade "was conceived as a 'comics magazine for adults' that would showcase the 'best of the old and the best of the new comics'". Many observers credit it with paving the way for the Spiegelman-edited anthology Raw, the flagship publication of the 1980s alternative comics movement.
Walter Howard Bowart was an American leader in the counterculture movement of the 1960s, founder and editor of the first underground newspaper in New York City, the East Village Other, and author of the book Operation Mind Control.
Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.
Roger Brand was an American cartoonist who created stories for both mainstream and underground comic books. His work showed a fascination with horror and eroticism, often combining the two.
Donald Richard Donahue was a comic book publisher, operating under the name Apex Novelties, one of the instigators of the underground comix movement in the 1960s.
New York Ace was an underground newspaper founded in New York City in late 1971 by ex-East Village Other staffers to fill the void created by the demise of the EVO. Ace was published by 21-year-old Rex Weiner and edited by 18-year-old Bob Singer. Published biweekly in tabloid format, the Ace had a print run of 6,000 copies and never succeeded in attracting advertisers.
Gary Edson Arlington was an American retailer, artist, editor, and publisher, who became a key figure in the underground comix movement of the 1960s and 1970s. As owner of one of America's first comic book stores, the San Francisco Comic Book Company, located in San Francisco's Mission District, Arlington's establishment became a focal point for the Bay Area's underground artists. He published comics under the name San Francisco Comic Book Company, as well as publishing and distributing comics under the name Eric Fromm. Cartoonist Robert Crumb has noted, "Gary made a cultural contribution in San Francisco in the late 1960s, through the '70s, '80s & '90s that was more significant than he realizes."
Young Lust was an underground comix anthology published sporadically from 1970 to 1993. The title, which parodied 1950s romance comics such as Young Love, was noted for its explicit depictions of sex. Unlike many other sex-fueled underground comix, Young Lust was generally not perceived as misogynistic. Founding editors Bill Griffith and Jay Kinney gradually morphed the title into a satire of societal mores. According to Kinney, Young Lust "became one of the top three best-selling underground comix, along with Zap Comix and The Fabulous Furry Freak Brothers".
Willy Murphy was an American underground cartoonist. Murphy's humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, "a mid-30s beanpole with wry observations about his own life and the community around him." Murphy's solo title was called Flamed-Out Funnies; in addition, he contributed to such seminal underground anthologies as Arcade, Bijou Funnies, and San Francisco Comic Book, as well as the National Lampoon.
Yarrowstalks was an underground newspaper, primarily based in Philadelphia, Pennsylvania, that published 12 issues from 1967 to 1975. It is notable for being the first publication to publish the comix of underground cartoonist Robert Crumb. In addition to Crumb, other notable contributors to Yarrowstalks included Timothy Leary and the editor/publisher Brian Zahn.
