Young Lust | |
---|---|
Publication information | |
Publisher |
|
Schedule | Varied |
Format | Ongoing series |
Publication date | October 1970 – 1993 |
No. of issues | 8 |
Creative team | |
Created by | Bill Griffith and Jay Kinney |
Artist(s) | Bill Griffith, Jay Kinney, Justin Green, Art Spiegelman, Roger Brand, Spain Rodriguez, Diane Noomin, Kim Deitch, Paul Mavrides, Phoebe Gloeckner, Harry S. Robins, Carol Lay, Jennifer Camper, Daniel Clowes, Charles Burns, Terry LaBan, Lloyd Dangle |
Editor(s) | Bill Griffith and Jay Kinney |
Young Lust was an underground comix anthology published sporadically from 1970 to 1993. The title, which parodied 1950s romance comics such as Young Love , was noted for its explicit depictions of sex. Unlike many other sex-fueled underground comix, Young Lust was generally not perceived as misogynistic. [1] Founding editors Bill Griffith and Jay Kinney gradually morphed the title into a satire of societal mores. [2] According to Kinney, Young Lust "became one of the top three best-selling underground comix, along with Zap Comix and The Fabulous Furry Freak Brothers ". [3]
Young Lust featured an all-star lineup of underground, and later alternative, cartoonists. Besides Griffith and Kinney, other frequent contributors included Justin Green, Roger Brand, Spain Rodriguez, Diane Noomin, Kim Deitch, Paul Mavrides, Michael McMillan, Ned Sonntag, Phoebe Gloeckner, and Harry S. Robins. In later years, the title was a showcase for female cartoonists like Gloeckner, M. K. Brown, Carol Lay, and Jennifer Camper; as well as rising alt-comics creators like Daniel Clowes, Charles Burns, Terry LaBan, and Lloyd Dangle.
Young Lust had multiple publishers. The comic was initially rejected by local underground publishers the Print Mint, Rip Off Press, and Last Gasp. [4] [5] Ultimately issue #1 (October 1970) was published by Company & Sons, an early underground press founded by John Bagley. The first printing of 10,000 copies sold out almost immediately, leading to more printings and more sales. [5]
Despite the first issue's success, Griffith and Kinney were dubious about Company & Son's accounting practices, [5] so they brought issue #2 to Print Mint (which later also published issue #4). Issues #3 and #5–8 were published by Last Gasp under their "Sexploitation Comics Group" imprint. Early issues were in high demand and underwent many additional printings; The Young Lust Reader (And/Or Press, 1974) collected stories from the first three issues of Young Lust. There was a ten-year gap between issues #6 (published December 1980) and #7 (published 1990).
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Kim Deitch is an American cartoonist who was an important figure in the underground comix movement of the 1960s, remaining active in the decades that followed with a variety of books and comics, sometimes using the pseudonym Fowlton Means.
Weirdo was a magazine-sized comics anthology created by Robert Crumb and published by Last Gasp from 1981 to 1993. Featuring cartoonists both new and old, Weirdo served as a "low art" counterpoint to its contemporary highbrow Raw, co-edited by Art Spiegelman.
William Henry Jackson Griffith is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip Zippy. The catchphrase "Are we having fun yet?" is credited to Griffith.
Paul Mavrides is an American artist, best known for his critique-laden comics, cartoons, paintings, graphics, performances and writings that encompass a disturbing yet humorous catalog of the social ills and shortcomings of human civilization. Mavrides worked with underground comix pioneer Gilbert Shelton on The Fabulous Furry Freak Brothers from 1978 to 1992. Mavrides has been noted for "adding new dimensions to the political comic" in the underground comix press of the 1970s and '80s.
Kitchen Sink Press was a comic book publishing company founded by Denis Kitchen in 1970. Kitchen Sink Press was a pioneering publisher of underground comics, and was also responsible for numerous republications of classic comic strips in hardcover and softcover volumes. One of their best-known products was the first full reprint of Will Eisner's The Spirit—first in magazine format, then in standard comic book format. The company closed in 1999.
Wimmen's Comix, later retitled (respelled) as Wimmin's Comix, is an influential all-female underground comics anthology published from 1972 to 1992. Though it covered a wide range of genres and subject matters, Wimmen's Comix focused more than other anthologies of the time on feminist concerns, homosexuality, sex and politics in general, and autobiographical comics. Wimmen's Comix was a launching pad for many cartoonists' careers, and it inspired other small-press and self-published titles like Twisted Sisters, Dyke Shorts, and Dynamite Damsels.
Jay Patrick Lynch was an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. He is best known for his comic strip Nard n' Pat and the running gag Um tut sut. His work is sometimes signed Jayzey Lynch. Lynch was the main writer for Bazooka Joe comics from 1967 to 1990; he contributed to Mad, and in the 2000s expanded into the children's book field.
Jay Kinney is an American author, editor, and former underground cartoonist. Kinney has been noted for "adding new dimensions to the political comic" in the underground comix press of the 1970s and '80s.
Anarchy Comics is a series of underground comic books published by Last Gasp between 1978 and 1987, as part of the underground comix subculture of the era. Edited by Jay Kinney (#1-3) and Paul Mavrides (#4), regular contributors to Anarchy Comics included Melinda Gebbie, Clifford Harper, and Spain Rodriguez, as well as Kinney and Mavrides.
Arcade: The Comics Revue is a magazine-sized comics anthology created and edited by cartoonists Art Spiegelman and Bill Griffith to showcase underground comix. Published quarterly by the Print Mint, it ran for seven issues between 1975 and 1976. Arriving late in the underground era, Arcade "was conceived as a 'comics magazine for adults' that would showcase the 'best of the old and the best of the new comics'". Many observers credit it with paving the way for the Spiegelman-edited anthology Raw, the flagship publication of the 1980s alternative comics movement.
Diane Robin Noomin was an American comics artist associated with the underground comics movement. She is best known for her character DiDi Glitz, who addresses transgressive social issues such as feminism, female masturbation, body image, and miscarriages.
Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.
Donald Richard Donahue was a comic book publisher, operating under the name Apex Novelties, one of the instigators of the underground comix movement in the 1960s.
Gary Edson Arlington was an American retailer, artist, editor, and publisher, who became a key figure in the underground comix movement of the 1960s and 1970s. As owner of one of America's first comic book stores, the San Francisco Comic Book Company, located in San Francisco's Mission District, Arlington's establishment became a focal point for the Bay Area's underground artists. He published comics under the name San Francisco Comic Book Company, as well as publishing and distributing comics under the name Eric Fromm. Cartoonist Robert Crumb has noted, "Gary made a cultural contribution in San Francisco in the late 1960s, through the '70s, '80s & '90s that was more significant than he realizes."
Twisted Sisters is an all-female underground comics anthology put together by Aline Kominsky and Diane Noomin, and published in various iterations. In addition to Kominsky and Noomin, contributors to Twisted Sisters included M. K. Brown, Dame Darcy, Julie Doucet, Debbie Drechsler, Mary Fleener, Phoebe Gloeckner, Krystine Kryttre, Carol Lay, Dori Seda, and Carol Tyler.
Company & Sons was an early underground comix publisher based in San Francisco, ran by John Bagley. The company operated from 1970 to 1973, publishing a total of 15 titles, all but one of them consisting of a single issue.
San Francisco Comic Book was an underground comix anthology published between 1970 and 1983. Conceived of and edited by Gary Arlington, the anthology highlighted the work of many of San Francisco's top underground talents, including Bill Griffith, Robert Crumb, Kim Deitch, Justin Green, Rory Hayes, Willy Murphy, Jim Osborne, Trina Robbins, and Spain Rodriguez.
Willy Murphy was an American underground cartoonist. Murphy's humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, "a mid-30s beanpole with wry observations about his own life and the community around him." Murphy's solo title was called Flamed-Out Funnies; in addition, he contributed to such seminal underground anthologies as Arcade, Bijou Funnies, and San Francisco Comic Book, as well as the National Lampoon.
Cartoonists Co-op Press was an underground comix publishing cooperative based in San Francisco that operated from 1973 to 1974. It was a self-publishing venture by cartoonists Kim Deitch, Bill Griffith, Jerry Lane, Jay Lynch, Willy Murphy, Diane Noomin, and Art Spiegelman. Cartoonist Justin Green's brother Keith acted as salesman/distributor, and the operation was run out of Griffith's apartment.