Albion | |
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![]() Cover to Albion issue #1, by Dave Gibbons. | |
Publication information | |
Publisher | WildStorm (DC Comics) |
Format | Limited series |
Publication date | August 2005 – November 2006 |
No. of issues | 6 |
Creative team | |
Created by | Alan Moore (plot) |
Written by | Leah Moore & John Reppion |
Artist(s) | Dave Gibbons (covers) |
Penciller(s) | Shane Oakley |
Inker(s) | George Freeman (with Richard Friend, Sandra Hope and Peter Guzman) |
Letterer(s) | Todd Klein |
Colorist(s) | Wildstorm FX |
Editor(s) | Scott Dunbier, Kristy Quinn |
Collected editions | |
Albion (US) | ISBN 1-4012-0994-7 |
Albion (UK) | ISBN 1845763513 |
Albion is a six-issue comic book limited series plotted by Alan Moore, written by his daughter Leah Moore and her husband John Reppion, with covers by Dave Gibbons and art by Shane Oakley and George Freeman. The series aimed to revive classic IPC-owned British comics characters, all of whom appeared in comics published by Odhams Press and Amalgamated Press/Fleetway Publications/IPC Media during the 1960s and early 1970s, such as Smash! , Valiant , and Lion . [1]
As a result of a deal forged by vice-president Bob Wayne of DC Comics and publishing director Andrew Sumner of IPC Media. [2] Sumner described himself as a life-long fan of the characters. [3] It was published through DC Comics' WildStorm imprint. In an interview with The Independent , Sumner noted that "These are characters who have been talked about by UK comic fans for the last 30 years since they ceased publication. They were a fundamental part of every British male's childhood in the Sixties". [4] In an interview with Newsarama, Leah Moore noted that producing the series was made easier by Sumner being in contact with Wayne when the series was first pitched by Alan Moore and Shane Oakley. Her father had already plotted the issues when she and John Reppion began writing the stories, and subsequently proofed the dialogue. [5] Alan Moore had hoped to write the series entirely but was busy with his work for America's Best Comics. [6] Leah Moore also noted that the website International Hero was a source of research for the series. [7]
Debuting with a cover date of August 2005, the first two issues were released monthly, with the third issue delayed two months – Moore & Reppion cited scheduling as impacting the art production [8] ), while Oakley suggested ongoing copyright issues were a factor. [9] Initially solicited release between October 2005 and January 2006, issues 4–6 were subsequently resolicited, and finally released throughout 2006, with cover dates between June and November. The TPB collection followed swiftly after No. 6 was released in both the US and UK, from WildStorm and Titan Books respectively. [10] Sumner felt the delays impacted the series' sales. [11]
The British superhero scene becomes embarrassing to the government. As a result, they hire criminal turned crimefighter the Spider to hunt and capture them. He achieves almost total success and the various superhumans are imprisoned in a castle in Scotland, requisitioned from the comatose Cursitor Doom by the Ministry of Defence. Their existence is covered up and the comics based on them are passed off as fictional works.
Decades later Danny is an unemployed orphan; his parents were killed in a bus crash. He has no memory of his life before the accident and has found solace in comics. Danny buys old back issues from a Liverpool antiques store ran by the dour Charles Love, and is confused when he finds an issue of Valiant featuring Janus Stark which he didn't think existed. Later on television, he sees a news item on criminal Grymleigh Gartside Fiendstien. Recognising him as Grimly Feendish from the pages of Smash! , he calls out the name outside court as he is taken to prison and is grabbed by Penny.
Penny takes him to a lock-up where she has been gathering information on the cover-up, including suppressed interviews with creators about meeting the real heroes and footage showing that Margaret Thatcher survived an IRA bombing due to wearing the Eye of Zoltec. Penny claims to be the daughter of the imprisoned Eric Dolmann and is in possession of some of her father's robots. Danny is initially sceptical until she takes him to the basement of a pub in Manchester, where Robot Archie is on display. Danny takes her to the antique shop, where Penny instantly recognises the proprietor as the time-travelling Victorian thief Charlie Peace. He is initially hostile until they make a deal – if Peace helps them rescue Eric and the other heroes, he will be able to loot the exotic technology held at the castle. Penny repairs Archie and the group sets off, travelling to Scotland on the Buoyant Queen thanks to Peace's connections.
The prison is overseen by Ian Eagleton, previously the archenemy of Feendish. Due to growing American concern over the dangers nature of the prisoners CIA Agent Zip Nolan has arrived to inspect the castle. Eagleton takes Nolan on a tour of the facility, and Nolan is shocked by the low level of security, including the degree of freedom given to supercomputer The Brain and dogsbody Faceache. Nolan meets several other inmates including Rubberman (kept at low temperatures to inhibit his powers after an escape attempt), Captain Hurricane (a psychotic, sedated World War II supersoldier who functions as the last resort to combat escapees) and the Spider. The latter largely engages in mind games, infuriating Nolan.
Arriving at the castle, Peace uses a Sapper to drill into the vault under the prison containing the technology captured along with the superhumans along with Danny and Penny. To provide a distraction a heavily modified Robot Archie storms the front gates. The trio begin releasing the prisoners but Penny finds out from Louis Crandell and Tim Kelly that her father died of a heart attack some years beforehand. Danny meanwhile is accosted by Cursitor Doom, long comatose until the break-in. He explains that he is actually his son, Danny Doom, and passes on his memory and the revelation that the castle is actually the Dooms' ancestral seat Castle Baalskein. Archie is finally destroyed by prison security but the prisoners – apart from the Spider – are now free and armed. Eagleton is attacked by Feendish, while Captain Hurricane is unleashed to restore order. However he is stomped by the reactivated Mytek, which then smashes down a wall and allows the prisoners out into the world. Nolan attempts to secure the Spider, only to find he was piloting Mytek, his place being taken by Faceache in return for the chance to reunite with his beloved Martha. Mytek goes out to sea with the Spider at the controls while the rest of the freed heroes escape on the Queen, wondering what their next move will be.
In an epilogue the Steel Claw infiltrates 10 Downing Street and confronts Tony and Cherie Blair to take back the Eye of Zoltec for his friend.
Using a similar narrative device to that which Alan Moore employed in Supreme and Tom Strong , [1] flashbacks are related in the style of comics of yesteryear. For example, a flashback to Penny's childhood is drawn in a style similar to Leo Baxendale's work, while a two-page pastiche of The Incredible Adventures of Janus Stark resembles the artwork of Francisco Solano López. Reppion felt this was an effective narrative tool. [12] The series also features appearances by numerous Amalgamated Press/Fleetway/IPC characters, as well as other British pop culture sources, and also features cameos by some real-life creators such as Rod McKie and Steve Moore.
A tie-in collection entitled Albion Origins was released by Titan Books in November 2007 in hardback, with a cover by Brian Bolland. This volume was designed to showcase the characters featured in Albion as they originally appeared in various IPC, Fleetway and other British comics. It featured reprints of several Cursitor Doom, Kelly's Eye, The Incredible Adventures of Janus Stark and The House of Dolmann stories, as well as newly written articles exploring the history of these characters' comics. [13]
Thunderbolt Jaxon was a five issue 2006 mini-series written by Dave Gibbons and drawn by John Higgins, with covers by Gibbons. The series was billed as being "from the world of Albion" due to the source of the material.
Albion was nominated for "Favourite New Comicbook" in the 2006 Eagle Awards. [14] Discussing the reception to the series with John Freeman, Reppion acknowledged it had drawn polarised reactions, noting "...Albion has a kind of Marmite type effect on people; you either love it or you hate it.". [15]
Miles Fielder, writing in The Scotsman , said of Albion:
Albion's pages are peppered with references, some obvious, others oblique, to what's already an obscure milieu. Those with some knowledge of the AP/IPC comics' characters will delight in spotting them; newcomers will marvel at the surprisingly fertile creativity of the period (especially given America's domination of the comics marketplace with superhero titles such as The Amazing Spider-Man and Uncanny X-Men ). Albion, however, is not purely a nostalgia trip. What Moore does here is nothing less noble than reviving these characters for our modern times.... [Moore] is arguably at his creative peak and busiest period, ... whatever the case, the co-writers are well served by artists with an eye for detail, Shane Oakley and George Freeman. [16]
A trade paperback collection of the six-issue miniseries was released in the US on 13 December 2006 by WildStorm ( ISBN 1-4012-0994-7). Titan Books published the UK edition a month later, on 26 January ( ISBN 1-84576-351-3).
Title | ISBN | Release date | Issues |
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Albion | 1401209947 | 13 December 2006 | Albion #1-6 |
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