Twisted Sisters | |
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Publication information | |
Publisher | Last Gasp (1976) Kitchen Sink Press (1994) |
Schedule | Irregular |
Publication date | 1976, 1994 |
Creative team | |
Created by | Aline Kominsky and Diane Noomin |
Artist(s) | M. K. Brown, Dame Darcy, Julie Doucet, Debbie Drechsler, Mary Fleener, Phoebe Gloeckner, Aline Kominsky-Crumb, Krystine Kryttre, Carol Lay, Caryn Leschen, Carel Moiseiwitsch, Diane Noomin, Dori Seda, Fiona Smyth, Leslie Sternbergh, Carol Swain, Carol Tyler, Penny Moran Van Horn |
Editor(s) | Aline Kominsky and Diane Noomin |
Collected editions | |
Twisted Sisters: A Collection of Bad Girl Art | ISBN 978-0140153774 |
Twisted Sisters, Volume 2: Drawing the Line | ISBN 978-0878163458 |
Twisted Sisters is an all-female underground comics anthology put together by Aline Kominsky and Diane Noomin, and published in various iterations. In addition to Kominsky (later Kominsky-Crumb) and Noomin, contributors to Twisted Sisters included M. K. Brown, Dame Darcy, Julie Doucet, Debbie Drechsler, Mary Fleener, Phoebe Gloeckner, Krystine Kryttre, Carol Lay, Dori Seda, and Carol Tyler.
Twisted Sisters was the first "breakaway project" by former contributors to the ground-breaking all-female comix collective Wimmen's Comix .
In 1975, Wimmen's Comix contributors Kominsky and Noomin left that collective due to internal conflicts that were both aesthetic and political. [1] Kominsky-Crumb later stated that a large part of her break with the Wimmen's Comix group was over feminism-related issues, and particularly over her romantic relationship with Robert Crumb, who Wimmen's Comix mainstay Trina Robbins particularly disliked. [2]
Kominsky and Noomin put together a 36-page one-shot issue of Twisted Sisters, published in June 1976 by Last Gasp, which featured their own humorous and "self-deprecating" [3] stories and art. Noomin's stories featured her character DiDi Glitz while Kominsky's featured her fictional analog The Bunch.
A decade later, the title "Twisted Sisters" was informally revived when Kominsky-Crumb took over the editing reins of Weirdo , [4] the comics anthology started by her husband R. Crumb. [5] Kominsky-Crumb and Noomin's own comics work appeared frequently in the pages of Weirdo during this period, as well as the work of female contributors Carol Lay, Penny Van Horn, Phoebe Gloeckner, Krystine Kryttre, Julie Doucet, Leslie Sternbergh , Carel Moiseiwitsch, Dori Seda, and Carol Tyler. [6]
In 1991, Noomin edited and put together Twisted Sisters: A Collection of Bad Girl Art, a 260-page trade paperback anthology published by Viking Penguin, featuring the work of herself, Kominsky-Crumb, and 13 other female cartoonists. [7] All the work in the collection had been previously published, most of it in Weirdo and Wimmen's Comix. [3]
The success of that book led to Kitchen Sink Press publishing a four-issue Twisted Sisters Comix limited series in 1994, also edited by Noomin, with each issue featuring 44 pages of new comics by a number of female contributors. [8] The limited series was subsequently collected in 1995 as Twisted Sisters, vol. 2: Drawing the Line. [9]
An exhibition of artists' work, also called "Twisted Sisters — Drawing the Line", was held from January 19–February 18, 1996, at White Columns in New York City. [10]
Twisted Sisters: A Collection of Bad Girl Art was nominated for the 1992 Eisner Award for Best Anthology. [11] The Twisted Sisters limited series was nominated for the 1995 Eisner Award for Best Anthology. [12]
Robert Dennis Crumb is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Dorothea Antoinette "Dori" Seda was an artist best known for her underground comix work in the 1980s. She occasionally used the pen name "Sylvia Silicosis." Her comics combined exaggerated fantasy and ribald humor with documentation of her life in the Mission District of San Francisco, California.
Aline Kominsky-Crumb was an American underground comics artist. Kominsky-Crumb's work, which is almost exclusively autobiographical, is known for its unvarnished, confessional nature. In 2016, ComicsAlliance listed Kominsky-Crumb as one of twelve women cartoonists deserving of lifetime achievement recognition. She was married to cartoonist Robert Crumb, with whom she frequently collaborated. Their daughter, Sophie Crumb, is also a cartoonist.
Mary Fleener is an American alternative comics artist, writer and musician from Los Angeles. Fleener's drawing style, which she calls cubismo, derives from the cubist aesthetic and other artistic traditions. Her first publication was a work about Zora Neale Hurston, called Hoodoo (1988), followed by the semi-autobiographical comics series Slutburger, and the anthology Life of the Party (1996). She is a member of the rock band called The Wigbillies.
Last Gasp is a San Francisco–based book publisher with a lowbrow art and counterculture focus. Owned and operated by Ron Turner, for most of its existence Last Gasp was a publisher, distributor, and wholesaler of underground comix and books of all types.
Weirdo was a magazine-sized comics anthology created by Robert Crumb and published by Last Gasp from 1981 to 1993. Featuring cartoonists both new and old, Weirdo served as a "low art" counterpoint to its contemporary highbrow Raw, co-edited by Art Spiegelman.
Kitchen Sink Press was a comic book publishing company founded by Denis Kitchen in 1970. Kitchen Sink Press was a pioneering publisher of underground comics, and was also responsible for numerous republications of classic comic strips in hardcover and softcover volumes. One of their best-known products was the first full reprint of Will Eisner's The Spirit—first in magazine format, then in standard comic book format. The company closed in 1999.
Sophia Violet "Sophie" Crumb is an American-French comics artist.
Phoebe Louise Adams Gloeckner is an American cartoonist, illustrator, painter, and novelist.
Wimmen's Comix, later retitled (respelled) as Wimmin's Comix, is an influential all-female underground comics anthology published from 1972 to 1992. Though it covered a wide range of genres and subject matters, Wimmen's Comix focused more than other anthologies of the time on feminist concerns, homosexuality, sex and politics in general, and autobiographical comics. Wimmen's Comix was a launching pad for many cartoonists' careers, and it inspired other small-press and self-published titles like Twisted Sisters, Dyke Shorts, and Dynamite Damsels.
Diane Robin Noomin was an American comics artist associated with the underground comics movement. She is best known for her character DiDi Glitz, who addresses transgressive social issues such as feminism, female masturbation, body image, and miscarriages.
The Narrative Corpse is a chain story, or comic jam, created by 69 all-star cartoonists in the early-to-mid 1990s. A graphic novel compilation of the result was published in 1995.
Dennis P. Eichhorn was an American writer, best known for his adult-oriented autobiographical comic book series Real Stuff. His stories, often involving, sex, drugs, and alcohol, have been compared to those of Jack Kerouac, Ken Kesey, and Charles Bukowski.
Tits & Clits Comix is an all-female underground comics anthology put together by Joyce Farmer and Lyn Chevli, published from 1972 to 1987. In addition to Farmer and Chevli, contributors to Tits & Clits included Roberta Gregory, Lee Marrs, and Trina Robbins.
Krystine Kryttre is an American alternative comics artist, painter, animator, writer, and performer from San Francisco. currently based in Los Angeles. Her work is dark, often explicit, and visually distinctive." Her work has been exhibited in galleries since the late 1980s, including a number of solo shows in Los Angeles.
Young Lust is an underground comix anthology that was published sporadically from 1970 to 1993. The title, which parodied 1950s romance comics such as Young Love, was noted for its explicit depictions of sex. Unlike many other sex-fueled underground comix, Young Lust was generally not perceived as misogynistic. Founding editors Bill Griffith and Jay Kinney gradually morphed the title into a satire of societal mores. According to Kinney, Young Lust "became one of the top three best-selling underground comix, along with Zap Comix and The Fabulous Furry Freak Brothers".
Cartoonists Co-op Press was an underground comix publishing cooperative based in San Francisco that operated from 1973 to 1974. It was a self-publishing venture by cartoonists Kim Deitch, Bill Griffith, Jerry Lane, Jay Lynch, Willy Murphy, Diane Noomin, and Art Spiegelman. Cartoonist Justin Green's brother Keith acted as salesman/distributor, and the operation was run out of Griffith's apartment.
Angela Bocage is a bisexual comics creator who published mainly in the 1980s and 1990s. Bocage was active in the queer comics community during these decades, publishing in collections like Gay Comix,Strip AIDS USA, and Wimmen's Comix. Bocage also created, edited, and contributed comics to Real Girl, a comics anthology published by Fantagraphics.