Author | James Alan Gardner |
---|---|
Language | English |
Series | League of Peoples |
Genre | Science fiction |
Publisher | Eos |
Publication date | 1998 |
Publication place | Canada |
Media type | Print (Hardcover, Paperback) |
Pages | 352 |
ISBN | 978-0-380-79827-8 |
OCLC | 38733654 |
Preceded by | Expendable |
Followed by | Vigilant |
Commitment Hour is a science fiction novel by Canadian writer James Alan Gardner, published in 1998. The novel is set in Gardner's "League of Peoples's" futuristic universe, and plays out in the small, isolated village of Tober Cove. Set on post-apocalyptic Earth, Tober Cove most resembles a rural, seventeenth century fishing village, with one exception: every year, everyone below the age of 21 changes gender. At the age of twenty-one, the people of the village must "commit" to being male, female or both in the form of a Hermaphrodite (a 'Neut'), forever. Commitment Hour follows the day leading up to the main character's hour of commitment.
Tober Cove's society revolves around gender. Dualistic in structure, there is a matriarch and a patriarch, both of whom command equal - but different - power within the community. The patriarch is the head of the city council and the military, which also serves as the town's police force. The matriarch runs the town's health services, a vital role in a society without modern medicine. Tasks within the community are largely gender determined: men are warriors, fishermen, carpenters etc. and women are seamstresses, craft-makers, food preparers etc. Thus, in Tober Cove, choosing a gender is akin to choosing a life.
Throughout the book, the main character addresses some of the more obvious questions, and to him more silly questions people from outside the Cove ask. When asked 'which sex is better,' the main character explains that the answer varies from person to person. Of course, if being male was better, or vice versa, the population of Tober Cove would be overwhelmingly one sided. Since it wasn't, you could say that both sexes had equal advantages and disadvantages. Of course, making love to someone from Tober Cove was always better, since they knew what felt good for both sexes.
Tober Cove's religion also revolves around gender. The residents believe that the gods granted the people of their town the special privilege of choosing their sex, and that every year the gods come to collect their children and change their genders. The fact that the "gods" that descended into the town's harbor every year are stylized planes doesn't bother the residents. They simply believed that the gods used many devices as their instruments.
Tober Cove exists in a post-apocalyptic Earth. Earth is post apocalyptic in the sense that, when the "League of Peoples" offered humanity technological advance in exchange for the promise never to kill other sentient creatures, most of the population of Earth accepted and left the planet. Those who remained were those who wouldn't, or couldn't accept the League's offer. As Earth's population departed, the planet descended into chaos. The book takes place about 400 years after this great exodus, and while some technology still exists, most has fallen in ruin. Tober Cove is a small, rural, technologically undeveloped town that is unique in the galaxy.
Spark Lords rule Earth with super-advanced technology. Clad in indestructible armor, with access to the galaxy's latest gadgetry, Spark Lords maintain absolute control over Earth. Charged by the League with maintaining law and order on Earth, they content themselves with preventing major conflicts. They generally stay out of local affairs, and, to the knowledge of Cove residents, no Spark Lord has ever visited Tober Cove. Much of the plot of the novel is driven by the arrival in Tober Cove of the Science Spark Lord to observe the gender-changing ceremony.
At Tor.com, Jo Walton declared that the best thing about the novel was Fullin's voice, which she described as "confident confiding first person"; she also stated that the most interesting thing was Fullin's belief "that he's living in a low tech fantasy world, full of gods and magic and rituals and taboos, when in fact it's quite clear to the reader as the story goes on that this is a post-technological, indeed, post-singularity society", and emphasized that the culture of Tober Cove is "very sophisticated" and "very Canadian". [1] The SF Site's Donna McMahon considered it to be "engaging, entertaining, funny and very well written", faulting it only in that she found it unlikely that, "in a society with very rigid traditional gender roles, the sex ratio would end up around 50-50 even if each person was given a completely free choice" — and in that she felt Gardner "has never lived in a fishing village" and therefore "didn't capture the feel of a fish-guts-stinking rural subsistence economy". [2]
Conversely, at Quill and Quire , Crawford Kilian compared it negatively to Ursula K. Le Guin's The Left Hand of Darkness , judging Fullin to be "a stock character who speaks in a flat colloquial style that evokes 1990s suburban America", and the society of Tober Cove to be "crude and implausible"; [3] Publishers Weekly likewise felt that Gardner "lacks the finesse of Le Guin's anthropological SF", calling it "silly" and "less than stellar". [4]
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, an impact event; destructive, nuclear holocaust or resource depletion; medical, a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.
Sexual themes are frequently used in science fiction or related genres. Such elements may include depictions of realistic sexual interactions in a science fictional setting, a protagonist with an alternative sexuality, a sexual encounter between a human and a fictional extraterrestrial, or exploration of the varieties of sexual experience that deviate from the conventional.
Michael Swanwick is an American fantasy and science fiction author who began publishing in the early 1980s.
The Gods Themselves is a 1972 science fiction novel written by Isaac Asimov, and his first original work in the science fiction genre in fifteen years. It won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973.
James Alan Gardner is a Canadian science fiction author.
LGBT themes in speculative fiction include lesbian, gay, bisexual, or transgender (LGBT) themes in science fiction, fantasy, horror fiction and related genres.[a] Such elements may include an LGBT character as the protagonist or a major character, or explorations of sexuality or gender that deviate from the heteronormative.
Earth Abides is a 1949 American post-apocalyptic science fiction novel by George R. Stewart. The novel tells the story of the fall of civilization from deadly disease and the emergence of a new culture with simpler tools. Set in the 1940s in Berkeley, California, the story is told by Isherwood Williams, who emerges from isolation in the mountains to find almost everyone dead.
Subterranean fiction is a subgenre of speculative fiction, science fiction, or fantasy which focuses on fictional underground settings, sometimes at the center of the Earth or otherwise deep below the surface. The genre is based on, and has in turn influenced, the Hollow Earth theory. The earliest works in the genre were Enlightenment-era philosophical or allegorical works, in which the underground setting was often largely incidental. In the late 19th century, however, more pseudoscientific or proto-science-fictional motifs gained prevalence. Common themes have included a depiction of the underground world as more primitive than the surface, either culturally, technologically or biologically, or in some combination thereof. The former cases usually see the setting used as a venue for sword-and-sorcery fiction, while the latter often features cryptids or creatures extinct on the surface, such as dinosaurs or archaic humans. A less frequent theme has the underground world much more technologically advanced than the surface one, typically either as the refugium of a lost civilization, or as a secret base for space aliens.
Woman on the Edge of Time is a 1976 novel by American writer Marge Piercy. It is considered a classic of utopian speculative science fiction as well as a feminist classic. The novel was originally published by Alfred A. Knopf. Piercy draws on several inspirations to write this novel such as utopian studies, technoscience, socialization, and female fantasies. One of Piercy's main inspirations for her utopian novels is Plato's Republic. Piercy describes the novel as, "if only…" Piercy even compares Woman on the Edge of Time and another one of her utopian novels He, She, and It when discussing the themes and inspirations behind it.
Rogue Queen is a science fiction novel by American writer L. Sprague de Camp, the third book in his Viagens Interplanetarias series. It was first published in hardcover by Doubleday in 1951, and in paperback by Dell Books in 1952. A later hardcover edition was issued by The Easton Press in its The Masterpieces of Science Fiction series in 1996; later paperback editions were issued by Ace Books (1965) and Signet Books. A trade paperback edition was issued by Bluejay Books in June 1985. The first British edition was published in paperback by Pinnacle Books in 1954; a British hardcover reprint followed from Remploy in 1974. The novel has been translated into Portuguese, Italian, French and German. An E-book edition was published by Gollancz's SF Gateway imprint on September 29, 2011 as part of a general release of de Camp's works in electronic form.
Trapped is a science fiction novel written by the Canadian author James Alan Gardner and published in 2002 by HarperCollins Publishers under its various imprints. The book is the sixth installment in Gardner's "League of Peoples" series of novels, set in the mid-25th century. While the majority of the novels in the series take place in outer space, Trapped is set on "Old Earth", and does not feature the series' continuing character Festina Ramos.
Gender has been an important theme explored in speculative fiction. The genres that make up speculative fiction, science fiction, fantasy, supernatural fiction, horror, superhero fiction, science fantasy and related genres, have always offered the opportunity for writers to explore social conventions, including gender, gender roles, and beliefs about gender. Like all literary forms, the science fiction genre reflects the popular perceptions of the eras in which individual creators were writing; and those creators' responses to gender stereotypes and gender roles.
Ilium/Olympos is a series of two science fiction novels by Dan Simmons. The events are set in motion by beings who appear to be ancient Greek gods. Like Simmons' earlier series, the Hyperion Cantos, it is a form of "literary science fiction"; it relies heavily on intertextuality, in this case with Homer and Shakespeare as well as references to Marcel Proust's À la recherche du temps perdu and Vladimir Nabokov's novel Ada or Ardor: A Family Chronicle.
A relatively common motif in speculative fiction is the existence of single-gender worlds or single-sex societies. These fictional societies have long been one of the primary ways to explore implications of gender and gender-differences in science fiction and fantasy. Many of these predate a widespread distinction between gender and sex and conflate the two.
The following outline is provided as an overview of and topical guide to science fiction:
This is the complete list of works by American science fiction author S. M. Stirling.
Carnival is a 2006 science fiction novel by Elizabeth Bear, published in the US by Bantam Spectra. It was nominated for a Philip K. Dick Award, a Locus Award for Best Science Fiction Novel and a Lambda Literary Award.
The battle of the sexes in science fiction is a recurring trope involving conflicts between male and female societies in a science fiction scenario over power.