Postmodernism is a term used to refer to a variety of artistic, cultural, and philosophical movements that claim to mark a break from modernism. They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world. Still, there is disagreement among experts about its more precise meaning even within narrow contexts.
Philip Cortelyou Johnson was an American architect who designed modern and postmodern architecture. Among his best-known designs are his modernist Glass House in New Canaan, Connecticut; the postmodern 550 Madison Avenue in New York City, designed for AT&T; 190 South La Salle Street in Chicago; the Sculpture Garden of New York City's Museum of Modern Art; and the Pre-Columbian Pavilion at Dumbarton Oaks. His January 2005 obituary in The New York Times described his works as being "widely considered among the architectural masterpieces of the 20th century".
Robert Charles Venturi Jr. was an American architect, founding principal of the firm Venturi, Scott Brown and Associates.
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice, or entablature if supported by columns. In ancient architecture, a wide and low triangular pediment typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances.
Frank Heyling Furness was an American architect of the Victorian era. He designed more than 600 buildings, most in the Philadelphia area, and is remembered for his diverse, muscular, often inordinately scaled buildings, and for his influence on the Chicago-based architect Louis Sullivan. Furness also received a Medal of Honor for bravery during the Civil War.
The International Style is a major architectural style and movement that began in western Europe in the 1920s and dominated modern architecture until the 1970s. It is defined by strict adherence to functional and utilitarian designs and construction methods, typically expressed through minimalism. The style is characterized by modular and rectilinear forms, flat surfaces devoid of ornamentation and decoration, open and airy interiors that blend with the exterior, and the use of glass, steel, and concrete.
The year 1966 in architecture involved some significant architectural events and new buildings.
Charles Willard Moore was an American architect, educator, writer, Fellow of the American Institute of Architects, and winner of the AIA Gold Medal in 1991. He is often labeled as the father of postmodernism. His work as an educator was important to a generation of American architects who read his books or studied with him at one of the several universities where he taught.
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. The movement was formally introduced by the architect and urban planner Denise Scott Brown and architectural theorist Robert Venturi in their 1972 book Learning from Las Vegas. The style flourished from the 1980s through the 1990s, particularly in the work of Scott Brown & Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. However, some buildings built after this period are still considered postmodern.
Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.
Denise Scott Brown is an American architect, planner, writer, educator, and principal of the firm Venturi, Scott Brown and Associates in Philadelphia.
Interest in the Architecture of Las Vegas began in the late 1960s, when in 1967 architects Robert Venturi and Denise Scott Brown traveled to the city accompanied by students in order to study its architecture. They wrote, with Steven Izenour, a report in 1972 on the subject entitled Learning From Las Vegas: the Forgotten Symbolism of Architectural Form. This report, and its thesis that Las Vegas showed the way for architecture in the late 20th century, drew the attention of the architectural world to the city. A quarter of a century later, for a BBC program Venturi and Scott Brown revisited the city, and revised their opinions.
A cartouche is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartuccia. Such cartouches are characteristically stretched, pierced and scrolling.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.
The Vanna Venturi House, one of the first prominent works of the postmodern architecture movement, is located in the neighborhood of Chestnut Hill in Philadelphia, Pennsylvania. It was designed by architect Robert Venturi for his mother, Vanna Venturi, and built between 1962 and 1964.
Guild House is a residential building in Philadelphia which is an important and influential work of 20th-century architecture and was the first major work by Robert Venturi. Along with the Vanna Venturi House it is considered to be one of the earliest expressions of Postmodern architecture, and helped establish Venturi as one of the leading architects of the 20th century.
Philosophy of architecture is a branch of philosophy of art, dealing with the aesthetic value of architecture, its semantics and relations with the development of culture.
New Classical architecture, New Classicism or Contemporary Classical architecture is a contemporary movement in architecture that continues the practice of Classical architecture. It is sometimes considered the modern continuation of Neoclassical architecture, even though other styles might be cited as well, such as Gothic, Baroque, Renaissance or even non-Western styles – often referenced and recreated from a postmodern perspective as opposed to being strict revival styles.
Learning from Las Vegas is a 1972 book by Robert Venturi, Denise Scott Brown, and Steven Izenour. Translated into 18 languages, the book helped foster the development of postmodern architecture.
The Graham Foundation for Advanced Studies in the Fine Arts is a 501(c)3 non-profit that "fosters the development and exchange of diverse and challenging ideas about architecture and its role in the arts, culture, and society. The Graham realizes this vision through making project-based grants to individuals and organizations and producing exhibitions, events, and publications."
