Compound pier

Last updated
Example of a compound pier in the maha mandapa of the Vitthala Temple in Hampi, south India. Vittala Temple, Vijayanagara, Karnataka, India ei1176.jpg
Example of a compound pier in the maha mandapa of the Vitthala Temple in Hampi, south India.

Compound pier or cluster pier is the architectural term given to a clustered column or pier which consists of a centre mass or newel, to which engaged or semi-detached shafts have been attached, in order to perform (or to suggest the performance of) certain definite structural objects, such as to carry arches of additional orders, or to support the transverse or diagonal ribs of a vault, or the tie-beam of an important roof. In these cases, though performing different functions, the drums of the pier are often cut out of one stone. There are, however, cases where the shafts are detached from the pier and coupled to it by annulets at regular heights, as in the Early English period. [1]

A pilier cantonné is one type of compound pier. Compound piers can often be found in Romanesque cathedrals.[ citation needed ]

Pilier cantonné

A pilier cantonné is a type of compound pier commonly associated with High Gothic architecture. First used in the construction of the Chartres Cathedral, the pilier cantonné has four colonettes attached to a large central core that support the arcade, aisle vaults and nave-vaulting responds.[ citation needed ]

Related Research Articles

<span class="mw-page-title-main">Church (building)</span> Place of worship for Christians

A church, church building, or church house is a building used for Christian worship services and other Christian religious activities. The earliest identified Christian church is a house church founded between 233 and 256.

<span class="mw-page-title-main">Column</span> Structural element that transmits weight from above to below

A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term column applies especially to a large round support with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a post. Supports with a rectangular or other non-round section are usually called piers.

<span class="mw-page-title-main">Romanesque architecture</span> Architectural style of Medieval Europe

Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.

<span class="mw-page-title-main">Gothic architecture</span> Architectural style of Medieval Europe

Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.

<span class="mw-page-title-main">Chartres Cathedral</span> Medieval cathedral in France

Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres, is a Catholic church in Chartres, France, about 80 km southwest of Paris, and is the seat of the Bishop of Chartres. Mostly constructed between 1194 and 1220, it stands on the site of at least five cathedrals that have occupied the site since the Diocese of Chartres was formed as an episcopal see in the 4th century. It is one of the best-known and most influential examples of High Gothic and Classic Gothic architecture, It stands on Romanesque basements, while its north spire is more recent (1507–1513) and is built in the more ornate Flamboyant style.

<span class="mw-page-title-main">Winchester Cathedral</span> Church in Hampshire, England

The Cathedral Church of the Holy Trinity,Saint Peter, Saint Paul and Saint Swithun, commonly known as Winchester Cathedral, is the cathedral of the city of Winchester, England, and is among the largest of its kind in Northern Europe. The cathedral is the seat of the Bishop of Winchester and is the mother church for the ancient Diocese of Winchester. It is run by a dean and chapter, under the Dean of Winchester.

<span class="mw-page-title-main">Architecture of cathedrals and great churches</span>

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

<span class="mw-page-title-main">Flying buttress</span> Form of buttress

The flying buttress is a specific form of buttress composed of an arch that extends from the upper portion of a wall to a pier of great mass, in order to convey to the ground the lateral forces that push a wall outwards, which are forces that arise from vaulted ceilings of stone and from wind-loading on roofs.

<span class="mw-page-title-main">Pinnacle</span> Architectural element

A pinnacle is an architectural element originally forming the cap or crown of a buttress or small turret, but afterwards used on parapets at the corners of towers and in many other situations. The pinnacle looks like a small spire. It was mainly used in Gothic architecture.

<span class="mw-page-title-main">Rib vault</span> Architectural feature to cover a wide space

A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows.

<span class="mw-page-title-main">Engaged column</span> Column partly projecting from the surface of a wall

An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, Which may or may not carry a partial structural load. Sometimes defined as semi- or three-quarter detached, engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded in the cella walls of pseudoperipteral Roman temples and other buildings.

This page is a glossary of architecture.

<span class="mw-page-title-main">Vault (architecture)</span> Architectural term for an arched roof

In architecture, a vault is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while rings of voussoirs are constructed and the rings placed in position. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting. Where timber is easily obtained, this temporary support is provided by centering consisting of a framed truss with a semicircular or segmental head, which supports the voussoirs until the ring of the whole arch is completed.

<span class="mw-page-title-main">English Gothic architecture</span> Architectural style in Britain

English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe.

<span class="mw-page-title-main">Architecture of the medieval cathedrals of England</span>

The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region and houses the throne of a bishop. Each cathedral also serves as a regional centre and a focus of regional pride and affection.

<span class="mw-page-title-main">High Gothic</span> Refined and imposing style of Gothic architecture

High Gothic was a period of Gothic architecture in the 13th century, from about 1200 and 1280, which saw the construction of a series of refined and richly-decorated cathedrals. It appeared most prominently in France, largely thanks to support given by King Louis IX(1226-1270).

<span class="mw-page-title-main">Early Gothic architecture</span> Architectural style of the beginning of the Gothic

Early Gothic is a term for the first phase of Gothic style, followed by High Gothic and Late Gothic, dividing the whole Gothic era into three periods. It is defined as a style that used some principle elements of Gothic, but not all. Especially, it had no fine tracery. It marks the first phase of a division of Gothic style into three periods. If it is used for all countries, it has to be regarded that there may be special terms for the styles of single countries, such as Early English in England.

<span class="mw-page-title-main">Perpendicular Gothic</span> Third historical division of English Gothic architecture

Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.

References

  1. Wikisource-logo.svg One or more of the preceding sentences incorporates text from a publication now in the public domain :  Chisholm, Hugh, ed. (1911). "Compound Pier". Encyclopædia Britannica . Vol. 6 (11th ed.). Cambridge University Press. p. 813.