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The Piano Concerto in A minor, Op. 54, by the German Romantic composer Robert Schumann was completed in 1845 and is the composer's only piano concerto. The complete work was premiered in Dresden on 4 December 1845. It is one of the most widely performed and recorded piano concertos from the Romantic period.
The Violin Concerto in D major, Op. 35 was the only concerto for violin composed by Pyotr Ilyich Tchaikovsky. Composed in 1878, it is one of the best-known violin concertos.
Sergei Rachmaninoff's Piano Concerto No. 3 in D minor, Op. 30, was composed in the summer of 1909. The piece was premiered on November 28 of that year in New York City with the composer as soloist, accompanied by the New York Symphony Society under Walter Damrosch. The work has the reputation of being one of the most technically challenging piano concertos in the standard classical piano repertoire.
The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a concerto composed by Ludwig van Beethoven for piano and orchestra. Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf, who was his patron, friend, and pupil. Its public premiere was on 28 November 1811 in Leipzig, with Friedrich Schneider as the soloist and Johann Philipp Christian Schulz conducting the Gewandhaus Orchestra. Beethoven, usually the soloist, could not perform due to declining hearing.
The Concierto de Aranjuez is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
The Piano Concerto No. 4 in C minor, Op. 44 was composed by Camille Saint-Saëns in 1875. It was premièred on October 31, 1875, at the Théâtre du Châtelet of Paris, with the composer as the soloist. The concerto is dedicated to Anton Door, a professor of piano at the Vienna Conservatory. It continues to be one of Saint-Saëns' most popular piano concertos, second only to the Piano Concerto No. 2 in G minor.
Franz Liszt composed his Piano Concerto No. 1 in E♭ major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes. It premiered in Weimar on February 17, 1855, with Liszt at the piano and Hector Berlioz conducting.
Joaquín Rodrigo Vidre, 1st Marquess of the Gardens of Aranjuez, was a Spanish composer and a virtuoso pianist. He is best known for composing the Concierto de Aranjuez, a cornerstone of the classical guitar repertoire.
The last complete piano concerto by Sergei Prokofiev, Piano Concerto No. 5 in G major, Op. 55, dates from 1932.
The Concierto pastoral is a flute concerto by Joaquín Rodrigo. Rodrigo wrote the work during 1977–1978 on commission from James Galway, who had first encountered the composer's work in 1974 when he asked permission to transcribe the Fantasia para un Gentilhombre for flute. Galway gave its premiere on October 17, 1978, in London, with Eduardo Mata conducting the Philharmonia Orchestra.
The Concierto serenata for harp and orchestra was composed in 1952 by Joaquín Rodrigo. It was written for Nicanor Zabaleta, who premiered the work in Madrid on November 9, 1956; Paul Kletzki conducted the Spanish National Orchestra. Zabaleta recorded it with the Berlin Radio Symphony Orchestra under Ernst Märzendorfer for Deutsche Grammophon three years later.
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 3 in E-flat major was at first conceived by him as a symphony in the same key. But he abandoned that idea, jetisoned all but the planned first movement, and reworked this in 1893 as a one-movement Allegro brillante for piano and orchestra. His last completed work, it was duly published as Opus 75 the next year, after he died, but given by publisher Jurgenson the title "Concerto No. 3 pour Piano avec accompagnement d'Orchestre".
The Andante and Finale is a composition for piano and orchestra that was reworked by Sergei Taneyev from sketches by Pyotr Ilyich Tchaikovsky for the abandoned latter movements of his single-movement Piano Concerto No. 3 in E-flat, Op. 75.
Pyotr Ilyich Tchaikovsky's Symphony in E-flat was commenced after Symphony No. 5, and was intended initially to be the composer's next symphony. Tchaikovsky abandoned this work in 1892, only to reuse the first movement in the single-movement Third Piano Concerto, Op. 75, first performed and published after his death in 1895. Two other movements were reworked for piano and orchestra by Sergei Taneyev as the Andante and Finale, which was published as Tchaikovsky's Op. posth. 79 in 1897.
While a concerto is generally a piece for an instrument or instruments with orchestral accompaniment, some works for piano alone have been written with the seemingly contradictory designation concerto for solo piano.
The Piano Concerto in C is a concertante work by Ralph Vaughan Williams written in 1926 and 1930-31. During the intervening years, the composer completed Job: A Masque for Dancing and began work on his Fourth Symphony. The concerto shares some thematic characteristics with these works, as well as some of their drama and turbulence.
Frédéric Chopin's Allegro de concert, Op. 46, is a piece for piano, published in November 1841. It is in one movement and takes between 11 and 15 minutes to play. The principal themes are bold and expressive. It has a curious place in the Chopin canon, and while its history is obscure, the evidence supports the view, shared by Robert Schumann and others, that it started out as the first movement of a projected third piano concerto, of which the orchestral parts are either now non-existent or were never scored at all. There is no evidence that Chopin ever even started work on the latter movements of this concerto.
The Concert Allegro, Op. 46 by Sir Edward Elgar is a piece of music for solo piano. It takes about 10 minutes to perform. It is the only piano work he wrote that was designed for concert performance. It is in the key of C major and was written in 1901, at the request of the pianist Fanny Davies.
Joaquín Rodrigo's Concierto como un divertimento, for cello and orchestra received its first performance at the Royal Festival Hall, London, on April 15, 1982. The performers were the British cellist Julian Lloyd Webber, who had commissioned the concerto, and the London Philharmonic Orchestra conducted by Jesús López-Cobos. Lloyd Webber had approached the Spanish composer, who was by then nearly eighty, with the idea of him writing a new work for cello and orchestra in 1979. Concierto como un divertimento is lightly scored but with the added colours of xylophone and celesta. It is cast in three movements:
The Double Concerto for Harpsichord and Piano with Two Chamber Orchestras is a composition by the American composer Elliott Carter. The work was commissioned by the Fromm Music Foundation and is dedicated to the philanthropist Paul Fromm. It was completed in August 1961 and was first performed at the Metropolitan Museum of Art's Grace Rainey Rogers Auditorium on September 6, 1961. The premiere was performed by the harpsichordist Ralph Kirkpatrick and the pianist Charles Rosen under the conductor Gustav Meier.
References
- 1 2 Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds Fairclough, P. 2016. Routledge.
- ↑ "Masterpieces: HEROIC CONCERT FOR PIANO AND ORCHESTRA BY JOAQUÍN RODRIGO".
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