Giorgio da Sebenico or Giorgio Orsini or Juraj Dalmatinac was a Venetian sculptor and architect from Dalmatia, who worked mainly in Sebenico, and in the city of Ancona, then a maritime republic.
The Barbaro family was a patrician family of Venice. They were wealthy and influential and owned large estates in the Veneto above Treviso. Various members were noted as church leaders, diplomats, patrons of the arts, military commanders, philosophers, scholars, and scientists.
Francesco II da Carrara, known as Francesco il Novello, was Lord of Padua after his father, Francesco I il Vecchio, renounced the lordship on 29 June 1388; he was a member of the family of Carraresi. He married Taddea, daughter of Niccolò II d'Este, Lord of Modena.
The Scuola Grande di San Marco is a building in Venice, Italy, designed by the well-known Venetian architects Pietro Lombardo, Mauro Codussi, and Bartolomeo Bon. It was originally the home to one of the Scuole Grandi of Venice, or six major confraternities, but is now the city's hospital. It faces the Campo Santi Giovanni e Paolo, one of the largest squares in the city.
Francesco Vecellio was a Venetian painter of the Italian Renaissance. He was the elder brother and close collaborator of the painter Tiziano Vecellio ("Titian").
The Sermon of Saint Stephen is an oil-on-canvas by Italian artist of the Venetian school Vittore Carpaccio, painted in 1514. It is now in the Louvre in Paris.
The Scuola di Santa Maria degli Albanesi was a confraternity, a Scuola Piccola, for Albanian Christians Catholics, in Venice, northern Italy. Its building subsists.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
The Canons Regular of San Giorgio in Alga were a congregation of canons regular which was influential in the reform movement of monastic life in northern Italy during the 15th and 16th centuries.
The bailo and captain of Negroponte was the representative of the Republic of Venice stationed at Chalcis (Negroponte) on the island of Euboea. The bailo played an important role as the mediator between, and de facto overlord of, the triarchs of Euboea, who had their common residence in Negroponte. The triarchies were created by the division of the island between three rulers (triarchs) after its conquest following the Fourth Crusade (1204).
The Bailo of Corfu was the leader of the Venetian delegation to the island of Corfu who oversaw the affairs of the island while under Venetian rule and protected the commercial and military interests of the Republic of Venice. The first mention of a bailo in Corfu is in 1386 and is found in a Greek chronicle. The bailo of Corfu is also mentioned in a document by historian Marco Guazzo from 1544.
The House of Barozzi was an aristocratic Venetian family that belong to the Venetian nobility. Members of the family became sailors, clerics and men of learning. They were lords of Santorini and Thirassia, and held military fiefs on the island of Crete. Members of the family were involved in the conspiracy of Bajamonte Tiepolo against the Doge of Venice in 1310.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.
The Venetian Renaissance had a distinct character compared to the general Italian Renaissance elsewhere. The Republic of Venice was topographically distinct from the rest of the city-states of Renaissance Italy as a result of their geographic location, which isolated the city politically, economically and culturally, allowing the city the leisure to pursue the pleasures of art. The influence of Venetian art did not cease at the end of the Renaissance period. Its practices persisted through the works of art critics and artists proliferating its prominence around Europe to the 19th century.
Patricia Fortini Brown is Professor Emerita of Art & Archaeology at Princeton University.
Hermonia Vivarini (16th-century), was a Venetian glass artist.
Maffeo Vallaresso or Valaresso (1415–1494) was a Venetian patrician, Renaissance humanist and prelate who served as the archbishop of Zadar (Zara) from 1450 until his death. A doctor in canon law and a collector of Greek and Latin manuscripts, he tried unsuccessfully on at least four occasions to be transferred to a more prestigious see.
Paolo Barbo (1416–1462) was a Venetian patrician, diplomat and statesman. An educated humanist of the well connected Barbo and Condulmer families, he was the nephew of Pope Eugene IV and the brother of Pope Paul II.
Niccolò Barbo was a Venetian patrician, official and Renaissance humanist.
![Condulmer (top) and Canal [it] coats of arms, celebrating a marriage between the two families Condulmer and Canal coats of arms.png](http://upload.wikimedia.org/wikipedia/commons/thumb/c/c3/Condulmer_and_Canal_coats_of_arms.png/220px-Condulmer_and_Canal_coats_of_arms.png)
