Pope Paul II, born Pietro Barbo, was head of the Catholic Church and ruler of the Papal States from 30 August 1464 to his death, in July 1471. When his maternal uncle Eugene IV became pope, Barbo switched from training to be a merchant to religious studies. His rise in the Church was relatively rapid. Elected pope in 1464, Paul amassed a great collection of art and antiquities.
The Pazzi conspiracy was a failed plot by members of the Pazzi family and others to displace the Medici family as rulers of Renaissance Florence.
This is a list of the Patriarchs of Grado.
The Palazzo Venezia or Palazzo Barbo, formerly Palace of St. Mark, is a palazzo (palace) in central Rome, Italy, just north of the Capitoline Hill. The original structure of this great architectural complex consisted of a modest medieval house intended as the residence of the cardinals appointed to the church of San Marco. In 1469 it became a residential papal palace, having undergone a massive extension, and in 1564, Pope Pius IV, to win the sympathies of the Republic of Venice, gave the mansion to the Venetian embassy to Rome on the terms that part of the building would be kept as a residence for the cardinals, the Apartment Cibo, and that the republic would provide for the building's maintenance and future restoration. The palace faces Piazza Venezia and Via del Plebiscito. It currently houses the National Museum of the Palazzo Venezia.
Carlo Ridolfi (1594–1658) was an Italian art biographer and painter of the Baroque period.
Francesco II da Carrara, known as Francesco il Novello, was Lord of Padua after his father, Francesco I il Vecchio, renounced the lordship on 29 June 1388; he was a member of the family of Carraresi. He married Taddea, daughter of Niccolò II d'Este, Lord of Modena.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
The Canons Regular of San Giorgio in Alga were a congregation of canons regular which was influential in the reform movement of monastic life in northern Italy during the 15th and 16th centuries.
The bailo and captain of Negroponte was the representative of the Republic of Venice stationed at Chalcis (Negroponte) on the island of Euboea. The bailo played an important role as the mediator between, and de facto overlord of, the triarchs of Euboea, who had their common residence in Negroponte. The triarchies were created by the division of the island between three rulers (triarchs) after its conquest following the Fourth Crusade (1204).
The Bailo of Corfu was the leader of the Venetian delegation to the island of Corfu who oversaw the affairs of the island while under Venetian rule and protected the commercial and military interests of the Republic of Venice. The first mention of a bailo in Corfu is in 1386 and is found in a Greek chronicle. The bailo of Corfu is also mentioned in a document by historian Marco Guazzo from 1544.
The House of Barozzi was an aristocratic Venetian family that belong to the Venetian nobility. Members of the family became sailors, clerics and men of learning. They were lords of Santorini and Thirassia, and held military fiefs on the island of Crete. Members of the family were involved in the conspiracy of Bajamonte Tiepolo against the Doge of Venice in 1310.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.
The Venetian Renaissance had a distinct character compared to the general Italian Renaissance elsewhere. The Republic of Venice was topographically distinct from the rest of the city-states of Renaissance Italy as a result of their geographic location, which isolated the city politically, economically and culturally, allowing the city the leisure to pursue the pleasures of art. The influence of Venetian art did not cease at the end of the Renaissance period. Its practices persisted through the works of art critics and artists proliferating its prominence around Europe to the 19th century.
Patricia Fortini Brown is Professor Emerita of Art & Archaeology at Princeton University.
Hermonia Vivarini (16th-century), was a Venetian glass artist.
Maffeo Vallaresso or Valaresso (1415–1494) was a Venetian patrician, Renaissance humanist and prelate who served as the archbishop of Zadar (Zara) from 1450 until his death. A doctor in canon law and a collector of Greek and Latin manuscripts, he tried unsuccessfully on at least four occasions to be transferred to a more prestigious see.
Paolo Barbo (1416–1462) was a Venetian patrician, diplomat and statesman. An educated humanist of the well connected Barbo and Condulmer families, he was the nephew of Pope Eugene IV and the brother of Pope Paul II.
Niccolò Barbo was a Venetian patrician, official and Renaissance humanist.
![Condulmer (top) and Canal [it] coats of arms, celebrating a marriage between the two families Condulmer and Canal coats of arms.png](http://upload.wikimedia.org/wikipedia/en/thumb/c/c3/Condulmer_and_Canal_coats_of_arms.png/220px-Condulmer_and_Canal_coats_of_arms.png)
