Coney Island | |
---|---|
Directed by | Roscoe Arbuckle |
Written by | Roscoe Arbuckle |
Produced by | Joseph M. Schenck |
Starring | Roscoe Arbuckle Buster Keaton Al St. John |
Cinematography | George Peters |
Edited by | Herbert Warren |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 24 minutes |
Country | United States |
Language | Silent (English intertitles) |
Coney Island (also known as Fatty at Coney Island) is a 1917 American two-reel silent comedy film starring, written and directed by Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
Fatty has been dragged along to Coney Island by his wife who insists they spend their time together on the beach. Getting inspiration from a dog digging a hole in the sand, Fatty ditches his wife by burying himself in the sand then making a run for the amusement park as she searches for him. Fatty's wife enlists the help of an old friend (Al St. John, referred to as "Old Friend") who enters the park to look for Fatty, however once inside he notices an attractive young lady (Alice Mann, referred to as "Pretty Girl") who is there on a date with a young man (Buster Keaton, referred to as "Rival") and promptly woos her into entering the park with him rather than Rival, leaving the latter distraught.
Finding he has no money, Rival gains entry to the park by hiding in a barrel and follows Pretty Girl and Old Friend around the park. Once inside, Rival and Old Friend both attempt to impress Pretty Girl, Rival by trying to win on the high striker and Old Friend by buying her ice cream but Pretty Girl is ultimately unimpressed by both men's childish behavior
Fatty shows up on the scene and is likewise smitten with Pretty Girl and begins making polite conversation with her. When Old Friend returns with the ice cream, Fatty pretends he got them for her in order to impress her which it does. Old Friend furiously threatens Fatty, but Fatty kicks a nearby policemen in the rear and makes him think Old Friend did it leading to the latter being arrested.
Fatty and Pretty Girl next go for a ride on the log flumes but the force of the impact upon hitting the water sends both flying into the surrounding pool. Rival saves Pretty Girl and Fatty but is immediately knocked accidentally into the pool by Fatty who, seeing that Rival can swim and will not drown, once again walks off with Pretty Girl. Spotting his wife looking for him, Fatty takes Pretty Girl into a nearby boathouse and the two dress up (Fatty as a woman and Pretty Girl in a new dress and a long wig) to avoid detection before heading to the beach.
Arbuckle's wife has heard that Old Friend has been arrested and bails him out of jail and the two go to the beach to come up with a new plan where they bump into Fatty and Pretty Girl in their disguises. Old Friend finds himself attracted to Fatty dressed up as a woman and flirts with him before Rival arrives on the scene and reveals that the woman is in fact Fatty. Furious, Old Friend chases Fatty to the sea where they begin to fight. Pretty Girl, realizing that Old Friend is a sleazy womanizer and Fatty has a wife, decides to return to Rival and the two run off down the beach together. Fatty's wife calls the police to break up the fight and three police officers (The Keystone Cops) arrive at the beach to arrest both men. They are taken to jail but before they can be locked up they overpower all of the cops and throw them in the jail cell. Before Fatty can leave he receives a furious dressing down from his wife until he can take no more and throws her in the jail cell as well.
In the film's closing moments Fatty and Old Friend stand on the police steps and agree that the pursuit of women was the reason for all of their misfortune today and both swear off women for good. However, just after making this pact two attractive women walk past them and the two gleefully give chase.
In the original ending to the film Arbuckle approaches a well-dressed woman on the street. She turns and is revealed to be a Black woman. Arbuckle mugs for the camera and runs away in a parody of fear. Most cuts of the film since the 1920's have deleted this reveal and end the film with Arbuckle approaching the woman from behind.
The film was shot on location at Coney Island, and prominently features many contemporary rides and attractions as venues for the slapstick action. These include The Witching Waves and Shoot-the-Chutes.
Coney Island was filmed before Keaton had fully established his screen persona. Because of this, he employs a wide range of facial expressions, including mugging and laughing, differing drastically from his subsequent unsmiling, but still eloquent, expression.
Arbuckle breaks the fourth wall in one scene where, about to change his clothes, he directly looks at the camera and gestures for it to raise its view above his waist; the camera obligingly does so.
Like many American films of the time, Coney Island was subject to cuts by city and state film censorship boards. The Chicago Board of Censors required a cut of a scene with a girl raising her dress above her knee. [2] The original ending was considered racist by the mid-1920s and was cut from the film.
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Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1,000,000 a year.
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The Cook is a 1918 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John. The movie is a slapstick comedy and focuses on goings-on at a high-end restaurant with Arbuckle as the Cook and Keaton as the Waiter.
Good Night, Nurse! is a 1918 American two-reel silent comedy film written by, and directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton. Roscoe's character's wife reaches the last straw with his drinking and admits him to the No Hope Sanatorium, which promises to cure all cases of alcoholism.
Back Stage is a 1919 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John.
The Bell Boy is a 1918 American two-reel silent comedy film directed by Roscoe "Fatty" Arbuckle for the Comique film company.
The Waiters' Ball is a 1916 American silent short comedy film directed by and starring Fatty Arbuckle. Arbuckle's nephew Al St. John has a memorable role as Roscoe's rival. The film is extant.
A Reckless Romeo is a 1917 American short silent comedy film directed by and starring Roscoe 'Fatty' Arbuckle.
The Rough House is a 1917 American two-reel silent comedy film written by, directed by, and starring both Roscoe "Fatty" Arbuckle and Buster Keaton. The Rough House was Keaton's first film as a director.
His Wedding Night is a 1917 American two-reel silent comedy film written, directed by, and starring Roscoe "Fatty" Arbuckle.
Oh Doctor! is a 1917 American two-reel silent comedy film directed by and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton.
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Alice Mann was an American silent film actress.
Luke the Dog (1913–1926) was an American Staffordshire Terrier that performed as a recurring character in American silent comedy shorts between 1914 and 1920. He was also the personal pet of actress Minta Durfee and her husband, the comedian and director Roscoe "Fatty" Arbuckle.
Louis Anger was an American vaudeville performer and movie studio executive. During the early days of the American silent film industry, Anger was considered to be "the king of slapstick comedy producers," and was instrumental in developing the film careers of famed actors Fatty Arbuckle and Buster Keaton.