Confessionsofa Ex-Doofus-ItchyFooted Mutha | |
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Directed by | Melvin Van Peebles |
Written by | Melvin Van Peebles |
Produced by | Melvin Van Peebles |
Starring | Melvin Van Peebles |
Cinematography | Giles Francis John Threat |
Edited by | Melvin Van Peebles |
Release date |
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Running time | 99 minutes |
Country | United States |
Language | English |
Box office | $1,717 |
ConfessionsOfa Ex-Doofus-ItchyFooted Mutha is a 2008 film by Melvin Van Peebles. It is based on Van Peebles' 1982 Broadway musical Waltz of the Stork and his graphic novel of the same name. The film was screened at the Tribeca Film Festival in April 2008 and was the Closing Night feature in the Maryland Film Festival in May 2008. Van Peebles plays the film's main character from boyhood to age 47. [1] [2]
A boy (Melvin Van Peebles) travels from Chicago to New York to find adventure and riches, later crossing the ocean to Africa in order to reunite with his lover. [1] [3]
Van Peebles was a part of the Merchant Marine as a child and used his memories of people back then to write a graphic novel. Though he originally intended to write a novel, he chose the former genre because it was a new concept at the time. In a later version of his graphic novel, Van Peebles included stills that he had not included in the film. [4] The film is also partly based on Van Peeble's 1982 play Waltz of the Stork . Its soundtrack contains mostly music composed by Van Peebles in a variety of genres. [5] This is his most personal film since Sweet Sweetback's Baad Asssss Song was released in 1971. [5] It contains song lyrics, poetic verses, and wordplay. [4]
Van Peebles, who was 75 years old at the time of the filming, [1] plays the role of himself from age 10 to 47. His mother is 40 years younger than him, and his lover is old enough to be his grandchild. [5] [3] His son Mario Van Peebles makes a cameo appearance as a pirate. [6] The title comes from the character becoming an "ex doofus" as he gets older. [5]
Mike Hale of The New York Times wrote, "Ex-Doofus is a better film in every technical sense – people who had trouble sitting through Sweetback are likely to find Ex-Doofus tolerable and even pleasantly diverting – but a lesser one when it matters". [5]
J. R. Jones of The Chicago Reader gave a positive review, stating, "The video has a funky, loose-limbed feel, but Van Peebles has been celebrated so much already you have to wonder how many victory laps a man needs." [3]
Kevin Thomas, writing for the Los Angeles Times gave a mixed review stating, "Van Peebles' persona and sensibility remain engaging, as do his way with his beguiling score and songs, but his film desperately needs tightening to eliminate tedious moments, especially in the African sequence." [6]
Melvin Van Peebles was an American actor, filmmaker, writer, and composer. He worked as an active filmmaker into the early 2020s. His feature film debut, The Story of a Three-Day Pass (1967), was based on his own French-language novel La Permission and was shot in France, as it was difficult for a black American director to get work at the time. The film won an award at the San Francisco International Film Festival which gained him the interest of Hollywood studios, leading to his American feature debut Watermelon Man, in 1970. Eschewing further overtures from Hollywood, he used the successes he had so far to bankroll his work as an independent filmmaker.
Mario Van Peebles is an American film director and actor best known for appearing in Heartbreak Ridge in 1986 and known for directing and starring in New Jack City in 1991 and USS Indianapolis: Men of Courage in 2016. He is the son of actor and filmmaker Melvin Van Peebles, whom he portrayed in the 2003 biopic Baadasssss!, which he also co-wrote and directed.
Sweet Sweetback's Baadasssss Song is a 1971 American independent blaxploitation action thriller film written, co-produced, scored, edited, directed by, and starring Melvin Van Peebles. His son Mario Van Peebles also appears in a small role, playing the title character as a young boy. The film tells the picaresque story of a poor black man fleeing from the white police authorities.
Baadasssss! is a 2003 American biographical drama film, written, produced, directed by, and starring Mario Van Peebles. The film is based on the struggles of Van Peebles' father Melvin Van Peebles, as he attempts to film and distribute Sweet Sweetback's Baadasssss Song, a film that was widely credited with showing Hollywood that a viable African-American audience existed, and thus influencing the creation of the blaxploitation genre. The film also stars Joy Bryant, Nia Long, Ossie Davis, Paul Rodriguez, Rainn Wilson, and Terry Crews.
The Hebrew Hammer is a 2003 American comedy film written and directed by Jonathan Kesselman. It stars Adam Goldberg, Judy Greer, Andy Dick, Mario Van Peebles, and Peter Coyote. The plot concerns a Jewish crime fighter known as the Hebrew Hammer who must save Hanukkah from the evil son of Santa Claus, who wants to destroy Hanukkah and Kwanzaa and make everyone celebrate Christmas.
Watermelon Man is a 1970 American comedy film directed by Melvin Van Peebles and starring Godfrey Cambridge, Estelle Parsons, Howard Caine, D'Urville Martin, Kay Kimberley, Mantan Moreland, and Erin Moran. Written by Herman Raucher, it tells the story of an extremely bigoted 1960s-era white insurance salesman named Jeff Gerber, who wakes up one morning to find that he has become black. The premise for the film was inspired by Franz Kafka's Metamorphosis, and by John Howard Griffin's autobiographical Black Like Me.
The Story of a Three-Day Pass is a 1967 film written and directed by Melvin Van Peebles, based on his French-language novel La Permission. It stars Harry Baird as a black American soldier who is demoted for fraternizing with a white shop clerk in France.
Don't Play Us Cheap is a 1973 American musical comedy film based on the 1970 musical of the same name. The musical was written, produced, scored, edited and directed by Melvin Van Peebles. Both the original stage musical and the film adaptation are based on Van Peebles' 1967 French-language novel La fête à Harlem (1967).
Identity Crisis is a 1989 comedy film directed by Melvin Van Peebles. Written by Mario Van Peebles, the film is about a rapper who winds up sharing his body with the soul of a dead fashion designer, switching between personalities every time he is struck on the head.
BaadAsssss Cinema is a 2002 TV documentary film directed by Isaac Julien. Julien looks at the Blaxploitation era of the 1970s in this hour-long documentary.
What the...You Mean I Can't Sing?! is the fourth studio album by Melvin Van Peebles. Released in 1974, this album marks the first traditional music effort by Van Peebles. Previously, Van Peebles released the experimental spoken word albums Brer Soul, Ain't Supposed to Die a Natural Death and As Serious as a Heart-Attack.
Ghetto Gothic is the fifth studio album by Melvin Van Peebles. Released in 1995, this album marks the second traditional music effort by Van Peebles, after What the....You Mean I Can't Sing?! Previously, Van Peebles released the experimental spoken word albums Brer Soul, Ain't Supposed To Die a Natural Death and As Serious as a Heart-Attack.
Sweet Sweetback's Baadasssss Song is the soundtrack to Melvin Van Peebles' 1971 feature film of the same name. The soundtrack was performed by then-unknown Earth, Wind & Fire and released in 1971 on Stax Records. To attract publicity for the film without spending significant money, the soundtrack was released before the movie; it performed well, reaching No. 13 on the Billboard Top R&B Albums chart.
"The Apple Stretching" is a song by American recording artist Grace Jones, released as a single in 1982.
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the Black power movement, and the Black Panthers spurred black artists to reclaim power over their image, and institutions like UCLA to provide financial assistance for students of color to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Xenon Pictures is an American film production and distribution company which releases titles produced by African-American filmmakers for African-American audiences. The label has distribution deals with numerous prominent filmmakers, such as Melvin Van Peebles, Rudy Ray Moore, Jamaa Fanaka, Ralph Bakshi and Perry Henzell.
Waltz of the Stork is a semi-autobiographical play written and originally performed by Melvin Van Peebles. It also featured his son Mario Van Peebles. The play originally ran for four months in 1982. It ran from January 5, 1982 to May 23, 1982.
The 38th Deauville American Film Festival took place at Deauville, France from August 31 to September 9, 2012. Jeff Nichols's drama film Mud served as the opening night film. Savages by Oliver Stone was the closing night film of the festival. The Grand Prix was awarded to Beasts of the Southern Wild by Benh Zeitlin.
How to Eat Your Watermelon in White Company (and Enjoy It), is a 2005 documentary film directed and written by Joe Angio, and produced by Michael Solomon. The film follows Melvin Van Peebles through his illustrious musical, acting, and directing career. The name comes from a controversial article that Van Peebles wrote, but never got published. Joe Angio, the director received four nominations for his film. Three of these nominations were for best documentary at the Chicago International film festival, and one nomination was at the Los Angeles Film Festival for best documentary feature.
Melvin Van Peebles was an American actor, filmmaker, writer, and composer. Over his career he recorded several albums with various musicians, and also recorded soundtracks.