Baadasssss! | |
---|---|
Directed by | Mario Van Peebles |
Written by | Mario Van Peebles Dennis Haggerty |
Based on | Sweet Sweetback's Baadasssss Song: A Guerilla Filmmaking Manifesto by Melvin Van Peebles |
Produced by | Mario Van Peebles |
Starring | Mario Van Peebles David Alan Grier Nia Long Rainn Wilson Terry Crews |
Cinematography | Robert Primes |
Edited by | Anthony Miller Nneka Goforth |
Music by | Tyler Bates |
Production companies | |
Distributed by | Sony Pictures Classics |
Release dates |
|
Running time | 108 minutes |
Country | United States |
Language | English |
Box office | $365,727 [1] |
Baadasssss! is a 2003 American biographical drama film, written, produced, directed by, and starring Mario Van Peebles. The film is based on the struggles of Van Peebles' father Melvin Van Peebles (played by Mario himself), as he attempts to film and distribute Sweet Sweetback's Baadasssss Song , a film that was widely credited with showing Hollywood that a viable African-American audience existed, and thus influencing the creation of the blaxploitation genre. The film also stars Joy Bryant, Nia Long, Ossie Davis, Paul Rodriguez, Rainn Wilson, and Terry Crews.
A mock documentary opens the film with the production crew members reflecting on the tumultuous events of the 1960s. As the Vietnam War continues, stereotypical depictions of Black Americans in cinema persist.
In 1970, Melvin Van Peebles, who had finished Watermelon Man for Columbia Pictures, contemplates his second film project. Peebles' talent agent Howie Kaufman advises him to follow up with a comedy. After brainstorming in the Mojave Desert, Pebbles outlines his vision for the film, which includes that the film must be entertaining, commercially successful, and represents the entire Black community.
Titling his project Sweet Sweetback's Baadasssss Song, Peebles sends a story treatment to Kaufman who questions the story's anti-police themes. Peebles' friend Bill Harris agrees to arrange the financing but declines Peebles' request to have the unionized film crew be 50 percent Black. Sometime later, Peebles watches an adult film produced by Clyde Houston. At an ADR session, Houston agrees to join the film as a production manager. Harris finds one investor named Bert, who agrees to finance the film. However, Peebles withdraws from the offer after Bert exposes himself near his house pool.
At a nightclub, Peebles and Harris finds financing from Donovan, a hippie. On the studio lot, Peebles auditions several actors for the lead character. Despite not being hired, Peebles hires them for supporting acting roles. He later hires "Big T", a crew member who works as the sound assistant and head of security. Peebles' secretary Priscilla, who has turned every situation into an audition, is given a role in the film. When Peebles has assembled his crew, he learns Donovan has been arrested, which threatens the production that has only raised over $72,000. Before filming begins, Peebles casts himself in the lead role. Priscilla however decides to back out of production because her boyfriend does not approve. She is recast by Ginnie, whom Peebles had met at Donovan's party.
Deciding to go independent, Peebles tricks the Screen Actors Guild (SAG) into believing the film is a porno. To save on cost, Peebles films on 16 mm and casts his son Mario in the film. This causes an argument with Sandra, Peebles' girlfriend, who finds Mario's participation in the film to be inappropriate. On set, Priscilla's boyfriend Maurice White asks Peebles to compose the score to help promote his then-unknown group Earth, Wind & Fire.
As filming continues, Peebles learns his production crew have been arrested for alleged grand theft. To help finish the picture, Bill Cosby loans $50,000, which Peebles partially uses to help bail out his crew members. With three days left, "Big T" threatens to leave the production, but Peebles convinces him to stay because of the film's potential significance to the community. During post-production, Harris hires an editor, and Earth, Wind & Fire records the soundtrack. While editing, Peebles receives a threatening phone call, demanding their loans be repaid immediately. Under immense pressure, Peebles disregards his eye infection, and finishes the final cut.
Peebles tries to sell the film to distributors, but they decline. Kaufman arranges Peebles to meet with Jerry Gross of Cinemation Industries, who initially cautions about marketing the film. Gross eventually agrees to distribute, and Peebles meets with twin theater owners, Manny and Mort Goldberg. They agree to screen the film but it fails to find an audience. Before they pull the film, participants of the Black Panther Party decide to see the film. Sweet Sweetback's Baadasssss Song becomes the highest-grossing independent film of 1971, and the soundtrack becomes a success.
The film received mostly positive reviews. On the review aggregator website Rotten Tomatoes , 91% of 109 critics' reviews are positive, with an average rating of 7.4/10.The website's consensus reads: "An entertaining and intriguing tribute to a father from his son." [2] Metacritic , which uses a weighted average , assigned the film a score of 75 out of 100, based on 33 critics, indicating "generally favorable" reviews. [3] Roger Ebert of the Chicago Sun-Times named it one of the best films of the year. [4] Baadasssss! was nominated for several "best of" Independent Spirit and NAACP Image awards for 2005, including best feature, director, actor and screenplay. [5] [6] It was listed in the African-American Film Critics Association's top-ten films of 2004 [7] and won best feature film at the 2004 Philadelphia Film Festival. [8] However, the film ended up being a commercial failure, making less than $400,000 at the box office during its limited theatrical release. [1] Leonard Maltin lists the movie in his book 151 Best Movies You've Never Seen and he writes "Mario Van Peebles has written, directed, and starred in a number of films over the years but this is his most personal piece of work-and I think his best." [9]
A soundtrack album was released by the label Barely Breaking Even. [11]
BAADASSSSS! Soundtrack | |
---|---|
Soundtrack album by Various Artists | |
Released | June 1, 2004 |
Genre | Film soundtrack |
Length | 71:23 |
Label | Barely Breaking Even |
No. | Title | Performer(s) | Length |
---|---|---|---|
1. | "No Crew Has Ever Looked Like This (Dialogue)" | 0:17 | |
2. | "Main Title Score" | Baadasssss! Band | 4:23 |
3. | "Breaking The Rules (Dialogue)" | 0:09 | |
4. | "Groove Me" | King Floyd | 2:57 |
5. | "Get Down" | War | 4:25 |
6. | "It's About A Brotha' (Dialogue)" | 0:18 | |
7. | "Lumumba" | Miriam Makeba | 2:43 |
8. | "Just Do It" (featuring Pharoahe Monch) | Pete Rock | 4:26 |
9. | "Gettin' the Man's Foot Outta' Your Ass" | Black Panther Fugitives | 6:18 |
10. | "Back Up (Dialogue)" | 0:27 | |
11. | "Cou Cou" | Zap Mama | 4:10 |
12. | "Che Che Cole Makossa" (featuring Myra Vega) | Antibalas Afrobeat Orchestra | 4:03 |
13. | "Jeanie, It's Mel (Dialogue)" | 0:50 | |
14. | "I Came But..." | Zuco 103 | 3:46 |
15. | "Love" | Donn | 2:48 |
16. | "How Much? (Dialogue)" | 0:41 | |
17. | "Sweetback's Theme" | Melvin Van Peebles | 2:49 |
18. | "Lil' Money" | Eric Roberson | 4:22 |
19. | "Green and Gold" | Rob Ayers | 4:49 |
20. | "I'll Make You A Bet (Dialogue)" | 0:30 | |
21. | "Father and Son" | Baadasssss! Band | 0:58 |
22. | "Caught in the Hustle" | Immortal Technique | 3:42 |
23. | "Soul Brothers" | Baadasssss! Band | 2:37 |
24. | "Look Around" | Jean Grae | 4:49 |
25. | "Inspiration Walk" | Baadasssss! Band | 4:06 |
Melvin Van Peebles was an American actor, filmmaker, writer, and composer. He worked as an active filmmaker into the early 2020s. His feature film debut, The Story of a Three-Day Pass (1967), was based on his own French-language novel La Permission and was shot in France, as it was difficult for a black American director to get work at the time. The film won an award at the San Francisco International Film Festival which gained him the interest of Hollywood studios, leading to his American feature debut Watermelon Man, in 1970. Eschewing further overtures from Hollywood, he used the successes he had so far to bankroll his work as an independent filmmaker.
Phylicia Rashad is an American actress. She was most recently dean of the College of Fine Arts at Howard University before her three year contract ended in May 2024. She is best known for her role as Clair Huxtable on the sitcom The Cosby Show (1984–1992) which earned her two Primetime Emmy Award nominations in 1985 and 1986. She also played Ruth Lucas on Cosby (1996–2000).
Mario Van Peebles is an American film director and actor best known for appearing in Heartbreak Ridge in 1986 and known for directing and starring in New Jack City in 1991 and USS Indianapolis: Men of Courage in 2016. He is the son of actor and filmmaker Melvin Van Peebles, whom he portrayed in the 2003 biopic Baadasssss!, which he also co-wrote and directed.
Sweet Sweetback's Baadasssss Song is a 1971 American independent blaxploitation action thriller film written, co-produced, scored, edited, directed by, and starring Melvin Van Peebles. His son Mario Van Peebles also appears in a small role, playing the title character as a young boy. The film tells the picaresque story of a poor black man fleeing from the white police authorities.
Herman Raucher was an American author and screenwriter who penned the autobiographical screenplay and novel Summer of '42, which became one of the highest-grossing films and one of the best selling novels of the 1970s. Raucher began his writing career during the Golden Age of Television, when he moonlighted as a scriptwriter while working for a Madison Avenue advertising agency. He effectively retired from writing in the 1980s after a number of projects failed to come to fruition, though his books remain in print and a remake of one of his films, Sweet November, was produced in 2001.
Watermelon Man is a 1970 American comedy film directed by Melvin Van Peebles and starring Godfrey Cambridge, Estelle Parsons, Howard Caine, D'Urville Martin, Kay Kimberley, Mantan Moreland, and Erin Moran. Written by Herman Raucher, it tells the story of an extremely bigoted 1960s-era white insurance salesman named Jeff Gerber, who wakes up one morning to find that he has become black. The premise for the film was inspired by Franz Kafka's Metamorphosis, and by John Howard Griffin's autobiographical Black Like Me.
Don't Play Us Cheap is a 1973 American musical comedy film based on the 1970 musical of the same name. The musical was written, produced, scored, edited and directed by Melvin Van Peebles. Both the original stage musical and the film adaptation are based on Van Peebles' 1967 French-language novel La fête à Harlem (1967).
BaadAsssss Cinema is a 2002 TV documentary film directed by Isaac Julien. Julien looks at the Blaxploitation era of the 1970s in this hour-long documentary.
Cinemation Industries was a New York City-based film studio and distributor owned, Run and founded by exploitation film producer Jerry Gross.
Guerrilla filmmaking refers to a form of independent filmmaking characterized by ultra-low micro budgets, skeleton crews, and limited props using whatever resources, locations and equipment is available. The genre is named in reference to guerrilla warfare due to these techniques typically being used to shoot quickly in real locations without obtaining filming permits or providing any other sort of warning.
What the...You Mean I Can't Sing?! is the fourth studio album by Melvin Van Peebles. Released in 1974, this album marks the first traditional music effort by Van Peebles. Previously, Van Peebles released the experimental spoken word albums Brer Soul, Ain't Supposed to Die a Natural Death and As Serious as a Heart-Attack.
Ghetto Gothic is the fifth studio album by Melvin Van Peebles. Released in 1995, this album marks the second traditional music effort by Van Peebles, after What the....You Mean I Can't Sing?! Previously, Van Peebles released the experimental spoken word albums Brer Soul, Ain't Supposed To Die a Natural Death and As Serious as a Heart-Attack.
Sweet Sweetback's Baadasssss Song is the soundtrack to Melvin Van Peebles' 1971 feature film of the same name. The soundtrack was performed by then-unknown Earth, Wind & Fire and released in 1971 on Stax Records. To attract publicity for the film without spending significant money, the soundtrack was released before the movie; it performed well, reaching No. 13 on the Billboard Top R&B Albums chart.
ConfessionsOfa Ex-Doofus-ItchyFooted Mutha is a 2008 film by Melvin Van Peebles. It is based on Van Peebles' 1982 Broadway musical Waltz of the Stork and his graphic novel of the same name. The film was screened at the Tribeca Film Festival in April 2008 and was the Closing Night feature in the Maryland Film Festival in May 2008. Van Peebles plays the film's main character from boyhood to age 47.
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the black power movement, and the Black Panthers spurred African-American artists to reclaim the power of depiction of their ethnicity, and institutions like UCLA to provide financial assistance for African-American students to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Classified X is a 1998 French-US documentary movie written by Melvin Van Peebles, directed by Mark Daniels and narrated by Van Peebles, that details the history of black people in American cinema throughout the 20th century. According to the review in Variety:
"... Van Peebles' distinctive analyses and his ever-growing importance to new black helmers via 1971's breakthrough Sweet Sweetback's Baadasssss Song make this a package with shelf life for cinematheques, schools and select broadcaster webs.... Scaredy-cat comedy-relief types, jungle "savages," mammies and minstrels gave way after World War II to "The New Negro" -- a put-upon "keeper of conscience" for the white protagonists. Pic briefly exits Hollywood to consider the independent black cinema that flourished -- with strict low-budget bounds -- from silent days till the late '40s, supported by a network of blacks-only theaters."
Xenon Pictures is an American film production and distribution company which releases titles produced by African-American filmmakers for African-American audiences. The label has distribution deals with numerous prominent filmmakers, such as Melvin Van Peebles, Rudy Ray Moore, Jamaa Fanaka, Ralph Bakshi and Perry Henzell.
How to Eat Your Watermelon in White Company (and Enjoy It), is a 2005 documentary film directed and written by Joe Angio, and produced by Michael Solomon. The film follows Melvin Van Peebles through his illustrious musical, acting, and directing career. The name comes from a controversial article that Van Peebles wrote, but never got published. Joe Angio, the director received four nominations for his film. Three of these nominations were for best documentary at the Chicago International film festival, and one nomination was at the Los Angeles Film Festival for best documentary feature.
Robert Maxwell was an American cinematographer known for his work on B movies, pornography, and exploitation films of the 1960s and 1970s. His best-known credits include Melvin Van Peebles' Sweet Sweetback's Badasssss Song and Don't Play Us Cheap.
Melvin Van Peebles was an American actor, filmmaker, writer, and composer. Over his career he recorded several albums with various musicians, and also recorded soundtracks.