Cornelia H. Butler | |
---|---|
Born | February 1, 1963 |
Other names | Connie Butler |
Alma mater | Scripps College |
Occupation(s) | museum curator, author, art historian |
Awards | Women's Caucus for Art Lifetime Achievement Award (2007) |
Cornelia H. Butler (born 1 February 1963) [1] is an American museum curator, author, and art historian. Since 2023, Butler is the Director of MoMA PS1. [2] From 2013 to 2023, she was the Chief Curator at the Hammer Museum in Los Angeles. [3] [4] [5]
A California native, [6] Butler is a 1980 graduate of Marlborough School, [7] [8] and a 1984 graduate of Scripps College. [9]
From 2006 to 2013, Butler served as the Robert Lehman Foundation Chief Curator of Drawings at the Museum of Modern Art in New York City. Prior to that, she was a curator at the Museum of Contemporary Art, Los Angeles (MOCA), from 1996 to 2006. [10] Butler also held curatorial positions at the Neuberger Museum of Art in Purchase, New York; Artists Space in New York City; and the Des Moines Arts Center. [11] She was hired as curator of drawings for MoMA in October 2005, when she was still working on developing her WACK! project for MOCA. [12]
Her multimedia exhibition WACK! Art and the Feminist Revolution dealt with international feminist art of the 1970s. [13] [4] The exhibit was shown at The Geffen Contemporary at the Museum of Contemporary Art in Los Angeles in the summer of 2007. When curating WACK!, reviewer Carolyn Stuart noted that Butler included works by 124 women artists, and several male collaborators, and also included several works of art "with little or no obvious feminist content", or works not described as feminist by their creators. [14] She co-published a book about the exhibition in 2007. [15] She was interviewed for the film !Women Art Revolution . [16]
She co-authored the book From Conceptualism to Feminism: Lucy Lippard's Numbers Shows 1969–74, which was published in 2013. [17] In July 2013, she began overseeing the entirety of Hammer Museum's curatorial department, including "developing and organizing exhibitions, building the Hammer Contemporary Collection, and overseeing the Hammer's artist residency program and artist council." [10] In May 2014 at MoMA, she co-curated the first major Lygia Clark retrospective to be held in the US. [10] Working for the Hammer Museum in Los Angeles as chief curator, in April 2016 she secured a donation of street photography by Daido Moriyama, the world's largest collection. [18] In 2019, she curated an exhibit on Lari Pittman. In 2020, she was developing an exhibition on feminism called Witch Hunt. [19] The release was pushed back to February 2021. [20]
Lygia Pimentel Lins, better known as Lygia Clark, was a Brazilian artist best known for her painting and installation work. She was often associated with the Brazilian Constructivist movements of the mid-20th century and the Tropicalia movement. Along with Brazilian artists Amilcar de Castro, Franz Weissmann, Lygia Pape and poet Ferreira Gullar, Clark co-founded the Neo-Concrete movement. From 1960 on, Clark discovered ways for viewers to interact with her art works. Clark's work dealt with the relationship between inside and outside, and, ultimately, between self and world.
Amy Sillman is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."
Hannah Wilke (born Arlene Hannah Butter; was an American painter, sculptor, photographer, video artist and performance artist. Her work is known for exploring issues of feminism, sexuality and femininity.
Lucy Rowland Lippard is an American writer, art critic, activist, and curator. Lippard was among the first writers to argue for the "dematerialization" at work in conceptual art and was an early champion of feminist art. She is the author of 26 books on contemporary art and has received numerous awards and accolades from literary critics and art associations. She lives in Galisteo, New Mexico.
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Disband was an all-female No Wave performance group in New York City from 1978–1982. Modeled after a rock band, the members were artists rather than musicians. The band's sound was a type of a cappella No Wave. Disband performed mostly at art venues like Public Arts International/Free Speech, Franklin Furnace, P.S.1 Contemporary Art Center and Hallwalls. Disband was popular with the Feminist art audience due to songs like "Every Girl", "Hey Baby", and "Fashions".
Paul Sietsema is a Los Angeles–based American artist who works primarily in film, painting and drawing. His work addresses the production, consumption, and proliferation of cultural objects, reflecting his interest in the possibility of an artwork to mediate information or meaning in a way that engages with the aesthetics of a specific time period. In the words of Sarah Robayo Sheridan, “Paul Sietsema compounds organic and artificial detritus in all his artwork, scavenging in history’s wake to identify specific tools of cultural production and foraging for concepts of art promulgated in the words of artists and attitudes of critics. He mines film as a vestige, the medium of the mechanical age, pressing and squeezing its very obsolescence through a contemporary sieve. In so doing, the artist hovers in the switchover between a bodily inscription in the image and a fundamental reconstitution of sight and representation in the matrix of the virtual. Where body stops and image starts is a divide collapsing through a series of innovations and accidents that go back as far as the people of Pompeii trapped in an emulsion that marked their death, but which paradoxically carried forward their image into eternity.”
Mimi Smith is an American visual artist. She is a pioneer in early feminist and conceptual art focusing on clothing sculpture and drawing installation. She lives and works in New York City.
Mary Beth Edelson was an American artist and pioneer of the feminist art movement, deemed one of the notable "first-generation feminist artists". Edelson was a printmaker, book artist, collage artist, painter, photographer, performance artist, and author. Her works have been shown at the Museum of Modern Art, the Smithsonian American Art Museum, and the Museum of Contemporary Art in Chicago.
Zarina Hashmi, known professionally as Zarina, was an Indian American artist and printmaker based in New York City. Her work spans drawing, printmaking, and sculpture. Associated with the minimalist movement, her work utilized abstract and geometric forms in order to evoke a spiritual reaction from the viewer.
Feminist art criticism emerged in the 1970s from the wider feminist movement as the critical examination of both visual representations of women in art and art produced by women. It continues to be a major field of art criticism.
Ree Morton was an American visual artist who was closely associated with the postminimalist and feminist art movements of the 1970s.
WACK!: Art and the Feminist Revolution was an exhibition of international women's art presented at the Museum of Contemporary Art, Los Angeles from March 4–July 16, 2007. It later traveled to the National Museum of Women in the Arts and the PS1 Contemporary Art Center, where it was on view February 17–May 12, 2008. The exhibition featured works from 120 artists and artists' groups from around the world.
Helen Anne Molesworth is an American curator of contemporary art based in Los Angeles. From 2014 to 2018, she was the Chief Curator at The Museum of Contemporary Art (MOCA) in Los Angeles.
Luis Pérez-Oramas is a Venezuelan/American poet, art historian and curator. He is the author of eleven poetry books, seven recollections of essays, and numerous art exhibition catalogs. He has contributed as Op-Ed author to national newspapers in Venezuela as well as to various literary and art magazines in the U.S, Latin America and Europe.
Sonia Andrade is a Brazilian feminist and visual artist. She was born in 1935 in Rio de Janeiro in Brazil She was one of the pioneers in video art in Brazil. Her video works use appropriation, humor, and political commentary to break down accepted visual codes.
Anna Maria Maiolino is a Brazilian contemporary artist.
Nil Yalter is a Turkish contemporary feminist artist. She attended Robert College in Istanbul, Turkey and currently lives and works in Paris. Her work, which is included in many collections and museums, includes not only drawings and photographs, but also videos and performance art. In fact she is the first Turkish female video artist.
Kirsten Dufour is a Danish visual artist. She works with performance as well as other mediums to bring attention to social injustices. Dufour was co-curator of the 2004 interdisciplinary exhibition Minority Report: Challenging Intolerance in Contemporary Denmark. She currently lives and works in Copenhagen, Denmark.
The Feminist Art Coalition (FAC) is a collaboration of over 100 art museums and nonprofit institutions from across the United States. The organizations are collectively creating a series of programming and exhibitions centered around feminist thought to be held beginning in the fall of 2020, during the run-up of the presidential election. The project was initially planned to occur from September through November 2020, but has been extended through the end of 2021 due to changes in exhibition schedules resulting from the COVID-19 pandemic.