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The console steel guitar is any type of electric steel guitar that is built in a frame supported by legs. It may be a lap steel or a pedal steel. Console steel guitars are typically heavier instruments that have multiple necks and/or more than six strings per neck and are therefore not manageable on the player's lap. This type of instrument was created when players in the late 1940s needed to play in different keys and with different chords than the lap steel afforded. [1] To do this, they added additional necks (each tuned differently with additional strings) to a lap steel. The player could then easily switch to a different neck on the same instrument, but this made the instrument so heavy and cumbersome that it could not be easily held on the lap. [2] Trying to solve the problem with multiple necks led to the invention of the pedal steel guitar in the 1950s. [3]
Console steels are particularly favored in Hawaiian music, especially the twin neck eight string per neck configuration.
Console steel guitars most commonly have eight strings per neck, with six or seven strings less common and mainly on older instruments. Up to four necks is not unusual, as without the benefit of pedals, the player has only as many tunings available as there are necks, but two necks are most common. As with the pedal steel guitar, the neck closest to the player is most commonly C6 tuning, and the next closest E9 tuning.
Music Historian Andy Volk defines a lap steel as any non-pedal steel guitar that is played in a horizontal position (parallel to the floor) and this includes Hawaiian steel guitars, lap steels and table steels. [4] There is a certain amount of disagreement about the preferred terms for non-pedal instruments. [4]
Some makers and authorities do not use the term "console steel guitar" at all, but refer to any steel guitar without pedals as a "lap steel guitar". In 1956, Gibson was selling an 8+8 string with folding legs as a lap steel guitar, but this particular instrument is unplayable in lap steel fashion; The Fender Stringmaster with up to four necks was also described as a lap steel guitar in some Fender catalogs, while in others it was simply described as a steel guitar.
The bass guitar, electric bass or simply bass, is the lowest-pitched member of the guitar family. It is a plucked string instrument similar in appearance and construction to an electric or acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music.
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier.
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar.
A steel guitar is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger. Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand.
The pedal steel guitar is a console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than other steel guitar designs. Like all steel guitars, it can play unlimited glissandi and deep vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with American country music and Hawaiian music.
The lap steel guitar, also known as a Hawaiian guitar, is a type of steel guitar without pedals that is typically played with the instrument in a horizontal position across the performer's lap. Unlike the usual manner of playing a traditional acoustic guitar, in which the performer's fingertips press the strings against frets, the pitch of a steel guitar is changed by pressing a polished steel bar against plucked strings. Though the instrument does not have frets, it displays markers that resemble them. Lap steels may differ markedly from one another in external appearance, depending on whether they are acoustic or electric, but in either case, do not have pedals, distinguishing them from pedal steel guitar.
A single coil pickup is a type of magnetic transducer, or pickup, for the electric guitar and the electric bass. It electromagnetically converts the vibration of the strings to an electric signal. Single coil pickups are one of the two most popular designs, along with dual-coil or "humbucking" pickups.
A vibrato system on a guitar is a mechanical device used to temporarily change the pitch of the strings. Instruments without a vibrato have other bridge and tailpiece systems. They add vibrato to the sound by changing the tension of the strings, typically at the bridge or tailpiece of an electric guitar using a controlling lever, which is alternately referred to as a whammy bar, vibrato bar, or incorrectly as a tremolo arm. The lever enables the player to quickly and temporarily vary the tension and sometimes length of the strings, changing the pitch to create a vibrato, portamento, or pitch bend effect.
The following outline is provided as an overview of and topical guide to guitars:
A B-Bender is a guitar accessory that enables a player to fluidly alter the pitch of a guitar's B-string. This works by mechanically bending the B-string through the use of a series of levers and/or pulleys attached to an external lever that is controlled by the player.
The truss rod is a component of a guitar or other stringed instrument that stabilizes the lengthwise forward curvature of the neck. Usually, it is a steel bar or rod that runs through the inside of the neck, beneath the fingerboard. Some are non-adjustable, but most modern truss rods have a nut at one or both ends that adjusts its tension. The first truss rod patent was applied for by Thaddeus McHugh, an employee of the Gibson company in 1921, though the idea of a "truss rod" appears in patents as early as 1908.
A solid-body musical instrument is a string instrument such as a guitar, bass or violin built without its normal sound box and relying on an electromagnetic pickup system to directly detect the vibrations of the strings; these instruments are usually plugged into an instrument amplifier and loudspeaker to be heard. Solid-body instruments are preferred in situations where acoustic feedback may otherwise be a problem and are inherently both less expensive to build and more rugged than acoustic electric instruments.
A resonator guitar or resophonic guitar is an acoustic guitar that produces sound by conducting string vibrations through the bridge to one or more spun metal cones (resonators), instead of to the guitar's sounding board (top). Resonator guitars were originally designed to be louder than regular acoustic guitars, which were overwhelmed by horns and percussion instruments in dance orchestras. They became prized for their distinctive tone, however, and found life with bluegrass music and the blues well after electric amplification solved the problem of inadequate volume.
C6 tuning is one of the most common tunings for steel guitar, both on single and multiple neck instruments. On a twin-neck, the most common set-up is C6 tuning on the near neck and E9 tuning on the far neck.
E9 tuning is a common tuning for steel guitar necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 neck is the one closer to the player. The E9 is a popular tuning for single neck instruments of eight or more strings. This tuning has evolved in the last half of the twentieth century with input from prominent performers including Jimmy Day, Ralph Mooney and Buddy Emmons to support optimal chord and scale patterns across a single fret on the 10-string pedal steel guitar.
The neck is the part of certain string instruments that projects from the main body and is the base of the fingerboard, where the fingers are placed to stop the strings at different pitches. Guitars, banjos, ukuleles, lutes, the violin family, and the mandolin family are examples of instruments which have necks. Necks are also an integral part of certain woodwind instruments, like for instance the saxophone.
The Fender Telecaster, colloquially known as the Tele, is an electric guitar produced by Fender. Together with its sister model the Esquire, it is the world's first mass-produced, commercially successful solid-body electric guitar. Its simple yet effective design and revolutionary sound broke ground and set trends in electric guitar manufacturing and popular music.
The Fender 1000 is a model of pedal steel guitar manufactured by Fender in the 1950s and 1960s.
Noel Edwin Boggs (1917–1974) was an American musician who was a virtuoso on the lap steel guitar and a member of the Steel Guitar Hall of Fame. He was one of the pioneers in electric steel guitar who helped popularize the instrument beyond its native Hawaiian music into other genres of American popular music, specifically Western Swing. Boggs played and recorded with almost every major artist in the genre including Bob Wills and His Texas Playboys (1944-1945) and Spade Cooley's Dance Band. Bob Wills' band helped define the guitar's role in western swing; Wills discovered and coached innovative guitarists who deeply influenced country, rock and jazz music. Boggs appeared on some 2000 recordings as a soloist and his playing was prominent on several of Wills’ hits that became Western swing standards, including "Roly Poly" and "Stay a Little Longer".