E9 tuning

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Nashville tuning: E7, seventh chord subset of ninth chord. Nashville tuning.png
Nashville tuning: E7, seventh chord subset of ninth chord.

E9 tuning is a common tuning for steel guitar necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 neck is the one closer to the player. The E9 is a popular tuning for single neck instruments of eight or more strings. This tuning has evolved in the last half of the twentieth century with input from prominent performers including Jimmy Day, Ralph Mooney and Buddy Emmons to support optimal chord and scale patterns across a single fret on the 10-string pedal steel guitar.

Contents

Corresponding tunings for a six string lap steel guitar are the E6 tuning E–G–B–C–E–G, or E7 tuning B–D–E–G–B–E.

A popular E9 tuning for eight string console steel guitar is the Western swing tuning E–G–B–D–F–G–B–E, low to high and near to far.

The standard Nashville E9 tuning also called the E9 chromatic tuning [1] :7 for ten string pedal steel guitar is B–D–E–F–G–B–E–G–D–F. [2]

History and evolution

The Nashville standard E9 tuning was developed primarily from 1950 to 1970 during experimentation by elite steel guitarists. Educator Mark Van Allen called the modern E9 tuning "logical" and the "perfect vehicle for most modern music". [3] In 1958, Jimmy Day added an E string (duplicate of the root note) to the middle of the 1940s-style eight-string E9 tuning (E-G-B-D-F-G-B-E) to make nine strings. [4] The change was adopted by other players to become a permanent fixture in the E9 tuning. In 1959, Ralph Mooney added a G (a third interval) at the top end, making ten strings, also an enduring advancement. [4] Buddy Emmons, in 1962 created a reentrant tuning by adding a D (a major seventh) and F (a ninth) at the top. [4] He also eliminated the lowest two strings, still making ten. [4]

E9 tuning-Nashville standard ten string pedal steel

Emmons said, "The thought behind the F and D notes was to fill the gap between the G and C pedal note of the E9 tuning" [5] The Nashville standard E9 for decades has remained B–D–E–F–G–B–E–G–D–F. It allows the performer to play a major scale without moving the bar. [2]

See also

Related Research Articles

<span class="mw-page-title-main">Steel guitar</span> Type of guitar or the method of playing the instrument

A steel guitar is any guitar played while moving a steel bar or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it is played without using frets; conceptually, it is somewhat akin to playing a guitar with one finger. Known for its portamento capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep vibrato emulating the human singing voice. Typically, the strings are plucked by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand.

<span class="mw-page-title-main">Scordatura</span> Nonstandard tuning of a string instrument

Scordatura is a tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual chords or timbre, or to make certain passages easier to play. It is common to notate the finger position as if played in regular tuning, while the actual pitch resulting is altered. When all the strings are tuned by the same interval up or down, as in the case of the viola in Mozart's Sinfonia Concertante for Violin, Viola and Orchestra, the part is transposed as a whole.

<span class="mw-page-title-main">Pedal steel guitar</span> Console-type of steel guitar with foot pedals to raise and lower the pitch of the strings

The pedal steel guitar is a console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than other steel guitar designs. Like all steel guitars, it can play unlimited glissandi and deep vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with Country music and Hawaiian music.

<span class="mw-page-title-main">Lap steel guitar</span> Type of steel guitar

The lap steel guitar, also known as a Hawaiian guitar or Lap Slide Guitar, is a type of steel guitar without pedals that is typically played with the instrument in a horizontal position across the performer's lap. Unlike the usual manner of playing a traditional acoustic guitar, in which the performer's fingertips press the strings against frets, the pitch of a steel guitar is changed by pressing a polished steel bar against plucked strings. Though the instrument does not have frets, it displays markers that resemble them. Lap steels may differ markedly from one another in external appearance, depending on whether they are acoustic or electric, but in either case, do not have pedals, distinguishing them from pedal steel guitars.

<span class="mw-page-title-main">Sympathetic string</span>

Sympathetic strings or resonance strings are auxiliary strings found on many Indian musical instruments, as well as some Western Baroque instruments and a variety of folk instruments. They are typically not played directly by the performer, only indirectly through the tones that are played on the main strings, based on the principle of sympathetic resonance. The resonance is most often heard when the fundamental frequency of the string is in unison or an octave lower or higher than the catalyst note, although it can occur for other intervals, such as a fifth, with less effect.

<span class="mw-page-title-main">Eight-string guitar</span> Type of guitar with 8 strings

An eight-string guitar is a guitar with eight strings, or one more than the Russian guitar's seven. Eight-string guitars are less common than six- and seven-string guitars, but they are used by a few classical, jazz, and metal guitarists. The eight-string guitar allows a wider tonal range, or non-standard tunings, or both.

Copedent is a term used to describe the tuning and pedal arrangement on a pedal steel guitar and is unique to that instrument. Typically expressed in the form of a table or chart, the word is a portmanteau of "chord–pedal–arrangement and is pronounced "co-PEE-dent". It was coined in 1969 by Steel Guitar Hall of Fame member Tom Bradshaw and first reached a wide audience in a 1972 article in Guitar Player magazine. A complete copedent includes the order of strings, their tuning, string gauges, and whether a string is plain or wound; it also indicates how any string's pitch is changed by applying a foot pedal or a knee lever. It has become an international standard used by steel guitar players and manufacturers to describe the specifications of these instruments.

<span class="mw-page-title-main">Open D tuning</span> Method of tuning a guitar

Open D tuning is an open tuning for the acoustic or electric guitar. The open string notes in this tuning are : D A D F A D. It uses the three notes that form the triad of a D major chord: D, F and A.

An extended-range bass is an electric bass guitar with a wider frequency range than a standard-tuned four-string bass guitar.

<span class="mw-page-title-main">Console steel guitar</span>

The console steel guitar is any type of electric steel guitar that is built in a frame supported by legs. It may be a lap steel or a pedal steel. Console steel guitars are typically heavier instruments that have multiple necks and/or more than six strings per neck and are therefore not manageable on the player's lap. This type of instrument was created when players in the late 1940s needed to play in different keys and with different chords than the lap steel afforded. To do this, they added additional necks to a lap steel. The player could then easily switch to a different neck on the same instrument, but this made the instrument so heavy and cumbersome that it could not be easily held on the lap. Trying to solve the problem with multiple necks led to the invention of the pedal steel guitar in the 1950s.

<span class="mw-page-title-main">C6 tuning</span>

C6 tuning is one of the most common tunings for steel guitar, both on single and multiple neck instruments. On a twin-neck, the most common set-up is C6 tuning on the near neck and E9 tuning on the far neck.

<span class="mw-page-title-main">Doug Jernigan</span> American musician (born 1946)

Doug Jernigan is an American pedal steel guitarist and Dobro player. He is known for his infusion of country music with jazz using fast single-note solos. He was one of the first steel guitarists to play solos at speeds rivaling the banjo and fiddle. Jernigan performed with Faron Young, Johnny Paycheck, Vassar Clements, Little Jimmy Dickens, and Lorrie Morgan and was a Nashville recording session musician and teacher for decades. As of 2020, he has been the featured artist on nine instrumental albums in both jazz and country genres. He was inducted into the Steel Guitar Hall of Fame in 1994.

<span class="mw-page-title-main">Reentrant tuning</span> Break in an otherwise ascending or descending order of string pitches

On a stringed instrument, a break in an otherwise ascending order of string pitches is known as a re-entry. A re-entrant tuning, therefore, is a tuning which does not order all the strings from the lowest pitch to the highest pitch.

<span class="mw-page-title-main">Buddy Emmons</span> American pedal steel guitarist (1937–2015)

Buddy Gene Emmons was an American musician who is widely regarded as the world's foremost pedal steel guitarist of his day. He was inducted into the Steel Guitar Hall of Fame in 1981. Affectionately known by the nickname "Big E", Emmons' primary genre was American country music, but he also performed jazz and Western swing. He recorded with Linda Ronstadt, Gram Parsons, The Everly Brothers, The Carpenters, Jackie DeShannon, Roger Miller, Ernest Tubb, John Hartford, Little Jimmy Dickens, Ray Price, Judy Collins, George Strait, John Sebastian, and Ray Charles and was a widely sought session musician in Nashville and Los Angeles.

In playing pedal steel guitar, a universal tuning is a tuning for twelve or fourteen string instruments that combines features of several other tunings—commonly including one or both of the standard C6 and E9 tunings. Universal tunings are particularly favoured by advanced players of single-neck instruments.

<span class="mw-page-title-main">Ralph Mooney</span> Musical artist

Ralph Eugene Mooney was an American steel guitar player and songwriter, he was inducted into the Steel Guitar Hall of Fame in 1983. He was the original steel guitarist in Merle Haggard's band, The Strangers and Waylon Jennings's band, The Waylors.

<span class="mw-page-title-main">Major thirds tuning</span> Regular tuning among guitars

Among alternative tunings for guitar, a major-thirds tuning is a regular tuning in which each interval between successive open strings is a major third. Other names for major-thirds tuning include major-third tuning, M3 tuning, all-thirds tuning, and augmented tuning. By definition, a major-third interval separates two notes that differ by exactly four semitones.

Zane Beverly Beck (1927–1985) was an American steel guitarist and builder of pedal steel guitars. He is best known for his 1952 innovation of adding knee levers to the pedal steel guitar to alter the pitch of certain strings, a feature which has become a standard on all modern-day instruments. Other inventors had patented crude knee-operated devices as far back as 1933, but none were successful. Beck revolutionized the concept into a durable and reliable mechanism and was the first to put knee levers on production guitars. He became a member of the International Steel Guitar Hall of Fame (1991). As a musician, he performed on the Grand Ole Opry and Shreveport's Louisiana Hayride. Beck formed the ZB Music Company which manufactures steel guitars, later called BMI.

<span class="mw-page-title-main">Jimmy Day</span> American musician; steel guitarist (1934-1999)

Jimmy Day was an American steel guitarist active in the 1950s and 1960s. His career in country music blossomed about the time the pedal steel guitar was invented—after pedals were added to the lap steel guitar. He was a pioneer on pedal steel in the genres of Western swing and Honky tonk and his modifications of the instrument's design have become a standard on the modern pedal steel. Day's first job after high school was performing on the Louisiana Hayride as a sideman accompanying developing country artists including Hank Williams, Webb Pierce, Willie Nelson, Jim Reeves, Ray Price and Elvis Presley. He recorded and toured with all these artists and was featured on hit records by many of them, including Ray Price's, "Crazy Arms" and "Heartaches by the Number". He was a member of Elvis Presley's band for about a year, but, along with fellow bandmate Floyd Cramer, resigned after Presley requested them to re-locate to Hollywood. Day moved to Nashville to work as a session player and a Grand Ole Opry musician. He was a member of the Western Swing Hall of Fame (1994) and the International Steel Guitar Hall of Fame (1999). Day died of cancer in 1999.

References

  1. Scott, Dewitt (2010). Anthology of Pedal Steel Guitar: E9 Chromatic Tuning. MelBay. ISBN   9781609749460 . Retrieved April 11, 2021.
  2. 1 2 Borisoff, Jason (September 27, 2010). "How Pedal Steel Guitar Works". makingmusicmagazine.com. Making Music Magazine. Retrieved September 1, 2017.
  3. Van Allen, Mark (April 4, 2016). "The Logic of E9". bb.steelguitarforum.com. Retrieved April 3, 2021.
  4. 1 2 3 4 Kurck, Charles (January 3, 2014). "E9 Charts". bb.steelguitarforum.com. Retrieved April 3, 2021.
  5. Emmons, Buddy (July 8, 2002). "Who created the E9th tuning, when, and why?". steelguitarforum.com. Retrieved April 3, 2021.