D A D G A D, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning (E2A2D3G3B3E4) the six guitar strings are tuned, from low to high, D2A2D3G3A3D4 .
Tuning to D A D G A D from standard is accomplished by tuning the first, [lower-alpha 1] second, [lower-alpha 1] and sixth [lower-alpha 1] strings down a whole tone (two frets). The result is an open D, suspended fourth chord. Being suspended, the open tuning is neither intrinsically major nor minor.
D A D G A D was popularized by British folk guitarist Davey Graham. [1]
Inspired by hearing an oud player in Morocco, Graham experimented with detuning some of the guitar's strings from standard tuning (E2A2D3G3B3E4), arriving at D2A2D3G3A3D4 or D A D G A D . He employed the tuning to great effect in his treatments of Celtic music, but also the folk music of India and Morocco. [1] The first guitarists in Irish traditional music to use the tuning were Mícheál Ó Domhnaill and Dáithí Sproule; it has become a very common tuning in the genre.[ citation needed ]
Other proponents of the tuning include Roy Harper, John Martyn, Ben Howard, Andy Mckee, Russian Circles, Mike Dawes, Alejandro Aranda, Rory Gallagher, Luka Bloom, Stan Rogers, Jimmy Page (The Yardbirds' "White Summer" and Led Zeppelin's "Black Mountain Side" and "Kashmir" use this tuning), Neil Young, Artie Traum, Pierre Bensusan, [2] [3] Eric Roche, Midnight, Laurence Juber, Tony McManus, Stephen Wake, Bert Jansch, Richard Thompson, Dick Gaughan, Alistair Hulett, Steve von Till (along with its modified form, A A D G A D), Imaad Wasif, Mark Kozelek, Jeff Tweedy, Masaaki Kishibe, Paul McSherry, Acle Kahney (uses a 7 string variation, B♭FB♭E♭FB♭E♭), Sevendust (although downtuned), [4] Kotaro Oshio, Ben Chasny, Al Petteway, Justin Currie, Lankum and Trey Anastasio. English folk musician Martin Carthy now mostly uses a related tuning, C G C D G A, whose evolution from E A D G B E he describes explicitly in his 1987 book. [5]
The suitability of D A D G A D to Celtic music stems from the fact that it facilitates the use of a number of moveable chords, which retain open strings. [6] These act as a drone on either the bass or treble strings, approximating the voicings used in traditional Scottish and Irish pipe music.
A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.
The Appalachian dulcimer is a fretted string instrument of the zither family, typically with three or four strings, originally played in the Appalachian region of the United States. The body extends the length of the fingerboard, and its fretting is generally diatonic.
The seven-string guitar adds one additional string to the more common six-string guitar, commonly used to extend the bass range or also to extend the treble range.
A tiple, is a plucked typically 12-string chordophone of the guitar family. A tiple player is called a tiplista. The first mention of the tiple comes from musicologist Pablo Minguet e Irol in 1752. Although many variations of the instrument exist, the tiple is mostly associated with Colombia, and is considered the national instrument. The Puerto Rican version characteristically has fewer strings, as do variants from Cuba, Mallorca, and elsewhere among countries of Hispanic origin.
Guitar tunings are the assignment of pitches to the open strings of guitars, including classical guitars, acoustic guitars, and electric guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string to the highest-pitched string, or the thickest string to thinnest, or the lowest frequency to the highest. This sometimes confuses beginner guitarists, since the highest-pitched string is referred to as the 1st string, and the lowest-pitched is the 6th string.
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The term violone can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted instrument, and may have six, five, four, or even only three strings. The violone is also not always a contrabass instrument. In modern parlance, one usually tries to clarify the 'type' of violone by adding a qualifier based on the tuning or on geography, or by using other terms that have a more precise connotation. The term violone may be used correctly to describe many different instruments, yet distinguishing among these types can be difficult, especially for those not familiar with the historical instruments of the viol and violin families and their respective variations in tuning.
The Irish bouzouki is an adaptation of the Greek bouzouki. The newer Greek tetrachordo bouzouki was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men. Alec Finn, first in the Cana Band and subsequently in De Dannan, introduced the first Greek trichordo (3 course) bouzouki into Irish music.
In music, standard tuning refers to the typical tuning of a string instrument. This notion is contrary to that of scordatura, i.e. an alternate tuning designated to modify either the timbre or technical capabilities of the desired instrument.
The cuatro is a family of Latin American string instruments played in Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument for secular and religious music, and is played at parties and traditional gatherings.
A classical guitar with additional strings is a nylon-string or gut-string classical guitar with more than six strings, in which the additional strings pass over a fingerboard so that they may be "stopped" or fretted with the fingers. These are also known as extended-range guitars, and should not be confused with harp guitars.
On a stringed instrument, a break in an otherwise ascending order of string pitches is known as a re-entry. A re-entrant tuning, therefore, is a tuning which does not order all the strings from the lowest pitch to the highest pitch.
Laúd is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines.
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The Guitarrón Chileno is a guitar-shaped plucked string instrument from Chile, with 25 or 24 (rarely) strings. Its primary contemporary use is as the instrumental accompaniment for the traditional Chilean genre of singing poetry known as Canto a lo Poeta, though a few virtuosi have also begun to develop the instrument's solo possibilities.
Viola da terra is a stringed musical instrument from the islands of the Azores, closely associated with the saudade genre of Portuguese music. Its 12 or 15 metal strings are arranged in either five or six courses.
The viola da Terceira is a stringed musical instrument of the guitar family, from the Portuguese islands of the archipelago of the Azores, associated with the island of Terceira.
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Among alternative tunings for guitar, a major-thirds tuning is a regular tuning in which each interval between successive open strings is a major third. Other names for major-thirds tuning include major-third tuning, M3 tuning, all-thirds tuning, and augmented tuning. By definition, a major-third interval separates two notes that differ by exactly four semitones.
Among alternative guitar-tunings, regular tunings have equal musical intervals between the paired notes of their successive open strings.