Contextual architecture, also known as Contextualism is a philosophical approach in architectural theory that refers to the designing of a structure in response to the literal and abstract characteristics of the environment in which it is built. [1] [2] Contextual architecture contrasts modernist architecture, which value the imposition of their own characteristics and values upon the built environment. [3]
Contextual architecture is usually divided into three categories: vernacular architecture, regional architecture, and critical regionalism [1] all of which also inform the complementary architecture movement. [4]
The term contextualism is derived from the Latin contexere, meaning to weave together or to join. [5] The term was first applied to the arts and architecture by the aesthetician and philosopher Stephen C. Pepper in the 1960s, who originally coined the word as applied to philosophy. [6]
The essential ideas of Contextualism in architecture long preceded the term's coinage. The Roman notion of genius loci , Renaissance decorum, and Beaux Arts tirer parti mirror modern definitions of contextualism. [7]
The 1920s development of Gestalt psychology, which investigated the ways in which independent parts could be combined to make a cohesive result, provided the intellectual foundation for the philosophy.[ citation needed ] Contextualism as applied to architecture was first championed in the 1960s by architect Colin Rowe as a reaction to modernist architecture, which valued universality and the projection of utopian ideals onto sites. [7] Pushing back against the perceived failure of modernist buildings to adapt cohesively with their environments – in particular with cities' historic buildings, Rowe advocated for architecture that was designed with a focus on existing in continuity with the surrounding features of the built and natural environments. [5] Rowe notably advocated for the use of figure-ground diagrams as a method of understanding the existing features surrounding a site's surrounding environment. [7]
Contextualist philosophy experienced a revival later in the 20th century with the advent of the New Urbanism movement, which stressed "context-appropriate architecture" in urban design, particularly in the context of environmentalism. [8]
Contextualism, particularly in the decades following the 1980s, has faced criticism for its association with postmodernism and perceived conformism. Architectural pragmatist Rem Koolhaas' assertion "fuck context" served as an infamous rallying cry against contextualism. [7]
In 1988, while curating an exhibition on Deconstructivism at MoMA, architects Philip Johnson and Mark Wigley denounced the philosophy, stating "contextualism has been used as an excuse for mediocrity, for a dumb servility to the familiar." [7]
Urban design is an approach to the design of buildings and the spaces between them that focuses on specific design processes and outcomes. In addition to designing and shaping the physical features of towns, cities, and regional spaces, urban design considers 'bigger picture' issues of economic, social and environmental value and social design. The scope of a project can range from a local street or public space to an entire city and surrounding areas. Urban designers connect the fields of architecture, landscape architecture and urban planning to better organize physical space and community environments.
Critical regionalism is an approach to architecture that strives to counter the placelessness and lack of identity of the International Style, but also rejects the whimsical individualism and ornamentation of Postmodern architecture. The stylings of critical regionalism seek to provide an architecture rooted in the modern tradition, but tied to geographical and cultural context. Critical regionalism is not simply regionalism in the sense of vernacular architecture. It is a progressive approach to design that seeks to mediate between the global and the local languages of architecture.
Environmental design is the process of addressing surrounding environmental parameters when devising plans, programs, policies, buildings, or products. It seeks to create spaces that will enhance the natural, social, cultural and physical environment of particular areas. Classical prudent design may have always considered environmental factors; however, the environmental movement beginning in the 1940s has made the concept more explicit.
Vernacular architecture is building done outside any academic tradition, and without professional guidance. It is not a particular architectural movement or style, but rather a broad category, encompassing a wide range and variety of building types, with differing methods of construction, from around the world, both historical and extant and classical and modern. Vernacular architecture constitutes 95% of the world's built environment, as estimated in 1995 by Amos Rapoport, as measured against the small percentage of new buildings every year designed by architects and built by engineers.
Organic architecture is a philosophy of architecture which promotes harmony between human habitation and the natural world. This is achieved through design approaches that aim to be sympathetic and well-integrated with a site, so buildings, furnishings, and surroundings become part of a unified, interrelated composition.
The Harvard Graduate School of Design (GSD) is the graduate school of design at Harvard University, a private research university in Cambridge, Massachusetts. It offers master's and doctoral programs in architecture, landscape architecture, urban planning, urban design, real estate, design engineering, and design studies.
The architecture of Singapore displays a range of influences and styles from different places and periods. These range from the eclectic styles and hybrid forms of the colonial period to the tendency of more contemporary architecture to incorporate trends from around the world. In both aesthetic and technological terms, Singapore architecture may be divided into the more traditional pre-World War II colonial period, and the largely modern post-war and post-colonial period.
High modernism is a form of modernity, characterized by an unfaltering confidence in science and technology as means to reorder the social and natural world. The high modernist movement was particularly prevalent during the Cold War, especially in the late 1950s and 1960s.
Sustainable architecture is architecture that seeks to minimize the negative environmental impact of buildings through improved efficiency and moderation in the use of materials, energy, development space and the ecosystem at large. Sustainable architecture uses a conscious approach to energy and ecological conservation in the design of the built environment.
Warwick Fox is an Australian-UK philosopher. He is Emeritus Professor of Philosophy, University of Central Lancashire, and his books include Toward a Transpersonal Ecology: Developing New Foundations for Environmentalism;Ethics and the Built Environment (ed.); A Theory of General Ethics: Human Relationships, Nature, and the Built Environment; and On Beautiful Days Such as This: A Philosopher's Search for Love, Work, Place, Meaning, and Suchlike. His main areas of philosophical interest are environmental philosophy, General Ethics, and the nature of the interior lives of humans and other animals.
Regenerative design is about designing systems and solutions that work with or mimic the ways that natural ecosystems return energy from less usable forms to more usable forms. Regenerative design uses systems thinking and other approaches to create resilient and equitable systems that integrate the needs of society and the well-being of nature. Regenerative design is an active topic of discussion in engineering, economics, medicine, landscape design, food systems, and urban design & community development generally.
Architectural design values make up an important part of what influences architects and designers when they make their design decisions. However, architects and designers are not always influenced by the same values and intentions. Value and intentions differ between different architectural movements. It also differs between different schools of architecture and schools of design as well as among individual architects and designers.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.
Site-specific architecture (SSA) is architecture which is of its time and of its place. It is designed to respond to both its physical context, and the metaphysical context within which it has been conceived and executed. The physical context will include its location, local materials, planning framework, building codes, whilst the metaphysical context will include the client's aspirations, community values, and architects ideas about the building type, client, location, building use, etc.
Environmentally sustainable design is the philosophy of designing physical objects, the built environment, and services to comply with the principles of ecological sustainability and also aimed at improving the health and comfort of occupants in a building. Sustainable design seeks to reduce negative impacts on the environment, the health and well-being of building occupants, thereby improving building performance. The basic objectives of sustainability are to reduce the consumption of non-renewable resources, minimize waste, and create healthy, productive environments.
Post-contemporary (PoCo) is a forward-looking aesthetic philosophy distinguished by a re-constructive, global, human ethos which posits that the aesthetic experience is universal to humanity, and that this experience can inspire understanding and transformation. It has developed in tandem with new theories of emergence in complexity science, as well as advances in biosemiotics. In art historical terms, "modern" and "contemporary" arts are limited to their era and are defined by stylistic and philosophical parameters - chief among them, a critique of the classical European tradition and constructive philosophy, and secondly, the contemporary ethos is characterized by an emphasis on transient or exclusively contemporary issues which reflect the zeitgeist.
Parametric design is a design method in which features, such as building elements and engineering components, are shaped based on algorithmic processes rather than direct manipulation. In this approach, parameters and rules establish the relationship between design intent and design response. The term parametric refers to the input parameters that are fed into the algorithms.
Sustainable construction aims to reduce the negative health and environmental impacts caused by the construction process and by the operation and use of buildings and the built environment. It can be seen as the construction industry's contribution to more sustainable development. Precise definitions vary from place to place, and are constantly evolving to encompass varying approaches and priorities. More comprehensively, sustainability can be considered from three dimension of planet, people and profit across the entire construction supply chain. Key concepts include the protection of the natural environment, choice of non-toxic materials, reduction and reuse of resources, waste minimization, and the use of life-cycle cost analysis.
Complementary architecture is a movement in contemporary architecture promoting architectural practice rooted in comprehensive understanding of context, aiming to contribute to the environment in such a way as to continue and improve or emphasise its preexisting qualities. Indispensable features of complementary architecture include sustainability, altruism, contextualism, endemism and continuity of specific regional design language.
Tropical Modernism, or Tropical Modern is a style of architecture that merges modernist architecture principles with tropical vernacular traditions, emerging in the mid-20th century. This movement responded to the unique climatic and cultural conditions of tropical regions, primarily in Asia, Africa, Latin America, and the Pacific Islands. Pioneering architects like Geoffrey Bawa in Sri Lanka, and Charles Correa in India balanced modern architectural techniques with traditional building practices of their respective regions. Tropical Modernism's legacy continues to influence contemporary architectural practices, especially in the quest for sustainable design solutions in tropical climates.