City Gate | |
---|---|
Bieb il-Belt | |
![]() City Gate in 2019 | |
![]() | |
General information | |
Status | Completed |
Type | Gate |
Location | Valletta, Malta |
Coordinates | 35°53′46″N14°30′33″E / 35.89611°N 14.50917°E |
Construction started | 2011 |
Completed | 2014 |
Owner | Government of Malta |
Technical details | |
Material | Limestone and steel |
Design and construction | |
Architect(s) | Renzo Piano |
City Gate (Maltese : Bieb il-Belt, literally "Door of the City") is a gate located at the entrance of Valletta, Malta. The present gate, which is the fifth one to have stood on the site, was built between 2011 and 2014 to designs of the Italian architect Renzo Piano.
The first gate which stood on the site was Porta San Giorgio, which was built in 1569 to designs of either Francesco Laparelli or Girolamo Cassar. The gate was renamed Porta Reale (Maltese : Putirjal) around 1586, before being rebuilt in 1633, probably to designs of Tommaso Dingli. It was briefly renamed Porte Nationale during the French occupation of Malta in 1798, but the name reverted to Porta Reale when Malta fell under British rule in 1800. In 1853, this was once again replaced by a larger gate, which was also known as Kingsgate or Kingsway. These first three gates were all fortified, forming part of Valletta's city walls. The gate was also informally called the Porta di terra (meaning "land gate") since it was the only landward approach to the city.
The last fortified gate was demolished in 1964, being replaced by a Rationalist gate designed by Alziro Bergonzo. This gate was then demolished in 2011, and it was replaced by Piano's gate which was completed in 2014.
City Gate is located within the Porta Reale Curtain, a curtain wall at the centre of the Valletta Land Front, located between St. James' and St. John's Bastions. [1] A bridge spanning across Valletta's deep ditch leads to the gate. The gate was originally protected by a couvre porte, an advanced ditch and a lunette known as St. Madeleine's Lunette. [2] During British rule, the lunette was demolished and part of the advanced ditch filled in. The site was later occupied by the bus terminus, with the Triton Fountain at the centre. The square around the fountain has been converted into a pedestrian area. [3]
The gate marks the beginning of Republic Street (Maltese : Triq ir-Repubblika), Valletta's main street which goes all the way until Fort Saint Elmo at the opposite end of the city. The buildings in the immediate vicinity of the City Gate include the Parliament House, the ruins of the Royal Opera House and the City Gate Shopping Arcade. Saint James Cavalier and Saint John's Cavalier are located on either side of the gate, near the Parliament House and shopping arcade respectively.
City Gate was one of the three gates leading to the city – the others being the Marsamxett Gate and Del Monte Gate, on the western and eastern extremities of the city. [4] Marsamxett Gate was demolished in the early 20th century, while Del Monte Gate was replaced by Victoria Gate in 1885. [5]
The original gate to Valletta was known as Porta San Giorgio, and was built during the reign of Grand Master Jean Parisot de Valette, after whom the city is named. Porta San Giorgio was possibly designed by Francesco Laparelli, the Italian military engineer who designed most of the fortifications of Valletta, or by his Maltese assistant Girolamo Cassar. Construction started in April 1566 and it was complete by 1569. [6] The gate was rather plain in design, and was simply an unadorned small opening in the curtain walls.
A timber bridge originally linked Porta San Giorgio with the countryside across the ditch. Sometime before 1582, a stone bridge replaced the wooden one. The bridge itself was replaced a number of times, but its rock-hewn foundations remain intact and continue to support the present bridge. [7]
In around 1586, during the reign of Grand Master Hugues Loubenx de Verdalle, the gate was renamed Porta Reale. [8] In the late 16th century, a smaller outer gate was built and a triumphal arch was added above the original gate. [9]
The second city gate was built in 1633, during the magistracy of Grand Master Antoine de Paule. This gate was more ornate than its predecessor Porta San Giorgio, and it consisted of a central archway with a smaller arch at each side, and a wooden drawbridge across the deep, dry ditch that lies immediately outside the city walls. [6]
This gate is often attributed to the Maltese architect Tommaso Dingli, although there is no documentary evidence supporting this claim. [10]
During the French occupation of Malta in 1798–1800, the gate was known as Porte Nationale. [11] In accordance with Proclamation No. VI of 1814, which was issued by Governor Sir Thomas Maitland, the British coat of arms was installed at the gate in 1815. This coat of arms might have been the work of the sculptor Vincenzo Dimech. [12]
The gate was modified over time, and by the late 18th and early 19th centuries there were a number of features which had not been part of Dingli's original design. The gate was demolished in 1853 since it was too small and had to be widened. [9]
The remains of a 17th-century drawbridge believed to have been installed at Porta Reale are now exhibited at the Fortifications Interpretation Centre. [13]
The third city gate was built in 1853, during the height of British rule of Malta. The gate was known as Porta Reale, and was also known as Putirjal in Maltese and Kingsgate or Kingsway in English. [6] [14]
The gate was designed by Col. Thompson of the Royal Engineers, and it consisted of two central arches with two smaller ones. There were two statues on either side of the gate: one of Philippe Villiers de L'Isle-Adam, the first Grand Master in Malta, and one of Jean Parisot de Valette, the founder of the city. [15] On 24 July 1892, a bronze bust of Pope Pius V, who had made significant financial contributions to the building of Valletta, was installed above the archway on the rear of the gate. [16]
By the early 20th century, the gate was regarded as too small to cope with the large influx of people entering the city. The first proposals to address this issue were made in the 1920s, and some included replacing the gate with an open carriageway. [17] Kingsgate survived the bombings of World War II, although it was slightly damaged in April 1942, when the bridge leading to the gate was hit by aerial bombardment. The statues of L'Isle-Adam and de Valette were destroyed during this attack. [18]
The first plans to redevelop the Royal Opera House and the entrance of Valletta were made in the 1950s. This project was revived by Prime Minister George Borg Olivier in 1962, focusing on the city gate. [17] The project to replace the gate with a larger one was announced at the 1963 Trade Fair Exposition, and the gate was pulled down in June 1964. [19]
Following the demolition of the gate, the bust of Pius V was placed into storage, before being retrieved by the Valletta Local Council in 1993. In 2005, the bust was moved to Great Siege Square, close to Saint John's Co-Cathedral and the Law Courts. [16]
The fourth city gate was built between June 1964 and August 1965 to designs of the architect Alziro Bergonzo, in the Italian rationalist style. The gate consisted of a large opening in the centre with two smaller ones on the sides, and it had a simple design with limited ornamentation. [17] [20] Pope Pius V Street (Maltese : Triq il-Papa Piju V) passed on top of the gate. [21]
The gate was part of a project that was never fully completed, that of redeveloping the entrance to Valletta and the Royal Opera House. It was controversial at the time of its construction, with the general public having mixed opinions on the gate. In March 1965, when construction of the gate was underway, the Chamber of Architects criticized its design as an "architectural flop". Arguments in favour of the gate said that it offered a better view of the bastions, and its design reflected the fortifications' austerity. [17]
Further criticism was directed towards the gate in subsequent decades, and there was public interest to replace the gate. The Italian architect Renzo Piano first made plans to redevelop the entrance of Valletta in 1988, but the project was shelved by 1992. In 2008, the government resumed contact with Piano to replace the gate. [22] Piano's new plans were revealed on 27 June 2009, [23] and City Gate was demolished between 2 and 5 May 2011, with Prime Minister Lawrence Gonzi attending the demolition. [24] The demolition of City Gate and the nearby Freedom Square arcades cost a total of €1.39 million. [21]
The fifth and present city gate was constructed between 2011 and 2014 to designs of Renzo Piano. This gate is very different from the previous ones, as it consists of a breach in the bastions, flanked by large blocks of stone which are separated from the curtain walls by high blades of steel. Like the fourth gate, it was also built as part of a project to redesign the city entrance. The project also turned the ruins of the Royal Opera House into an open-air theatre known as Pjazza Teatru Rjal, and a new Parliament House was built occupying part of Freedom Square. [25]
The new city gate, like the rest of Piano's project, was controversial. [26] The majority of the Maltese welcomed the demolition of the fourth gate, although it was one of the few examples of Italian rationalist architecture on the island. [17] Some critics of the new gate preferred a more traditional design similar to the third gate. [6] The new gate has been compared to the ancient Egyptian Temple of Edfu, with critics saying that the breach in the bastions is out of place in the largely Mannerist and Baroque city. [27] [28]
The Renzo Piano design incorporated many themes from the project evolving over many years, and in the case of the stone facade, this had to be quarried from the ideal location on the island to provide enough stone to frame the gate but delicate enough for the richly textured walls of the Parliament building. The Maltese Hardstone Limestone was carved, to play with the light. There is some 12,000 cubic meters of the Limestone, the aiding of sourcing and production QC was by Kevin Ramsey (Ramsey Stone Consultants). [29]
In October 2014, an art installation entitled Prospettiva was inaugurated in Girolamo Cassar Avenue, close to the bus terminus. The installation incorporates elements from the five gates which have stood at the entrance of Valletta, and it was designed by the architect Chris Briffa. The installation commemorates Valletta's selection as European Capital of Culture in 2018. [30]
Valletta is the capital city of Malta and one of its 68 council areas. Located between the Grand Harbour to the east and Marsamxett Harbour to the west, its population as of 2021 was 5,157. As Malta’s capital city, it is a commercial centre for shopping, bars, dining, and café life. It is also the southernmost capital of Europe, and at just 0.61 square kilometres (0.24 sq mi), it is the European Union's smallest capital city.
The Tritons’ Fountain is a fountain located in Floriana, Malta. It consists of three bronze Tritons holding up a large basin, balanced on a concentric base built out of concrete and clad in 730 tons of travertine slabs. The fountain is one of Malta's most important Modernist landmarks.
Fort Saint Elmo is a star fort in Valletta, Malta. It stands on the seaward shore of the Sciberras Peninsula that divides Marsamxett Harbour from Grand Harbour, and commands the entrances to both harbours along with Fort Tigné and Fort Ricasoli. It is best known for its role in the Great Siege of Malta in 1565.
Saint James Cavalier is a 16th-century cavalier in Valletta, Malta, which was built by the Order of St John. It overlooks St James' Bastion, a large obtuse-angled bastion forming part of the Valletta Land Front. St James was one of nine planned cavaliers in the city, although eventually only two were built, the other one being the identical Saint John's Cavalier. It was designed by the Italian military engineer Francesco Laparelli, while its construction was overseen by his Maltese assistant Girolamo Cassar. St James Cavalier never saw use in any military conflict, but it played a role during the Rising of the Priests in 1775.
The Royal Opera House, also known as the Royal Theatre, was an opera house and performing arts venue in Valletta, Malta. It was designed by the English architect Edward Middleton Barry and was erected in 1866. In 1873 its interior was extensively damaged by fire but was eventually restored by 1877. The theatre received a direct hit from aerial bombing in 1942 during World War II. Prior to its destruction, it was one of the most beautiful and iconic buildings in Valletta. After several abandoned plans to rebuild the theatre, the ruins were redesigned by the Italian architect Renzo Piano and in 2013 it once again started functioning as a performance venue, called Pjazza Teatru Rjal.
The Cottonera Lines, also known as the Valperga Lines, are a line of fortifications in Bormla and Birgu, Malta. They were built in the 17th and 18th centuries on higher ground and further outwards than the earlier line of fortifications, known as the Santa Margherita or Firenzuola lines, which also surround Bormla.
The Floriana Lines are a line of fortifications in Floriana, Malta, which surround the fortifications of Valletta and form the capital city's outer defences. Construction of the lines began in 1636 and they were named after the military engineer who designed them, Pietro Paolo Floriani. The Floriana Lines were modified throughout the course of the 17th and 18th centuries, and they saw use during the French blockade of 1798–1800. Today, the fortifications are still largely intact but rather dilapidated and in need of restoration.
Maltese architecture has its origins in prehistory, and some of the oldest free-standing structures on Earth – a series of megalithic temples – can be found on Malta. The islands were colonized by the Phoenicians and later the Romans, who established the cities of Melite and Gaulos. Although these were substantial settlements and are known to have had numerous temples, churches and palaces, few remains have survived apart from some architectural fragments.
The Citadel, also known as the Castello, is the citadel of Victoria on the island of Gozo, Malta. The area has been inhabited since the Bronze Age, and the site now occupied by the Cittadella is believed to have been the acropolis of the Punic-Roman city of Gaulos or Glauconis Civitas.
Tommaso Dingli was a Maltese architect and sculptor. One of the last Renaissance architects on the island, he designed several parish churches, most notably those of Attard and Birkirkara.
Saint John's Cavalier is a 16th-century cavalier in Valletta, Malta, which was built by the Order of St. John. It overlooks St. John's Bastion, a large obtuse-angled bastion forming part of the Valletta Land Front. St. John was one of nine planned cavaliers in the city, although eventually only two were built, the other one being the identical Saint James Cavalier. It was designed by the Italian military engineer Francesco Laparelli, while its construction was overseen by his Maltese assistant Girolamo Cassar.
The Parliament House is the meeting place of the Parliament of Malta located in Valletta, Malta. The building was constructed between 2011 and 2015 to designs by Renzo Piano as part of the City Gate Project, which also included building a new City Gate and converting the ruins of the Royal Opera House into an open-air theatre. Construction of the Parliament House generated considerable controversy, mainly due to the modern design of the building and the cost of construction, which amounted to around €90 million.
The Santa Margherita Lines, also known as the Firenzuola Lines, are a line of fortifications in Cospicua, Malta. They were built in the 17th and 18th centuries to protect the land front defences of the cities of Birgu and Senglea. A second line of fortifications, known as the Cottonera Lines, was later built around the Santa Margherita Lines, while the city of Cospicua was founded in the 18th century within the Santa Margherita and Cottonera Lines.
The fortifications of Valletta are a series of defensive walls and other fortifications which surround Valletta, the capital city of Malta. The first fortification to be built was Fort Saint Elmo in 1552, but the fortifications of the city proper began to be built in 1566 when it was founded by Grand Master Jean de Valette. Modifications were made throughout the following centuries, with the last major addition being Fort Lascaris which was completed in 1856. Most of the fortifications remain largely intact today.
The fortifications of Mdina are a series of defensive walls which surround Mdina, the former capital city of Malta from antiquity to the medieval period. The city was founded as Maleth by the Phoenicians in around the 8th century BC, and it later became part of the Roman Empire under the name Melite. The ancient city was surrounded by walls, but very few remains of these have survived.
The fortifications of Birgu are a series of defensive walls and other fortifications which surround the city of Birgu, Malta. The first fortification to be built was Fort Saint Angelo in the Middle Ages, and the majority of the fortifications were built between the 16th and 18th centuries by the Order of Saint John. Most of the fortifications remain largely intact today.
The fortifications of Senglea are a series of defensive walls and other fortifications which surround the city of Senglea, Malta. The first fortification to be built was Fort Saint Michael in 1552, and the majority of the fortifications were built over the next decade when it was founded by Grand Master Claude de la Sengle. Modifications continued until the 18th century, but large parts of the fortifications were demolished between the 19th and 20th centuries. Today, all that remain of Senglea's fortifications are the seaward bastions and part of the land front.
Victoria Gate is a city gate in Valletta, Malta. It was built by the British in 1885, and was named after Queen Victoria. The gate is the main entrance into the city from the Grand Harbour area, which was once the busiest part of the city. The gate is located between Marina Curtain and St. Barbara Bastion, on the site of the 16th-century Del Monte Gate.
St. Helen's Gate, also known as Porta dei Mortari, is the main gate of the Santa Margherita Lines, located in Cospicua, Malta. It was built in the Baroque style in 1736 to designs of Charles François de Mondion, during the magistracy of Grand Master António Manoel de Vilhena.
The Notre Dame Gate, also known as the Notre Dame de la Grace Gate, the Cottonera Gate, the Żabbar Gate or Bieb is-Sultan, is the main gate of the Cottonera Lines, located in Cottonera, Malta. The gate was built in 1675 in the Baroque style, and it is currently used as the headquarters of the heritage organization Fondazzjoni Wirt Artna.
Media related to Valletta City Gate at Wikimedia Commons