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The Convent of Bosco ai Frati is located in the comune (municipality) of Scarperia e San Piero, in the midst of Turkey oak woods. The area is in the province of Florence in the Italian region Tuscany, and is situated about 25 kilometres (16 miles) northeast of Florence.
The convent was most probably founded by the Ubaldini, a local noble family possibly of Lombard origins, in the sixth century, then became a monastery of the Basilians in the ninth century. At some point it came to be occupied by a group of hermits, until 1206, when it was donated with a large part of the wood, to Saint Francis di Assisi. The Franciscans occupied the convent in 1212. Among those who lived there was the Venerable Giovanni da Perugia (John of Perugia), known as Lo Scalzo (the Barefooted), Vicar General of the Order in the time of St Francis.
In 1349 the convent was almost completely abandoned on account of the Black Death plague and only came to flourish again in 1420 when Cosimo de' Medici (the Elder) bought it, rebuilt it, enlarged the refectory, built the bell tower (campanile), the cloister, the sacristy, the cistern and the loggia, the latter following a project of Michelozzo, who altered the church of St Bonaventure, situated within the convent, giving it a portico fitted with columns on the outer rather than the inner side, embellishing it with a single nave with vaulting in the form of rib vaulting and enlarged the polygonal choir. In front of the latter there is a sixteenth-century reredos in wood displaying the Medici arms in gold intarsia.
In 1427, by bull of Pope Martin V, it came to be inhabited by religious; and about 1430 Cosimo I set up a library with many valuable books. The Bosco ai Frati altarpiece executed by Fra Angelico in tempera on wood (174x174 cm) and dating to 1450–1452, is nowadays conserved in the Museo nazionale di San Marco in Florence.
In 1542 an earthquake occasioned serious damage to convent, especially the bell tower. The convent once more fell on hard times and was suppressed by Napoleon. After the latter's fall, the friars were able to return and stayed until 1866, when the government of the newly united Kingdom of Italy suppressed the convent. However, the new owner, the Marquis Gerini, rebuilt the church and then handed the convent back to the Franciscans.
The church contains a painting by Jacopo Ligozzi, signed and dated 1579, depicting The Establishment of the Franciscan Third Order and a highly decorated sixteenth-century altar. The sacristy has a fresco in the manner of the Florentine School from the first half of the fifteenth century.
The cloister contains a Museo di Arte sacra (Museum of Sacred Art) which conserves a wooden crucifix discovered in 1950 and attributed to Donatello or his workshop (c. 1460). The museum also has sacred vestments and liturgical objects from the convent, some bearing the arms of the Gerini. The cloister gives access to Michelozzo's refectory and to the kitchen garden, adjoining the friars’ cells.
Giuliano Ughi della Cavallina, an Observant Franciscan of the sixteenth century, was the author of a work entitled Relazione dell'origine e del progresso del Convento del Bosco (Account of the Origins and Development of the Convent of Bosco). He died in the convent and was buried there.
Fra Angelico, OP was a Dominican friar and Italian painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence, then worked in Rome and other cities. All his known work is of religious subjects.
The Pazzi were a powerful family in the Republic of Florence. Their main trade during the fifteenth century was banking. In the aftermath of the Pazzi conspiracy in 1478, members of the family were banished from Florence and their property was confiscated; the family name and coat-of-arms were permanently suppressed by order of the Signoria.
Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church.
Santa Felicita is a Roman Catholic church in Florence, region of Tuscany, Italy, probably the oldest in the city after San Lorenzo. In the 2nd century, Syrian Greek merchants settled in the area south of the Arno and are thought to have brought Christianity to the region. The first church on the site was probably built in the late 4th century or early 5th century and was dedicated to Saint Felicity of Rome. A new church was built in the 11th century and the current church largely dates from 1736–1739, under design by Ferdinando Ruggieri, who turned it into a one nave edifice. The monastery was suppressed under the Napoleonic occupation of 1808–1810.
The Basilica di Santa Croce is a minor basilica and the principal Franciscan church of Florence, Italy. It is situated on the Piazza di Santa Croce, about 800 metres southeast of the Duomo, on what was once marshland beyond the city walls. Being the burial place of some of the most notable Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, it is also known as the Temple of the Italian Glories.
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Michelozzo di Bartolomeo Michelozzi was an Italian architect and sculptor. Considered one of the great pioneers of architecture during the Renaissance, Michelozzo was a favored Medici architect who was extensively employed by Cosimo de' Medici. He was a pupil of Lorenzo Ghiberti in his early years, and later collaborated with Donatello.
The Basilica di Santo Spirito is a church in Florence, Italy. Usually referred to simply as Santo Spirito, it is located in the Oltrarno quarter, facing the square with the same name. The interior of the building – internal length 97 m (318 ft) – is one of the preeminent examples of Renaissance architecture.
San Marco is a religious complex in Florence, Italy. It comprises a church and a convent. The convent, which is now the Museo Nazionale di San Marco, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola. Furthermore, the church houses the tomb of Pico Della Mirandola, a Renaissance philosopher and the so called "Father of Humanism."
Museo Nazionale di San Marco is an art museum housed in the monumental section of the medieval Dominican convent of San Marco dedicated to St Mark, situated on the present-day Piazza San Marco, in Florence, a region of Tuscany, Italy.
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The decade of the 1430s in art involved some significant events.
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San Girolamo is a Renaissance style church just outside the old walled city of Volterra, Italy. The church and attached Franciscan convent, a complex also known as of San Girolamo al Velloso, were designed by Michelozzo and construction was completed by about 1445. Some have questioned the attribution and even suggested that it was designed another famous Florentine architect, Lorenzo Ghiberti.
Zanobi di Benedetto di Caroccio degli Strozzi, normally referred to more simply as Zanobi Strozzi, was an Italian Renaissance painter and manuscript illuminator active in Florence and nearby Fiesole. He was closely associated with Fra Angelico, probably as his pupil, as told by Vasari. He is the same painter as the Master of the Buckingham Palace Madonna. Most of his surviving works are manuscript illuminations but a number of panel paintings have also been attributed to him, including seven altarpieces and six panels with the Virgin and Child, along with some designs for metalwork.
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