Cooee and the Echo | |
---|---|
Directed by | Alfred Rolfe |
Starring | Charles Villiers |
Cinematography | A. O. Segerberg |
Production company | |
Release date |
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Running time | 3,000 feet [1] |
Country | Australia |
Languages | Silent film English intertitles |
Cooee and the Echo is a 1912 Australian silent film directed by Alfred Rolfe. It is considered a lost film. [2]
In northern Queensland, a young miner is determined to avenge the murder of his brother by another miner. He falls in love with the daughter of the mine manager but discovers she is being pursued also by his brother's killer. The climax involves a knife fight involving the hero, and the hero's aboriginal friend, Yacka (Charles Woods), coming to the rescue. [3] Another highlight was a scene with a person on horseback jumping off a bridge into the water. [4]
Edward William O'Sullivan wrote a play called Cooee, or Wild Days in the Australian Bush but it appears to have a very different plot. [6]
The film was shot near Sydney with bush scenes in the National Park. It was the first feature film definitely known to be shot by A. O. Segerberg. [3]
One critic said of the film that "the bush in all its picturesqueness and grandeur was brought vividly to the eyes with astounding clearness and fidelity as to details." [7]
The film was a financial success. [8]
Cooee! is a shout originated in Australia to attract attention, find missing people, or indicate one's own location. When done correctly—loudly and shrilly—a call of "cooee" can carry over a considerable distance. The distance one's cooee call travels can be a matter of competitive pride. It is also known as a call of help, distinct amongst the natural sounds of the bush.
Raymond Longford was a prolific Australian film director, writer, producer, and actor during the silent era. Longford was a major director of the silent film era of the Australian cinema. He formed a production team with Lottie Lyell. His contributions to Australian cinema with his ongoing collaborations with Lyell, including The Sentimental Bloke (1919) and The Blue Mountains Mystery (1921), prompted the Australian Film Institute's AFI Raymond Longford Award, inaugurated in 1968, to be named in his honour.
Assigned to his Wife is a 1911 Australian silent film from director John Gavin. It is a convict-era "military romantic melodrama".
Alfred Rolfe, real name Alfred Roker, was an Australian stage and film director and actor, best known for being the son-in-law of the celebrated actor-manager Alfred Dampier, with whom he appeared frequently on stage, and for his prolific output as a director during Australia's silent era, including Captain Midnight, the Bush King (1911), Captain Starlight, or Gentleman of the Road (1911) and The Hero of the Dardanelles (1915). Only one of his films as director survives today.
Captain Midnight, the Bush King is a 1911 Australian silent Western film about the fictitious bushranger Captain Midnight. It was the directorial debut of actor Alfred Rolfe. The film is based on the play of same name by W. J. Lincoln and Alfred Dampier. Captain Midnight, the Bush King is now considered lost.
The Life of Rufus Dawes is a 1911 Australian silent film based on Alfred Dampier's stage adaptation of the 1874 novel For the Term of His Natural Life produced by Charles Cozens Spencer.
In the Nick of Time is a 1911 Australian silent film directed by Alfred Rolfe. It was described as a "sensational railway drama", although now is considered a lost film.
The Cup Winner is a 1911 Australian silent film directed by Alfred Rolfe. It is set against a backdrop of horseracing and the finale involves real footage from the 1911 Melbourne Cup.
Caloola, or The Adventures of a Jackeroo is a 1911 Australian silent film directed by Alfred Rolfe based on a novel published the previous year by Clement Pratt.
Do Men Love Women? is a 1912 Australian silent film directed by Alfred Rolfe about an alcoholic who reforms through the love of a good woman. The finale featured a railway collision.
The Crime and the Criminal is a 1912 Australian silent film directed by Alfred Rolfe. It features the same railway collision as the climax in Do Men Love Women? (1912) which had come out only a few weeks prior. However the plots of the movies are different.
The Cheat is a 1912 Australian silent film directed by Alfred Rolfe. It is considered a lost film.
Won on the Post is a 1912 Australian silent film directed by Alfred Rolfe set against a backdrop of horseracing.
Moira, or The Mystery of the Bush is a 1912 Australian silent film directed by Alfred Rolfe.
The Loyal Rebel is a 1915 Australian silent film directed by Alfred Rolfe set against the background of the Eureka Rebellion.
Charles Villiers was an Australian actor and occasional director who appeared in many silent films. According to a contemporary report, "there is probably no actor in Australia that has done more consistent picture work than Mr. Villiers, both as heavy lead, and director." He was particularly well known for playing villains.
Dan Morgan is a 1911 Australian film from Charles Cozens Spencer about the bushranger Daniel Morgan. It was said to be starring "Alfred Rolfe and company". Rolfe directed three movies for Spencer, all starring himself and his wife Lily Dampier so there is a chance he may have directed this one and that it starred his wife. A prospectus for the Australian Photo Play Company said he directed it. It is considered a lost film.
The Australian Photo-Play Company was a short-lived but highly productive Australian film production company which operated from 1911 to 1912.
Charles Woods was an Australian comedian and filmmaker from the silent era. He would occasionally accompany screenings of films he had directed and give lectures.
Maude Wordsworth James, born Maude Crabbe, was an Australian designer, author and songwriter. She was an executive officer of the Kalgoorlie Ladies' Referendum Committee. She is best known for promoting "cooee" as an Australian patriotic symbol, designing cooee jewelry and writing cooee songs. George Crabbe, a famous English poet, is Maude's ancestor.