The Love Tyrant | |
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Directed by | Alfred Rolfe |
Starring | Charles Villiers |
Production company | |
Release date |
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Running time | 1,800 feet [3] or 2,200 feet [4] |
Country | Australia |
Languages | Silent film English intertitles |
The Love Tyrant is a 1912 Australian silent film directed by Alfred Rolfe. It was described as an "Australian drama about the back blocks" [5] and a "stirring drama full of thrilling incidents". [6] It was set during the early bushranging days. [7]
The film was also known as 'Love the Tyrant. [9]
The story begins on Christmas Day at Farmer Morrison's home. Morrison's son, William, has been secretly married to Annie, the maid. Morrison wishes his son to marry Dora. When William tells him the truth, he kicks out his son and wife.
Time passes and William owns a farm and has a son with Annie. On returning' one-night from his work, tired and hungry, he has a dispute with his wife, who threatens to leave. Troubled and worn out, he falls a sleep and dreams a dream in which he imagines his wife has left him for another man.
A mail robbery occurs in the district and William and three stockmen are falsely accused. After his trial, he returns to find his stock ruined. He runs away to the bush and becomes an outlaw. He is sentenced to death and as he is placed on the scaffold he wakes up to find his wife at his side. He becomes reconciled to his father who proved the enemy of his dream. [10]
The movie was selected to open the new Glenferrie Theatre in Melbourne. In Sydney and Adelaide it was screened as Love, the Tyrant . [11] [12]
Lottie Lyell was an Australian actress, screenwriter, editor and filmmaker. She is regarded as Australia's first film star, and also contributed to the local industry during the silent era through her collaborations with director and writer Raymond Longford.
Robbery Under Arms is a 1920 Australian film directed by Kenneth Brampton and financed by mining magnate Pearson Tewksbury. It is an early example of the "Meat pie Western".
Alfred Rolfe, real name Alfred Roker, was an Australian stage and film director and actor, best known for being the son-in-law of the celebrated actor-manager Alfred Dampier, with whom he appeared frequently on stage, and for his prolific output as a director during Australia's silent era, including Captain Midnight, the Bush King (1911), Captain Starlight, or Gentleman of the Road (1911) and The Hero of the Dardanelles (1915). Only one of his films as director survives today.
Captain Midnight, the Bush King is a 1911 Australian silent Western film about the fictitious bushranger Captain Midnight. It was the directorial debut of actor Alfred Rolfe. The film is based on the play of same name by W. J. Lincoln and Alfred Dampier. Captain Midnight, the Bush King is now considered lost.
The Life of Rufus Dawes is a 1911 Australian silent film based on Alfred Dampier's stage adaptation of the 1874 novel For the Term of His Natural Life produced by Charles Cozens Spencer.
The Lady Outlaw is a 1911 Australian silent film set in Van Diemen's Land during convict days.
In the Nick of Time is a 1911 Australian silent film directed by Alfred Rolfe. It was described as a "sensational railway drama", although now is considered a lost film.
The Cup Winner is a 1911 Australian silent film directed by Alfred Rolfe. It is set against a backdrop of horseracing and the finale involves real footage from the 1911 Melbourne Cup.
Do Men Love Women? is a 1912 Australian silent film directed by Alfred Rolfe about an alcoholic who reforms through the love of a good woman. The finale featured a railway collision.
The Crime and the Criminal is a 1912 Australian silent film directed by Alfred Rolfe. It features the same railway collision as the climax in Do Men Love Women? (1912) which had come out only a few weeks prior. However the plots of the movies are different.
Cooee and the Echo is a 1912 Australian silent film directed by Alfred Rolfe. It is considered a lost film.
The Cheat is a 1912 Australian silent film directed by Alfred Rolfe. It is considered a lost film.
Won on the Post is a 1912 Australian silent film directed by Alfred Rolfe set against a backdrop of horseracing.
Moira, or The Mystery of the Bush is a 1912 Australian silent film directed by Alfred Rolfe.
One Hundred Years Ago is a 1911 Australian silent film directed by Gaston Mervale. It features an early screen performance from Louise Lovely and is considered a lost film.
The Wreck of the Dunbar or The Yeoman's Wedding is a 1912 Australian silent film directed by Gaston Mervale starring Louise Lovely. The plot concerns the shipwreck of the Dunbar, one of Australia's worst maritime disasters. It is considered a lost film.
Strike is an Australian film directed by George Young. It is considered a lost film.
Dan Morgan is a 1911 Australian film from Charles Cozens Spencer about the bushranger Daniel Morgan. It was said to be starring "Alfred Rolfe and company". Rolfe directed three movies for Spencer, all starring himself and his wife Lily Dampier so there is a chance he may have directed this one and that it starred his wife. A prospectus for the Australian Photo Play Company said he directed it. It is considered a lost film.
The Australian Photo-Play Company was a short-lived but highly productive Australian film production company which operated from 1911 to 1912.
Fraser Film Release and Photographic Company was an Australian film company formed in 1912 by two brothers, Archie and Colin Fraser. It operated as a film exchange, importing movies from overseas, and production house, making shorts, features and documentaries.