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The Copycat Building is a former manufacturing warehouse at 1501 Guilford Ave, Baltimore, Maryland, today used as an artists' studio and living space. Built in 1897, it is home to the city's creative class and a landmark of the Station North Arts and Entertainment District.
It earned the nickname "the Copycat" for a billboard advertising the Copy Cat printing company that stood on its roof for years. [1] The building was purchased by Charles Lankford in 1983 for $225,000. At the time it housed a variety of light-industrial tenants, which Lankford sought to retain.
During the COVID-19 pandemic, the Copycat Building became a focal point of tenant-landlord conflict. Though state and national eviction moratoria prevented eviction proceedings against tenants, Lankford attempted to remove a number of tenants in arrears by refusing to renew month-to-month leases. [2] Because Lankford operates the Copycat without the legally required licensing, tenants and state legal nonprofits challenged his right to relief in tenant holding over court. In December 2021, the Maryland Court of Appeals ruled in Lankford's favor, allowing him to displace tenants despite lacking a license in a blow tenant advocates have called "an 'earthquake' that could endanger tenants" throughout Maryland.” [3] This ruling led to the passage of the Rental Licensing Accountability Act, which aims to block owners of unlicensed units from seeking relief in specialized tenant courts. [4]
"After a while we decided, as an experiment, to take one floor and convert it into artist studios, since we were so close to Maryland Institute College of Art," Lankford says. "Over time, everybody started 'cheating'--instead of renting an apartment and a studio, they would save money by living in their studios." Lankford, who added a 40,000-square-foot (3,700 m2) industrial building at 419 E. Oliver St. that has also come to house artists to his portfolio in 1983, says he has "never hidden" from the city that artists have been working and living in his buildings. But he has had run-ins with various cities agencies over its legality. As a first step to getting his buildings "legit," he launched his own campaign to change the area's zoning from industrial to residential three years ago—only to be told that such a move was illegal. "There was no mechanism to allow this type of change," Lankford says. "You couldn't go from industrial to residential."
— Brennen Jensen, "Industry to Easels", Baltimore City Paper
The Copycat Building was home to The Wham City Art's Collective, former home to Baltimore artist Dan Deacon, Blood Baby, Santa Dads, Videohipos, Ed Schrader, Jimmy Joe Roche, and others. In addition to hosting local and touring acts Wham City hosted live stage performances, including of their interpretation of Beauty And The Beast, and held the first Whartscape Festival in the building in 2006. The related group Wham City Comedy also maintains a studio at the Copycat, where filmmakers and comedians Ben O'Brien and Alan Resnick produce and direct works, including the infomercial parody Live Forever as You Are Now with Alan Resnick, which was produced for Adult Swim. The Copycat Building also housed Social Services Recording Studio and the offices of local label Morphius (Morphius relocated in 2002). Both businesses had practice spaces hosting local bands the Uniform, LandSpeedRecord!, Wilderness, Third Harmonic Distortion, The Brogues, and Axilla. Dub producer Hopeton Overton Brown [] often worked at Social Services in the late 1990s.
Bands that have performed in the warehouse include: Grimes, Lightning Bolt, Mac DeMarco, Future Islands, Japanther, Wolf Eyes, Gravenhurst, Honne Wells, The Death Set, Matt + Kim, Anathallo, The USAISAMONSTER, Need New Body, Porches, and Dan Deacon.
Today, the Copycat is still home to many young artists, musicians, filmmakers, and professionals looking for a large space to create, study, and live in the city. Many residents use their living spaces to host art and music-related events.
In the United States, rent control refers to laws or ordinances that set price controls on the rent of residential housing to function as a price ceiling. More loosely, "rent control" describes several types of price control:
Eviction is the removal of a tenant from rental property by the landlord. In some jurisdictions it may also involve the removal of persons from premises that were foreclosed by a mortgagee.
A lease is a contractual arrangement calling for the user to pay the owner for the use of an asset. Property, buildings and vehicles are common assets that are leased. Industrial or business equipment are also leased. Basically a lease agreement is a contract between two parties: the lessor and the lessee. The lessor is the legal owner of the asset, while the lessee obtains the right to use the asset in return for regular rental payments. The lessee also agrees to abide by various conditions regarding their use of the property or equipment. For example, a person leasing a car may agree to the condition that the car will only be used for personal use.
A rental agreement is a contract of rental, usually written, between the owner of a property and a renter who desires to have temporary possession of the property; it is distinguished from a lease, which is more typically for a fixed term. As a minimum, the agreement identifies the parties, the property, the term of the rental, and the amount of rent for the term. The owner of the property may be referred to as the lessor and the renter as the lessee.
A rent strike is a method of protest commonly employed against large landlords. In a rent strike, a group of tenants come together and agree to refuse to pay their rent en masse until a specific list of demands is met by the landlord. This can be a useful tactic of final resort for use against intransigent landlords, but carries the risk of eviction and lowered credit scores in some cases.
Single room occupancy is a form of housing that is typically aimed at residents with low or minimal incomes who rent small, furnished single rooms with a bed, chair, and sometimes a small desk. SRO units are rented out as permanent residence and/or primary residence to individuals, within a multi-tenant building where tenants share a kitchen, toilets or bathrooms. SRO units range from 7 to 13 square metres. In some instances, contemporary units may have a small refrigerator, microwave, or sink.
The Station North Arts and Entertainment District is an area and official arts and entertainment district in the U.S. city of Baltimore, Maryland. The neighborhood is marked by a combination of artistically-leaning commercial ventures, such as theaters and museums, as well as formerly abandoned warehouses that have since been converted into loft-style living. It is roughly triangular, bounded on the north by 20th Street, on the east by Greenmount Avenue, and on the south and west by the tracks of Amtrak's Northeast Corridor, though the neighborhood's boundaries include a one-block wide extension over the tracks.
Landlord harassment is the willing creation, by a landlord or their agents, of conditions that are uncomfortable for one or more tenants in order to induce willing abandonment of a rental contract. This is illegal in many jurisdictions, either under general harassment laws or specific protections, as well as under the terms of rental contracts or tenancy agreements.
Greenmount West is a neighborhood in the state-designated Station North Arts District of Baltimore City. Its borders consist of Hargrove Alley to the west, Hoffman Street and the Amtrak railroad tracks to the south, the south side of North Avenue to the north, and Greenmount Avenue to the east. Residents in the area include a mix of low, middle and high income families, artists, commuters to Washington DC and working-class Baltimoreans with the majority of residents of African American descent.
James E. Hooper House is a historic home located at Baltimore, Maryland, United States. It is a large Queen Anne style freestanding masonry structure, situated among the buildings of the Old Goucher College Buildings complex. It is a rectangular building with a steeply pitched gable roof, a small, two-story wing extending, and a 2+1⁄2-story bay window extension, with a small gable roof. There are two stories in the main section of the house, and two more stories in the gable. It is constructed of dark red bricks with terra cotta, brownstone, and granite trim. The exterior features a slate shingle roof, and a square oriel, three bays wide and one bay deep, made of wood, and painted green. The house was constructed in 1886 for James E. Hooper (1839–1908).
Landlord–tenant law is the field of law that deals with the rights and duties of landlords and tenants.
The Ellis Act is a 1985 California state law that allows landlords to evict residential tenants to "go out of the rental business" in spite of desires by local governments to compel them to continue providing rental housing.
Live Forever as You Are Now with Alan Resnick is a television special written, created and directed by Alan Resnick and Ben O'Brien for Adult Swim, as part of the Infomercials series. The special is presented as a parody of self-help infomercials, advertising a four-step program for creating a digital avatar that acts as a backup of its host. The special is hosted by Alan Resnick as himself, and is presented by Dan Deacon. Both, along with O'Brien, are members of the Baltimore-based art collective Wham City, who co-produced the episode under their video production division, AB Video Solutions.
Ben O'Brien is an American comedian and filmmaker from Baltimore, Maryland. They are a member of the Wham City arts collective and founding member of Wham City Comedy. They have directed videos for Adult Swim and Merge Records. They are the co-creator of the web series Showbeast (2006–2013) and they manages and performs with Wham City Comedy (2010–present). The website Brightest Young Things posted this about Wham City Comedy "...you should make a point to see them, as they’re super funny and doing DIY comedy like few others."
Alan Resnick is an American comedian, visual artist, and filmmaker. He is a member of the Wham City arts collective and founding member of Wham City Comedy.
Wham City is an art and performance collective based in Baltimore, Maryland. Members of Wham City include musicians Dan Deacon and Ed Schrader, visual artists Jimmy Joe Roche, Peter Ryan O'Connell, Mason Ross, Adam Endres, Dina Kelberman, April Camlin, Connor M. Kizer, Robby Rackleff, Cricket Arrison, Alan Resnick and Ben O'Brien.
The Costa–Hawkins Rental Housing Act ("Costa–Hawkins") is a California state law, enacted in 1995, which places limits on municipal rent control ordinances. Costa–Hawkins preempts the field in two major ways. First, it prohibits cities from establishing rent control over certain kinds of residential units, e.g., single-family dwellings and condominiums, and newly constructed apartment units; these are deemed exempt. Second, it prohibits "vacancy control", also called "strict" rent control. The legislation was sponsored by Democratic Senator Jim Costa and Republican Assemblymember Phil Hawkins.
Jheanelle K. Wilkins is an American politician who has represented District 20 in the Maryland House of Delegates since 2017. A member of the Democratic Party, she has served as the Chair of the Legislative Black Caucus of Maryland since 2022.
The New York City Loft Board is a quasi-legislative and judicial body of the New York City government that oversees the legal conversion of commercial and manufacturing spaces to residential use.
Eviction in the United States refers to the pattern of tenant removal by landlords in the United States. In an eviction process, landlords forcibly remove tenants from their place of residence and reclaim the property. Landlords may decide to evict tenants who have failed to pay rent, violated lease terms, or possess an expired lease. Landlords may also choose not to renew a tenant's lease, however, this does not constitute an eviction. In the United States, eviction procedures, landlord rights, and tenant protections vary by state and locality. Historically, the United States has seen changes in domestic eviction rates during periods of major socio-political and economic turmoil—including the Great Depression, the 2008 Recession, and the COVID-19 pandemic. High eviction rates are driven by affordable housing shortages and rising housing costs. Across the United States, low-income and disadvantaged neighborhoods have disproportionately higher eviction rates. Certain demographics—including low income renters, Black and Hispanic renters, women, and people with children—are also at a greater risk of eviction. Additionally, eviction filings remain on renters' public records. This can make it more difficult for renters to access future housing, since most landlords will not rent to a tenant with a history of eviction. Eviction and housing instability are also linked to many negative health and life outcomes, including homelessness, poverty, and poor mental and physical health.