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Mithraism, also known as the Mithraic mysteries or the Cult of Mithras, was a Roman mystery religion centered on the god Mithras. Although inspired by Iranian worship of the Zoroastrian divinity (yazata) Mithra, the Roman Mithras is linked to a new and distinctive imagery, with the level of continuity between Persian and Greco-Roman practice debated. The mysteries were popular among the Imperial Roman army from about the 1st to the 4th century CE.
Mystery religions, mystery cults, sacred mysteries or simply mysteries, were religious schools of the Greco-Roman world for which participation was reserved to initiates (mystai). The main characterization of this religion is the secrecy associated with the particulars of the initiation and the ritual practice, which may not be revealed to outsiders. The most famous mysteries of Greco-Roman antiquity were the Eleusinian Mysteries, which predated the Greek Dark Ages. The mystery schools flourished in Late Antiquity; Julian the Apostate in the mid 4th century is known to have been initiated into three distinct mystery schools—most notably the mithraists. Due to the secret nature of the school, and because the mystery religions of Late Antiquity were persecuted by the Christian Roman Empire from the 4th century, the details of these religious practices are derived from descriptions, imagery and cross-cultural studies. Much information on the Mysteries comes from Marcus Terentius Varro.
Fontus or Fons was a god of wells and springs in ancient Roman religion. A religious festival called the Fontinalia was held on October 13 in his honor. Throughout the city, fountains and wellheads were adorned with garlands.
Mitra is the name of an Indo-Iranian divinity that predates the Rigvedic Mitrá and Avestan Mithra.
The Basilica of Saint Clement is a Latin Catholic minor basilica dedicated to Pope Clement I located in Rome, Italy. Archaeologically speaking, the structure is a three-tiered complex of buildings: (1) the present basilica built just before the year 1100 during the height of the Middle Ages; (2) beneath the present basilica is a 4th-century basilica that had been converted out of the home of a Roman nobleman, part of which had in the 1st century briefly served as an early church, and the basement of which had in the 2nd century briefly served as a mithraeum; (3) the home of the Roman nobleman had been built on the foundations of republican era villa and warehouse that had been destroyed in the Great Fire of AD 64.
Sol Invictus was the official sun god of the late Roman Empire and a later version of the god Sol. The emperor Aurelian revived his cult in AD 274 and promoted Sol Invictus as the chief god of the empire. The main festival dedicated to him was the Dies Natalis Solis Invicti on 25 December, the date of the winter solstice in the Roman calendar. From Aurelian onward, Sol was of supreme importance, and often appeared on imperial coinage. He was often shown wearing a sun crown and driving a horse-drawn chariot through the sky. His prominence lasted until the emperor Constantine I converted to Christianity. The last inscription referring to Sol Invictus dates to AD 387, although there were enough devotees in the fifth century that the Christian theologian Augustine found it necessary to preach against them.
Martinus Nijhoff was a Dutch poet and essayist. He studied literature in Amsterdam and law in Utrecht. His debut was made in 1916 with his volume De wandelaar. From that moment he gradually expanded his reputation by his unique style of poetry: not experimental, like Paul Van Ostaijen, yet distinguished by the clarity of his language combined with mystical content. He was a literary craftsman who employed skilfully various verse forms from different literary epochs.
Tauroctony is a modern name given to the central cult reliefs of the Mithraic Mysteries in the Roman Empire. The imagery depicts Mithras killing a bull, hence the name tauroctony after the Greek word tauroktonos. A tauroctony is distinct from the sacrifice of a bull in ancient Rome called a taurobolium; the taurobolium was mainly part of the unrelated cult of Cybele.
Cautes and Cautopates are torch-bearers depicted attending the god Mithras in the icons of the ancient Roman cult of Mithraism, known as Tauroctony. Cautes holds his torch raised up, and Cautopates holds his torch pointed downward.
Arimanius is a name for an obscure deity found in a few Greek literary texts and five Latin inscriptions. It is supposed to be the opponent of Oromazes, the god of light. In classic texts, in the context of Zoroastrianism, Areimanios fairly clearly refers to the Greeks' and Romans' interpretation of the Persian Ahriman. The Latin inscriptions which were found in a Mithraic context suggest a re-defined or different deity with a near-identical name.
Carrawburgh is a settlement in Northumberland. In Roman times, it was the site of a 3+1⁄2-acre (1.5 ha) auxiliary fort on Hadrian's Wall called Brocolitia, Procolita, or Brocolita. This name is probably based on the Celtic name for the place, and one possible translation put forward is 'badger holes'. The fort there was a mile or so west of the Wall's northernmost point at Limestone Corner, and just over a mile west of the nearest milecastle, Milecastle 30. The fort either used the Wall itself as its northern rampart, or was built parallel to it but detached. It certainly postdates both the Wall and the vallum.
The Roman cult of Mithras had connections with other pagan deities, syncretism being a prominent feature of Roman paganism. Almost all Mithraea contain statues dedicated to gods of other cults, and it is common to find inscriptions dedicated to Mithras in other sanctuaries, especially those of Jupiter Dolichenus. Mithraism was not an alternative to other pagan religions, but rather a particular way of practising pagan worship; and many Mithraic initiates can also be found worshipping in the civic religion, and as initiates of other mystery cults.
The "Mithras Liturgy" is a text from the Great Magical Papyrus of Paris, part of the Greek Magical Papyri, numbered PGM IV.475–834. The modern name by which the text is known originated in 1903 with Albrecht Dieterich, its first translator, based on the invocation of Helios Mithras as the god who will provide the initiate with a revelation of immortality. The text is generally considered a product of the religious syncretism characteristic of the Hellenistic and Roman Imperial era, as were the Mithraic mysteries themselves. Some scholars have argued that it has no direct connection to particular Mithraic ritual. Others consider it an authentic reflection of Mithraic liturgy, or view it as Mithraic material reworked for the syncretic tradition of magic and esotericism.
The name Mithras is a form of Mithra, the name of an Iranian god, a point acknowledged by Mithras scholars since the days of Franz Cumont. The Greek form of the name appears in Xenophon's biography of Cyrus, the Cyropaedia, a work written in the fourth century BC.
Antonius Rufus was the name of a number of men of ancient Rome:
Eugene Numa Lane was an American classical philologist and archaeologist.
The Mithraeum of Dura Europos was found during excavations in the city in 1934. It is considered to be one of the best-preserved and best-documented cult buildings of Mithraism.
The gens Umbilia was an obscure plebeian family at ancient Rome. No members of this gens are mentioned by Roman writers, but several are known from inscriptions, indicating that they had attained senatorial rank by the late second century.
The Mithras of Fiano Romano is a bas-relief dated between the 2nd and 3rd century AD depicting typical scenes of the cult of Mithras and now preserved at the Louvre in Paris.
References
- ↑ Vermaseren 1956, p. iv.
- ↑ Vermaseren 1956, p. vii.
- ↑ Daniels 1975, p. 249.
- ↑ Gordon 1994, p. 460.
- ↑ Gordon 1994, p. 459, n. 2.
- ↑ Clauss 2000, p. xix.
- ↑ Gordon 2004.